Books like Black Bull, Ancestors and Me — picked by fans

I read this book in hard copy first as part of my undergraduate readings at the University of Nigeria, and later on in my graduate studies programme. I have also found it useful for my students in my classes on political economy and decolonization of knowledge.

The book, even though written a long time ago, is a fine and thorough critique of colonialism and its apprehension as the roots of Africa’s development problems. It details how colonialism is one more step in a long history of the appropriation of the resources of the global South for the development of the global North. And how colonialism in its different ramifications is a strategic and emphatic tool of underdeveloping Africa.

I find the book very enjoyable since it was not written in any real esoteric style. It often reads like a fictional account, but is laced with realities and historical facts of… show more.

A big mistake in much radical analysis is to characterize problems in dualistic terms that externalize responsibility from Africa (Rodney, of course, is wide open to that critique). Thus, colonialism is not just irredeemably bad but simple to identify and directly related to white skin. The end of formal colonialism provided new targets in sometimes caricature form: black-skin-white-mask neocolonialism and neoliberalism, notably. Such things undoubtedly exist. However, Kenworthy’s brilliant, gob-smacking analysis of the unintended consequences of life-saving technologies reveals levels of complexity and complicity that belie easy dualisms. How does something that promises liberation from mass suffering and death (anti-retroviral drugs) become a machine to entrench corrupt elites and opportunistic NGOs, to sell cheap textiles in America, and to exploit poor women’s unremunerated care work? Read, weep, and lose your illusions about corporate social responsibility.

This is no less than Kasril’s fourth memoir, and the one that resonates most with my own existential worries as a privileged white man. Why did a nice, working-class, Jewish boy from Johannesburg take up armed struggle against institutionalized racism? Become a cabinet minister in the country’s first democratic government devoted to expanding social welfare for Africans? Become a trenchant critic of the rot that subsequently set into the party he helped bring to power?

With profound humility and wit, Kasrils takes us through his boyhood years to reflect upon the often-humiliating process of acquiring political consciousness. He speaks to anyone with a leg up in a rigged system: it’s good to have existential doubts about your privileges. But you should still, and more importantly, you can still do the right thing.

The word “visceral” comes to mind when I attempt to distill what this book is about. A not-so-fictional auto-biography opens in the slum called Paradise, where Chipo, Bastard, Sbho, Stina, and “I” are headed to the–relatively–more affluent area of Budapest to steal fruit. These dirt-poor kids don’t know it, but they are victims of the far-off, murderous regime of President Robert Mugabe–but that always remains hidden in the background. They are brutalized and never know it or know why.

Courtesy of an invite from an Aunt in the United States, the protagonist eventually escapes Zimbabwe. But once there, while things get materially much better, in reality, it is no less bewildering and bereft of meaning: she and her friends spend their afternoons watching hard-core porn while eating popcorn and discussing inane stuff, like “what the hell are they doing?!” It’s funny in parts, but it also hurts in parts. The… show more.

For kids who think that "history" is made only by old people who lived long ago, this accessible anthology showcases fourteen of today's young people who are speaking up. It profiles a diverse range of contemporary activists (starting at eight years old) throughout the United States, kids who have worked on issues from climate change to safe water to social justice.

The book's creative format is particularly engaging for children and educators and makes it stand out in the field of anthologies. It provides a brief biography of every young person included, followed by a poem. Each poem is written by a different poet (including such excellent writers as Nikki Grimes and Lesléa Newman) and in a different form. The back matter explains the various poetic forms used and provides additional information about the editors' research and ideas about how young people can improve their communities.

Mounk’s book is not about mental health per se, but I found that he provided a clear, compassionate framework for understanding the current obsession with identity politics – which, in my experience, relates to our current mental health crisis.

Prioritizing race, gender, and other aspects of identity means that we focus less on universal aspects of the human experience. As a therapist, I know that understanding our suffering from a universal perspective brings healing and transformation. We lose so much when we lose this.

Mounk’s book helped clarify my thinking about identity politics, and I didn’t find it narrow or polemical. 

This book is a bible for people who care about changing the system, rather than just tinkering around the edges.

A soliologist and organiser, Erik Olin Wright manages to map out strategic exits from our exploitative economic, social, and political structures. He pulls together building blocks for a different world, shows them to us, and offers them for us to experiment with. Olin Wright was writing about things like universal basic income way before they were sexy and he writes with both passion and precision.

As someone who’s spent most of my life trying to get closer to the roots of our collective struggles, Olin Wright’s work is a huge support. It’s often difficult to feel like we’re making a difference, like everything’s sliding in the wrong direction no matter what we do.

Envisioning Real Utopias is a solid manual and a vital companion, covered with ink stains and pencil… show more.

Although this collection of short stories can be generally categorized as speculative fiction—and most are more specifically science fiction—there is nevertheless a strong visionary element in many of them. As I would expect when reading any book that has many authors, I relate to some stories more than others.

I particularly loved how they collectively built on the amazing legacy of Octavia Butler and did so by explicitly uniting around the social justice theme.

This book is unlike anything I’d ever read, but I desperately needed it. As the title suggests, the book flows with deep wisdom from within oceans. As a long-time resident of a landlocked state, I’ve always approached large bodies of water with a sense of awe (and, quite honestly, fear).

This creative nonfiction tells the story of possibility, kinship, and collective kindness available in the depths. The book itself is a technology for living well with others and ourselves.

This anthology attempts to answer ongoing questions about struggle in poems that engaged, challenged, and comforted me. What might survival sound or look like to us in our daily lives? Is it loud, refusing silence, demanding action? Or quiet, interior? What does surviving feel like in the body, this long into the pandemic? What techniques have helped us exist, continue to bear witness, learn to live with illness, grief, and pain? Is survival the continual interrogation of inequity and oppressive structures? What happens when we get tired of fighting?

Survival may very well be a composite of things; both a tending to one’s inner life and to the processing of life events, as well as the will to act, retrieve momentum. It is also a plurality/multiplicity of practices that serve to keep us well—as persons and with respect to our communities, the ongoing project of social justice/civil rights, which involves… show more.