Here are 100 books that Bitters fans have personally recommended if you like
Bitters.
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Nightclubs and country clubs figured in my father’s business distributing snack foods in post-WWII “Steel City,” Pittsburgh, where I was served “Shirley Temple” cocktails in martini glasses alongside my parents’ Manhattans. (To my five- and six-year-old eye, the trophy was the maraschino cherry.) Decades later, teaching American literature in the university, my interest deepened in Jack London’s writing, and my book on him demanded close attention to the history of US cocktails and other drinks. London’s memoir, John Barleycorn, frankly details his drinking and eventual capture by alcohol. As a scholar-researcher, I was “captured” by the backstory of US cocktail culture.
Whiskeys rule, but the modern bar dare not lack a battery of bitters that extend beyond from the familiar Angostura and Peychaud’s. By the “dash,” cocktails demand bitters which, all too often, appear to be an afterthought. (Yet my New Orleans-born Sazerac cocktail would taste “off” without Peychaud’s and my favorite Old Fashioned unthinkable without two dashes of time-honored Angostura.)
Bitters inducts us into the realm of these botanical “drugs” distilled from flowers, spices, citrus peels, tree bark—all originally dispensed in apothecary shops as cures for digestive woes, stomach troubles, even gout. By the Gilded Age, bitters transited to the bar under brands sounding sketchy (e.g. Flint’s Quaker Bitters), but Bitters opens a new botanical wonderland for my armchair imagining, and for others’ venturesome do-it-yourself distillation. Key Lime Bitters, anyone?
Gone are the days when a lonely bottle of Angostura bitters held court behind the bar. A cocktail renaissance has swept across the country, inspiring in bartenders and their thirsty patrons a new fascination with the ingredients, techniques, and traditions that make the American cocktail so special. And few ingredients have as rich a history or serve as fundamental a role in our beverage heritage as bitters.
Author and bitters enthusiast Brad Thomas Parsons traces the history of the world’s most storied elixir, from its earliest “snake oil” days to its near evaporation after Prohibition to its ascension as a…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have always been drawn to YA novels – big feelings conveyed across shorter word counts, intense experiences, other worlds, characters finding their way in the world. For a long time in these books and across a range of genres, women and girls could only hope to be on the sidelines of these big stories. They were the maiden in the tower, the prospective bride or love interest of the hero. We’re incredibly lucky to live in a time where a wide range of female experiences can be found in our YA books, and these are always stories I seek to read and to tell.
This amazing Australian YA weaves such a delicate web. A quiet, introverted dystopia, and at its heart is the wonderful Hayley. Hayley is such an interesting female protagonist here not because she is deadly or combative, but because of her incredible perseverance and curiosity. Hive is the first in a truly compelling duology.
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
This is still one of the coolest books I’ve ever read. It has wonderfully left-of-centre characters, original plot, and world building, a hint of darkness, and sharp dialogue. I love its Australian flavour (just enough to feel familiar). The setting is also off-kilter enough to be dystopian, but not so much so that it feels alien.
Best of all, at the novel's heart is an engaging, offbeat romance. There are also well-handled themes of alienation, grief, identity, and self-discovery.
(It was part of a gift pack of novels my Australian publisher sent me when I signed my first book deal back in 2011, and I instantly fell in love with it.)
A captivating novel told from the points of view of two unforgettable characters. In the suburb of Shyness, the sun doesn't rise. Wolfboy meets a stranger called Wildgirl, who dares him to be her guide through the endless night. There are things that can only be said in the dark.This is Shyness was shortlisted for a number of major Australian literary awards and named a Children's Book Council of Australia Notable Book.
Leanne Hall won the 2009 Text Prize for Young Adult and Children's Writing for this spellbinding debut for readers fourteen and up.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
It’s a dystopian YA novel where the Australian landscape is beautifully rendered in all its glory and danger. It’s also a tightly written and intense page turner, when even quiet moments are infused with a sense of menace.
It has echoes of Cormac McCarthy’s The Road, although this book is unmistakably Australian - right down to speculation around where our nation’s attitude to asylum seeks may lead us. It’s not as bleak as The Road (a book I admire), but Mark reminds us how easily our veneer of society could slip away in the wake of a catastrophic, world-changing event.
I did worry for Finn’s dog as much as for Finn himself. (I’m still scarred by The Knife of Never Letting Go. This has parallels to that nail-biting novel, too.)
Since a deadly virus and the violence that followed wiped out his parents and most of his community, Finn has lived alone on the rugged coast with only his dog Rowdy for company.
He has stayed alive for two winters—hunting and fishing and trading food, and keeping out of sight of the Wilders, an armed and dangerous gang that controls the north, led by a ruthless man named Ramage.
But Finn’s isolation is shattered when a girl runs onto the beach. Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister,…
I got interested in the theme of a post-apocalyptic, dystopian world after hearing years of doomsday predictions, most of which never came true or were far from catastrophic. I wondered what some real threats to our way of life are and in 2015, started writing a novel, Defenders of Holt, about what a dystopian future might look like. After that book, I wanted to write about the events that led up to that dystopian world and settled on a coronal mass ejection (CME) as the apocalyptic event in the Teenage Survivalist series. I did many hours of research to back up my stories to make them as realistic as possible.
In this 2014 Next Generation Indie Book Awards Finalist book, a different scenario of an apocalyptic event—a meteor that slams into earth, causing a shift in the planet’s magnetic core—ushers in the end of the age of technology and the beginning of a dystopian future where knowledge is not only power, it is currency. I loved this book because it’s a clever and exciting take on a dystopian tale. Being set in Australia provides lots of interesting scenes and plot twists and the idea of using knowledge as currency brings new meaning to the phrase "knowledge is power." This is a thoroughly enjoyable story that is hard to put down. I highly recommend this book to anyone who likes a good adventure with just a touch of romance!
**2014 Next Generation Indie Book Awards Finalist** When a meteor slams into earth causing a shift in the planet’s magnetic core, the age of technology ends and economies across the globe crash. Years later, knowledge is not only power…it is currency. Bookkeepers are invaluable in this post-apocalyptic world.
Nevel can never tell anyone he is a bookkeeper. His photographic memory is his secret. With a dystopian government that keeps all known books under lock and key looming as a constant threat and with parents involved as agents in the U.B.M. (Underground Book Movement) to protect that secretly exist, Nevel is…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
This book equally moved and unnerved me because its premise is all too possible. It’s a brilliantly written end-of-the-world story with an understated sense of menace and an unmistakable Australian flavour.
The novel offers an intimate and fascinating first-person view of what happens to a ‘normal’ neighbourhood when life as we know it irrevocably changes – in this case through a nuclear winter. Often, apocalyptic/dystopian stories skim over the transition from order to chaos/social breakdown, and Claire handles it in a way that’s unsettling by its understatement.
I cared deeply about these characters. And while this novel is gritty, it’s also a story of hope and what it means to survive.
This haunting dystopian novel thrillingly and realistically looks at a nuclear winter from an Australian perspective.
For Fin it’s just like any other day—racing for the school bus, bluffing his way through class, and trying to remain cool in front of the most sophisticated girl in his universe. Only it’s not like any other day because, on the other side of the world, nuclear missiles are being detonated. When Fin wakes up the next morning, it’s dark, bitterly cold, and snow is falling. There’s no internet, no phone, no TV, no power, and no parents. Nothing Fin’s learned in school…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Lucy is an Australian writer but her second novel, Wolfe Island, is set in the US in a time that might be the very recent past or the very near future. Kitty Hawke and her large, loyal dog are the last inhabitants of a sinking island in the Chesapeake Bay; Kitty values her solitude, but when her estranged family is targeted by the US government, she has to decide whether to stand up for what she believes in. Most climate change novels tend toward future dystopias – Wolfe Island is special because it is a firmly realist novel that looks more closely at our current world and reveals all the ways the dystopia is here and now.
Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation...
Until one night her granddaughter rows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
A 90s, queer, coming-of-age story mixed with cosmic horror, I would have read this in a single sitting if I didn’t have to get off the bus. The protagonist, Heath, is an artistic teen who recreates horror movie posters during his habitual trips to the local video store and is slowly starting to realize he is gay, something discouraged by his fellow students at his Catholic school.
I loved the lack of explanation about the supernatural elements. Was the monster all in Heath’s head? I love the ambiguity, but I also love it as a metaphor. I really enjoyed the emotional journey, which felt very autobiographical. My favorite thing is the video store itself. I’m 33, so this brought back fond memories of visiting the video store with my parents.
The story of a boy who dreamed of becoming a man… But dreamed up a monster instead
You’re on the run. Marked. Don’t think about the kid you used to be when you’re homeless and dumpster-diving in the rain. Just eat whatever you find to keep your engine full. Because the shadow with too many teeth wants you tired.
You’re easier to catch when you’re tired.
It has hunted you since the summer of 1994, back when we confessed who we were through mixtapes. When every movie at the video store had dirty heads. You were thirteen and thought you…
I write women in dystopia. I live in the North West of the UK and I also write psychological thrillers and women’s fiction – I am currently writing my 9th book. I love books set in the near future and in alternate dystopian worlds – I recently discussed this with my brother and we settled on ‘mind-bending’ as our go-to for this genre. I have a PhD in narrative and storytelling and my mission as a writer was to write fiction about issues that affect women, and what better way than to place them in hypothetical but possible situations to explore that reality?
I love Scarlett Thomas’ writing and The End of Mr. Y was my first read of hers. I fell in love with this book because it was about a book, and a cursed book at that. The exquisite writing took me on a journey of uncertainty and time travel with Ariel and I have yet to find another book like it – it is a unique book that has many layers and as well as focusing on the speculative aspect, it is suspenseful and beautifully descriptive. Five stars from me and it made me want to read more from this author.
If you knew a book was cursed, would you still read it?
When Ariel Manto uncovers a copy of The End of Mr. Y in a second-hand bookshop, she can't believe her eyes. She knows enough about its author, the outlandish Victorian scientist Thomas Lumas, to know that copies are exceedingly rare. And, some say, cursed.
With Mr. Y under her arm, Ariel finds herself thrust into a thrilling adventure of love, sex, death and time-travel.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
I loved the detailed characterization of the main protagonists (including a cat) in this novel set in Gloucester. Comptom’s prose is a delight to read; it is clear, descriptive, and unobtrusive. It is rare to read about a homeless person and their struggles, especially from that time and the obvious mental illness that he suffers from. His dealings with the vending machine and the cat are humorous and touching. The novel reminded me of the Beatles song ‘Eleanor Rigby,’ with a Father Mackenzie-type vicar and a lonely female journalist. It is sad, touching, real, and a good story. I read it in a couple of sittings.
In the near future, the super-modern city of Gloucester has been transformed - completely redesigned and rebuilt to the principles of 'scientific city planning'. This gleaming city is threatened with extinction by a mysterious spore from space that brings mankind's proud structures crashing to the ground . . .
