Here are 100 books that Extraordinary Machine fans have personally recommended if you like
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As a young man who deals with issues of loneliness, depression, and melancholy, I’ve always been drawn to platonic male friendships in fiction. Seeing acts of brotherly courage and heroism on the page has always resonated with me, especially when my own friendships in the real world have felt lacking. Men aren’t the best at discussing their emotions, especially not with each other, and I’ve desperately sought out stories where even the most grizzled male heroes are, deep down, in need of a friend. In writing Stormblood, I wanted to have a strong sense of brotherhood and unity between the male cast members as they battle enemies and face their personal demons.
Did someone say a brotherhood of half-orcs? Sign me the hell up.
I’ve always loved non-human characters, whether monsters, aliens, ghouls, or whatever. I’ve always strongly identified with the “other.” When monsters do show up, they’re often depicted as just that: monsters. This is especially true of orcs.
But in The Grey Bastards, we get to see these mutts as so much more than drooling, mindless beasts. Their loyalty and brotherhood is what keeps them alive. When they’re riding out into battle, it’s not their tactics or strategy that gives them the edge, it’s knowing that whether they live or they die, their brothers will be fighting fiercely by their side. And that’s the sort of thing that makes me feel all warm and fuzzy inside.
'AN ADDICTIVELY READABLE - AND UNDENIABLY COOL - FANTASY MASTERWORK' Kirkus
BRING ON THE ORCS . . .
Jackal is proud to be a Grey Bastard, member of a sworn brotherhood of half-orcs. Unloved and unwanted in civilized society, the Bastards eke out a hard life in the desolate no-man's-land called the Lots, protecting frail and noble human civilization from invading bands of vicious full-blooded orcs.
But as Jackal is soon to learn, his pride may be misplaced. Because a dark secret lies at the heart of the Bastards' existence - one that reveals a horrifying truth behind humanity's tenuous…
Farrah Wethers struggles with her new midlife career as a massage therapist. Her wealthy client is murdered on her table making her suspect number one. Can Farrah and her best friend, June Cho, sort through the suspects to find the real killer?
Jackson Ford is the author of The Frost Files series, including The Girl Who Could Move Sh*t with Her Mind and Random Sh*t Flying Through the Air. He may or may not be the alter ego of author Rob Boffard, a South African author based in Vancouver, but he is definitely 100% a jackass.
The book may not have much swearing in it, but it has one of the best titles ever. It sounds like an insult drawn from an obscure meme. Dahl is a master of the short story, and here you get four of them, including his fabulous character Oswald Hendryks Cornelius.
In Switch Bitch four tales of seduction and suspense are told by the grand master of the short story, Roald Dahl.
Topping and tailing this collection are The Visitor and Bitch, stories featuring Dahl's notorious hedonist Oswald Hendryks Cornelius (or plain old Uncle Oswald) whose exploits are frequently as extraordinary as they are scandalous. In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.
In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.
Jackson Ford is the author of The Frost Files series, including The Girl Who Could Move Sh*t with Her Mind and Random Sh*t Flying Through the Air. He may or may not be the alter ego of author Rob Boffard, a South African author based in Vancouver, but he is definitely 100% a jackass.
Nothing wrong with a little bit of erotica. This one not only has one of the best titles of any book ever, it also has its tongue jammed firmly in its cheek. When your inciting incident is a jilted bride walking into a bar in Alaska, in her wedding dress—a bar that happens to be owned by eight brothers, one of whom is named Sebastian Badd– You know you're in for a good time.
Your wedding day is supposed to be the happiest day of your life, right? That’s what they say, at least. I went into that day hoping I’d get the happiest day of my life. What I got? The worst. I mean, you really can’t get any worse of a day without someone actually dying. So…I may have gotten just a little drunk, and maybe just a tad impetuous… And landed myself in a dive bar somewhere in Alaska, alone, still in my wedding dress, half-wasted and heart-broken. *** Eight brothers, one bar. Sounds like the beginning to a bad joke,…
Farrah Wethers struggles with her new midlife career as a massage therapist. Her wealthy client is murdered on her table making her suspect number one. Can Farrah and her best friend, June Cho, sort through the suspects to find the real killer?
Apocalyptic novels have always been a favorite genre of mine. It’s interesting seeing the lengths that people will go through to survive when all factors are stacked against them. The list of novels below is some of the many great reads that opened my eyes to this genre. The characters in these novels are oftentimes faced with challenges that seem impossible to the reader but are left feeling so fulfilled after seeing a character complete the difficult tasks. I hope you enjoy the books on this list as much as I have!
The Marbury Lens is one of the most terrifying books I’ve ever read. Andrew Smith created the world of Marbury in such a way that stuck with me years after reading it. It teaches readers not to easily trust people and that one wrong decision can lead to a downward spiral into insanity. The apocalyptic wasteland of Marbury was vividly brought to life in all of its morbid glory. The creatures in this novel were grotesque and horrifying. I’d like to see them go head to head with the villains in my novel, the threaders.
A 16-year-old boy who escapes a kidnapper thinks he can forget his trauma, but instead, he loses his grip on reality and believes he's part of an alternate world called Marbury.
Sixteen-year-old Jack gets drunk and is in the wrong place at the wrong time. He is kidnapped. He escapes, narrowly. The only person he tells is his best friend, Conner. When they arrive in London as planned for summer break, a stranger hands Jack a pair of glasses. Through the lenses, he sees another world called Marbury.
There is war in Marbury. It is a desolate and murderous place…
I consider myself a topologist of story, ever fascinated by the shapes stories take, and how those underlying forms—as much as their specific content—guide our reactions and our emotions. In a social-media-saturated age, it’s more important than ever that we practice the skills of comprehending story landscapes so that we can understand who benefits from them—and who doesn’t. Ditch the GPS: whether memoir, reportage, or fiction, these books showcase some of the map-and-compass skills we all need to navigate a complicated new era.
During a group summer vacation on a beachy East Coast hideaway, the age-old dynamics of young vs. old—and the have-a-lots vs. the have-less—are in full play. The result sounds like any number of 20th-century American literary dramas, until it becomes clear that the disasters that loom are far larger than any single-family or community. Millet’s playful, snarky novel is a portrayal of what may come as the young realize how thoroughly older generations have sold out their future. The adults may be lost, but the kids are alright.
Pulitzer Prize finalist Lydia Millet's sublime new novel-her first since the National Book Award-longlisted Sweet Lamb of Heaven- follows a group of eerily mature children on a forced vacation with their parents at a lakeside mansion. Contemptuous of their elders, who pass their days in a hedonistic stupor, the children are driven out into a chaotic landscape after a great storm descends. The story's narrator, Eve, devotes herself to the safety of her beloved little brother as events around them begin to mimic scenes from his cherished picture Bible.
Millet, praised as "unnervingly talented" (San Francisco Chronicle), has produced…
I’m a novelist, short story writer, and essayist who has been fascinated by the idea of a zombie apocalypse since my teenage experience of seeing Night of the Living Dead in a noisy movie theater in mid-town Manhattan. My fiction has been nominated twice for Best Story of the Year by the British Fantasy Society. The critic A.J. Kirby called my writings, "Disturbing. Nightmarish. Terrifying. And above all original...we have a genre-storytelling giant in our midst." My fiction has been described as ‘graphically morbid’. Is it for you? Find out.
In 1968 I was a seventeen-year-old kid working in Manhattan. Getting off work each evening, I’d wander around the city. Can you imagine how much fun that would be for a young boy? One night, on 42nd Street, I found a movie theater showing an obscure, black-and-white movie called, Night of the Living Dead. The first thirty minutes, the audience laughed at the film, but as the movie rolled on, and the sense of dread about this group of strangers trapped together in a farmhouse, zombies outside trying to get inside, increased, the theater went silent. The director, George Romero, admitted in interviews his movie was inspired by I Am Legend. Near the end of his life, Romero, with Krauss, wrote this comprehensive history of the zombie apocalypse.
“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman
New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death!
George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I love this book because it marries the brutality of military sci-fi with epic fantasy in a colossally satisfying fashion. It has dark gods, blood magic, and the grueling rigors of military training. And Ikenna, the main character, takes no crap from anyone, no matter how powerful. You can’t help but to root for her!
Blending fantasy and science fiction, N. E. Davenport's fast-paced, action-packed debut kicks off a duology of loyalty and rebellion, in which a young Black woman must survive deadly trials in a racist and misogynistic society to become an elite warrior.
It's all about blood.
The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen's deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.
The blood of the former Legatus, Verne Amari, murdered.
As a survivor of child sexual abuse, I endured many years with my voice stolen. Growing up, books offered a sanctuary from a world of cruelty and violence. Yet I never saw myself in fiction—not only as a young person battling to survive, but as a vulnerable teen questioning their sexuality. Now, I’m determined to support fellow survivors. 100% of the proceeds of my books are donated to charities supporting sexual abuse survivors, particularly victims of child trafficking. Living with CPTSD means I have a particular interest in trauma narratives, and an intense desire to do justice to abuse survivors in fiction. No one should feel alone or unseen.
Purists might raise their brows at seeing this series included, but I would argue this manga is so deeply queer-coded it could not be omitted. Following a horrific epidemic, vampires rise from the shadows to enslave the remains of humanity. Reckless and stubborn, Yuichiro has made a home with his fellow orphans, led by sensitive and intelligent Mikaela. When their daring escape from the vampires ends in disaster, Yuichiro's dream of ridding the world of vampires is kept alive at a devastating price. The dynamic between Yu and Mika is perfectly balanced, infused with yearning almosts and bittersweet if-onlys. At the heart of the series, you’ll find a fierce determination to protect one’s chosen family, and an unapologetic commitment to sacrifice everything – even humanity – for the sake of love.
After a catastrophic epidemic kills every adult on earth, vampires arise from the shadows to enslave the remaining human population. Yuichiro escapes from captivity and joins the Japanese Imperial Demon Army. But before he's allowed to fight vampires, he has to complete his first, terrifying mission - make new friends with his fellow aspiring monster slayers!
Yuichiro and his friends are kept as vampire fodder in a creepy institution masquerading as an orphanage. One day, Yuichiro's dreams of fighting back are realized when the orphans stage a daring escape. But things go horribly wrong, and his dream is kept alive…
I love drawing gorgeous, interesting settings. Ever since my parents drove my brother and me across America to visit our cousins in Michigan, I have found myself enchanted by everything from sweet small-towns to pit stops with lots of potential for drama. I have always felt that setting can be its own character. With its bright, sunny suburbs and its dark, shadowy back-alleys, the setting is the centerpiece of any great story.
This book was a surprise hit for me. I’d never read Martin before, but my husband knew I appreciated adventure stories. What I got instead, was a little bit of everything. Adventure, romance, excitement, and more—The Mountain Between Us was unputdownable for me. I think, though, that its dangerous, snowy setting was the one thing that upped the stakes the most. When reading this book, I felt trapped in the snowy mountains, myself. I felt cold and hungry, thirsty, and…totally swept away.
Now a major motion picture starring Kate Winslet and Idris Elba. An atmospheric, suspenseful and gripping story of two people finding love while fighting to survive.
When a blizzard strands them in Salt Lake City, two strangers agree to charter a plane together, hoping to return home; Ben Payne is a gifted surgeon returning from a conference, and Ashley Knox, a magazine writer, is en route to her wedding. But when unthinkable tragedy strikes, the pair find themselves stranded in Utah’s most remote wilderness in the dead of winter, badly injured and miles from civilization. Without food or shelter,…
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
I read this play first aged sixteen, and connected strongly with it, because of the young motherless shipwrecked heroine.
I spent significant periods of time with my grandfathers when I was growing up, and I read Prospero more as a grandfather figure than a father one.
When Freud and I were in the studio for days and weeks and months together, I felt like Miranda on Prospero’s island. The same created world. The same isolation.
With Lucian as the Prospero figure, summoning a few other characters that came and went to his studio.
No one can go to a fictional island of course, but yet Shakespeare takes us there.
Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.
Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both…
