Here are 59 books that Big Machine fans have personally recommended if you like
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I’ve always loved the idea of time travel. I was born in a Northern mill town where King Cotton ruled. By the time I was a teenager, all the mills had shut, leaving behind empty hulks. I desperately wanted to experience the town in its heyday. I devoured the Blackburn-set memoir The Road to Nab End, by William Woodruff: I could hear the clogs strike the cobbles, picture the waves of workers, smell the belching chimneys. While I couldn’t travel back in time for real, I could in my imagination. My debut children’s novel, out in Spring 2026, is about a time-travelling seventh son.
I’ve always been fascinated by terrible periods in history: the Nazis, witchcraft trials, and the American Deep South in the days of slavery. I need to know why people behaved in the heinous ways they did; paradoxically, a bit like time travel, the more I read, the less things make sense.
Our heroine is an African-American woman from modern times who finds herself sent back to early nineteenth-century Maryland when slavery was rife. We experience her reactions to it through a modern lens. It reminded me of the TV series Outlander in the way it builds whole lives back in time. It didn’t pull any punches and wasn’t always easy reading, but I couldn’t put it down.
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner
The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I think there are two great mysteries in our lives: the mystery of the world and the mystery of how we live in it. The branches of literature that explore these conundrums magnificently are science fiction for the world and murder mysteries for how we live. So, it is no wonder that the subgenre that most excites me has to be the science fiction murder mystery, in which, as a reader, I get to explore a strange new world and find out how people live (and die!) in it. This is why I read and, it turns out, what I write.
In my view, a great murder mystery should have a lot of possibilities, and science fiction just adds deeper layers of intrigue, and this is what The City and The City has in spades – literal layers and intrigue.
Here, two cities exist in the same place, yet the citizens of each one must ignore the citizens of the other. It is a crime to notice the citizens of the other city. When a murder occurs and our detective investigates, he only has jurisdiction in one city.
But what really blew my mind about this book was that, though it is science fiction, there is no physical or scientific reason that the cities are separate and occupy the same place. The division is only in the minds of the inhabitants!
With shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, the multi-award winning The City & The City by China Mieville is a murder mystery taken to dazzling metaphysical and artistic heights.
'You can't talk about Mieville without using the word "brilliant".' - Ursula Le Guin, author of the Earthsea series.
When the body of a murdered woman is found in the extraordinary, decaying city of Beszel, somewhere at the edge of Europe, it looks like a routine case for Inspector Tyador Borlu of the Extreme Crime Squad. But as he probes, the evidence begins to point to…
All of these books inspired me to become a better writer and to push my imagination to the limit by getting The Ballad of Perilous Graves onto the page. These books made me want to polish the contents of my own imagination and tell the biggest most heartfelt story I could. Ballad is in good company on library and bookstore shelves, so I wanted it to connect as hard as possible.
Giddings takes the stories of Henrietta Lacks and the Tuskegee experiments and extrapolates them into the present day. A young woman dealing with crushing medical debt agrees to participate in medical trials with strange and debilitating side effects. This book is horrific, lyrically written, and brimming with emotion.
Electric Literature: One of 55 Books by Women and Nonbinary Writers of Color to Read in 2020 | Lit Hub & The Millions: Most Anticipated Books of 2020 | Ms. Magazine: Anticipated 2020 Feminist Books | Refinery29: Books by Black Women We are Looking Forward To Reading | One of The Millions' Most Anticipated Reads of 2020 | Amazon Book of the Month Pick | Audible Editor's Pick | Essence's Pick| Glamour's Must Read | Ms. Magazine's Anticipated Read of 2020
A startling debut about class and race, Lakewood evokes a terrifying world of…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Everfair is one of several recent alternate histories that challenge the usual focus on the same sorts of events in the same parts of the world and the all-too-frequent disturbing obsession with “what if the bad folks had won?” questions (South in the Civil War, Axis in WWII).
Shawl imagines a different, better history for the Congo—liberated from European control and gifted with a new source of energy. Her interesting characters from many backgrounds around the globe come together to fight for their sometimes conflicting, sometimes flawed visions for a better future.
This is the visionary aspect of speculative fiction at its most powerful.
Everfair is a wonderful Neo-Victorian alternate history novel that explores the question of what might have come of Belgium's disastrous colonisation of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African-American missionaries to purchase land from the Belgian Congo's "owner," King Leopold II. This land, named Everfair, is set aside as a safe haven, an imaginary Utopia for native populations of the Congo as well as escaped slaves returning from America and other places where African natives were being mistreated. Shawl's speculative masterpiece manages to turn…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
A reader begins a book only to discover that the same sixteen pages are printed over and over—so begins a journey across the beginning of novels and through continents. This is a book that breaks rules and taught me how to read it page by page—and I love that feeling.
Though first published in 1979, Calvino’s novel is remarkably timely with respect to the impact of data science and artificial intelligence on literature, as well as the “author’s position with regard to Trends of Contemporary Thought and Problems That Demand a Solution.”
Some might not consider this detective fiction, but I think—like The Aspern Papers (James) and The Savage Detectives (Bolaño)—the quest to find an obscure or missing text (or artist) fits within the genre and, indeed, is one of my favorite kinds of detective stories.
"You are about to begin reading Italo Calvino's new novel...Relax. Concentrate. Dispel every other thought. Let the world around you fade." —from If On A Winter's Night a Traveler
Italo Calvino's stunning classic imagines a novel capable of endless possibilities in an intricately crafted, spellbinding story about writing and reading.
If on a Winter's Night a Traveler is a feat of striking ingenuity and intelligence, exploring how our reading choices can shape and transform our lives. Originally published in 1979, Italo Calvino's singular novel crafted a postmodern narrative like never seen before—offering not one novel but ten, each with a…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
This book is a traditional, hardboiled mystery about a young poet that goes missing at a writing program in Australia…except the whole thing is written in verse. It’s laugh-out-loud funny, mournful, insightful, and full of sinister characters like poetry professors who go on too long at readings.
It’s the kind of book you can read in an afternoon, though certain lines and images from the various poems have stayed with me long after. It also includes an Australian dictionary at the back with words like “lairy,” which means “visually loud; excruciatingly colorful.” What a word. Don’t tell the poets.
The Monkey's Mask is a totally unique experience. It's poetry. It's a crime thriller. It's where high art meets low life, passion meets betrayal, and poetry faces profanity on the streets of a harsh modern city. Dorothy Porter's internationally bestselling verse novel holds you in its grip from the first verse paragraph to the final haunting pages. The Monkey's Mask won the Age Book of the Year for Poetry in 1994, the National Book Council Award for Poetry and the Braille Book of the Year. It has been adapted for stage and radio and is currently being adapted for film.…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
In classical detective fiction, the story of the crime is like a puzzle, and piece by piece, clue by clue, we arrive at the big picture. Subdivision is, in some ways, a classic puzzle mystery (it even involves a puzzle!)—except it doesn’t start at a crime scene. It starts with a woman arriving at a guesthouse in the surreal and Kafkaesque Subdivision where she now lives. She can’t remember why she is there or really anything from her past. Unlike more classical detective fiction, she is not a guide; I followed her—tracking, assembling, interpreting—but when certain elements of the real (maybe) slid into focus, they did so mostly despite her. I couldn’t put it down, and notwithstanding its fairly cerebral tone, I cried at the end.
An unnamed woman checks into a guesthouse in a mysterious district known only as the Subdivision. The guesthouse's owners, Clara and the Judge, are welcoming and helpful, if oddly preoccupied by the perpetually baffling jigsaw puzzle in the living room. With little more than a hand-drawn map and vague memories of her troubled past, the narrator ventures out in search of a job, an apartment, and a fresh start in life.
Accompanied by an unusually assertive digital assistant named Cylvia, the narrator is drawn deeper into an increasingly strange, surreal, and threatening world, which reveals itself to her through a…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
The crime scene generally occurs near the start of a mystery—something incomprehensible and threatening the reader and detective will endeavor to explain by the book’s end. Sometimes, though, the world is the crime. In almost painfully beautiful language, this book sets us down in a frightening fairytale forest. We’re traveling with a failed detective looking for a runaway wife, but much of the investigative work emanates from the reader attempting—and often failing—to break through the atmosphere, through the visceral but unmappable feelings of danger and loss the text produces in order to find something that can be named, explained, neutered.
This is the kind of book that affected me sidewise; I never saw it coming, but it got me over and over again. The Spanish edition includes illustrations, the English a suggested playlist.
Fairy tale meets detective drama in this David Lynch–like novel by a writer Jonathan Lethem calls “one of Mexico's greatest . . . we are just barely beginning to catch up to what she has to offer.”
A fairy tale run amok, The Taiga Syndrome follows an unnamed Ex-Detective as she searches for a couple who has fled to the far reaches of the earth. A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down—that she wants to be found. He hires the Ex-Detective, who sets out with a translator into…
I am, first and foremost, someone who cares deeply about the world, people, and learning. I have been passionate about ideas, curiosity, and innovation since I was a child and since starting our company and writing four books, have had the privilege of helping over 400 organizations and 700,000 people to unlock their genius by not being experts but by being curious about the world around them and other people. I am also a teacher, speaker, and community volunteer who is keen to help people find their own unique brilliance.
I love this book because it is all about how we show up each day and how we engage the world.
I am particularly keen on the idea that we can choose to be open to learning new things, meeting new people, and making a difference…in other words, we can choose to “grow” …or we can choose to stand still.
And I hope that I will never stop wanting to know more, read more, learn, and try to make a difference.
From the renowned psychologist who introduced the world to “growth mindset” comes this updated edition of the million-copy bestseller—featuring transformative insights into redefining success, building lifelong resilience, and supercharging self-improvement.
“Through clever research studies and engaging writing, Dweck illuminates how our beliefs about our capabilities exert tremendous influence on how we learn and which paths we take in life.”—Bill Gates, GatesNotes
“It’s not always the people who start out the smartest who end up the smartest.”
After decades of research, world-renowned Stanford University psychologist Carol S. Dweck, Ph.D., discovered a simple but groundbreaking idea: the power of mindset. In this…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve founded companies, shut them down (then rebuilt my life), and coached hundreds of executives and founders through their own turning points. Those experiences taught me that resilience isn’t about bouncing back after hard things happen to you. It’s about being open to what can happen through you, including growth, clarity, curiosity, and conviction. That’s why I wrote Rethinking Resilience and why I return to these books often. Each one has helped me see strength, adaptability, and curiosity as intentional and sustainable traits—not something we summon only after crisis. I’m passionate about helping leaders move from reaction to intention and turn pressure into power, and I think this list captures that shift perfectly.
I recommend this book because it redefined what “conviction” means for me.
Grant’s idea of “confident humility”—holding strong beliefs lightly—challenged how I think about certainty. Real conviction isn’t about defending what you know; it’s about being grounded enough to stay curious.
This book reminds me that confidence and openness aren’t opposites—they fuel each other. Every time I read it, I’m reminded that clarity comes from questioning, not clinging.
It’s one of the most practical guides I know for staying adaptable and steady in a fast-changing world.
"THIS. This is the right book for right now. Yes, learning requires focus. But, unlearning and relearning requires much more-it requires choosing courage over comfort. In Think Again, Adam Grant weaves together research and storytelling to help us build the intellectual and emotional muscle we need to stay curious enough about the world to actually change it. I've never felt so hopeful about what I don't know." -Brene Brown, Ph.D., #1 New York Times bestselling author of Dare to Lead
The bestselling author of Give and Take and Originals examines the critical art of rethinking:…
