Books like Beyond Any Experience

I recommend this book every chance I get when people ask me for a novel that knocked my socks off.

It’s based on real events that happened in Norway, and it reads like Hargrave actually lived in that era because of the rich details. I learned so much, not only about Norway but also about what it was like to live in a harsh climate in a very remote area at a time when there was very little communication between communities.

I couldn’t get the characters, namely Maren, Ursa, and Absalom, out of my head for weeks.  

So, let’s go angsty first with a Melissa Brayden, an author who lures you in with light-hearted banter, beautiful characters and settings, then knocks you out with a punch of angst.

Small-town romance, Strawberry Summer, tracks two very different characters over several years and several chances and it’s almost painful how much you want things to work out for these two. Readers who like shouting at books for the couple to get it together, this is a good one for you. 

One of the things I love most about Melissa’s books, is the reveal that opens your eyes to another level in the story. You’ll be happily reading the romance, swept along, thinking you know where it’s all going and why, then she’ll pull back a layer and plunge you into an understanding of a character that makes sense down to your bones, and you can never think of that… show more.

A book that really puts the enemies in enemies-to-lovers. The only thing Scarlett and Quin want more than to kill each other is to bed each other, and they’re not sure it actually takes priority.

This results in some of the funniest romance and fight scenes I’ve read and a relationship that’s hard not to root for. My girlfriend recommended this book to me, and we loved sharing its absurd romance.

What makes this novel so compelling to me is how it captures the exuberance and intensity of teen friendships. That intensity has really revved for seventeen-year-old Andrea now that she’s realized she’s in love with her best friend Hailee. Unfortunately, she’s certain—partly because of her cerebral palsy—that Hailee couldn’t possibly feel the same.

Despite these doubts, Andrea has confidence and sass, which makes her a great model for readers with disabilities. That, along with her loyal, affectionate friend group, are my favorite aspects of the book. Andrea’s friends adore her, even as she makes a mess of things in an attempt to fall out of love. Also, they treat her disability matter-of-factly, as does the author. Andrea’s C.P. is real and present but never takes over the story.

Equally, pick a sapphic romance trope, and Georgia Beers will likely have written one of my favourites.

She has a wonderful balance of cosy with enough tension and angst to keep you flying through the pages. She has written many, and I so admire that she’s still producing her best work. Her recent Camp Lost and Found is one of my favourites yet.

For second chances, I’ve gone with Flavor of the Month. This one has so many wonderful ingredients. Small-town setting, food focus, chemistry, angst. A romance to snuggle up with.

I am a sucker for any and all sapphic romance but throw in two main characters that are individually powerful before they find love...and I’m done. Stars Collide got to me, folks, and not just for its portrayal of strong female leads.

This book sticks with me because of its thoughtful description of an older woman discovering her sexuality. It challenges the idea that all people are able to define their orientation early in life and allows older people to question their sexuality, despite any past romantic relationships (even, gasp, the infallible institution of marriage!). 

The narrator of We Are Okay was like a siren for me. Jorjeana Marie’s voice holds the pain of the main character Marin like a tiny secret clutched in her fist and hidden from view. You want to see it so badly, but you only get glimpses as she unfolds one finger at a time.

I love the delicate unraveling of this tragic story and how Marin’s loneliness gets under your skin, so you really feel it and feel for her. Like in What to Say Next, a death is a catalyst, but how the death is used in the two stories is entirely different. As an author, I enjoy studying these plot points to see how each author uses them to mold their style and voice. 

This historical romance is so much more than a romance. It’s also a commentary on the place women had in society for much of the 19th century, and how hard it was for them to break out of the mold of being nothing but a pretty thing to entertain the men in their lives. The story of Lucy, a young astronomer, and her relationship with her older benefactress, Catherine, is beautifully written. Catherine’s journey from an abusive marriage to the incredible love she finds with Lucy is poignant and passionate all at the same time, and the depth of characterization of both women is wonderful.

I feel like I am being hugged by a friend when I read Ronnie Riley’s work. The world within this book is so full of friendship and support, so focused on affirming language around both identity and neurodiversity, that I was grateful to have it in my hands.

Jude’s ADHD is written in a way that makes it easy for those without ADHD to understand and affirming for those who are living with it. 

I can’t name what so destroyed me about this book; it speaks to a level of pain for which there’s no language.

I believe a book’s hidden subject will chase a writer down: a fear, a state of mind. Barnes had to write it in order to survive her experience.

A loose group of outcasts appears in Nightwood: a gay doctor, logorrheic, poetic, desperate, witty, alone. A woman obsessed with another woman whom has left her and whom she’ll never reach, never understand.

Dancers and circus performers all in the baroque shimmer of a prose so fascinating it becomes clear almost by virtue of its density. What comes through is the tragedy of what it is to be alive.