100 Books Like Beneath a Copper Sky

It's not an easy read, but I read this one and Cormac McCarthy’s The Road back-to-back. These are two books about lost souls walking away from something, not knowing where they’re going.

Michael K is another character who invokes more sympathy/pity than admiration. Sometimes, I didn’t overly care about Michael K’s suffering, feeling he’d brought it on himself. Mostly, though, I wanted him to find his simple peace.

JM Coetzee is such a good writer. His sparse but full sentences always deliver something.

Move Your Shadow is a masterpiece of reportage. Lelyveld, a former executive editor of the New York Times, spent considerable periods in apartheid South Africa in both the 1960s and the 1980s. The sixties was the period of “baaskap”—“bosshood” apartheid, when the perverse racist cruelties of the system were imposed with a sledgehammer. I would call the eighties the era of “facelift” apartheid—why, the word was hardly used by the regime anymore. 

To paraphrase Gramsci, the old world was dying, a new one struggled to be born. Monsters abounded. Nobody captured the period better than Lelyveld. The chapter on Philip Kgosana, the idealist who led Cape Town demonstrations in 1960—at age 19—was betrayed by the state, and wound up in exile in Sri Lanka—is worth the price of the book.

First published in 1948, this book will forever occupy a special place in my heart.

Not only is the book partially set in the very countryside where I was raised in South Africa, but it was also responsible for awakening my young conscience to the harsh realities of what many South Africans endured leading up to and during the apartheid years.

I was forever moved by the story and characters, and discovered the power of fiction by reading it.

While I was a graduate student of writing, I devoured every novel and story by Nadine Gordimer, whose body of work is astounding in how it combines artistic sensibility with a moral vision. Most important, Gordimer, with her unflinching and unrelenting gaze at the horror of apartheid in South Africa, taught me the value of passion in writing. Gordimer is known mostly for her novels, but her short stories are equally sharp and biting in their critique, and she uses the form’s precision to devastating effect. What is striking in Jump and Other Stories is the diversity of her characters and situations, thereby illuminating every corner of the racial injustices in her country.  

I admired the creativity and originality of this epic novel. Brink has yoked the harsh political reality of South Africa with the frame of the One Hundred and One Nights. 

On the eve of cataclysmic change in nineties South Africa, a young South African émigré, Kristien, who lives in London, has been summoned back to her grandmother’s deathbed. In between the tense atmosphere before impending elections in post-apartheid South Africa, the ancient Ouma tells her granddaughter the history of all of the women in their Afrikaans family, blending fable, African folktale, and actual fact. One relative even turns into a tree! Once Ouma finishes her last story, there is one more tragedy which hits very close to home.

I loved the wide sweep of this novel, which reminded me somewhat of Faulkner, that traces the literal Calvinism and fierce militarism of the first Afrikaans settlers to South Africa—and… show more.

Some would claim Coetzee’s Boyhood is an autobiographical novel, and others would insist it is a fictionalized memoir. In any case, it is a powerful depiction of a child’s experience of being raised in the harsh, racist culture of Afrikaners in apartheid South Africa. Maybe because the author decided to tell the story from the 3rd person perspective—as if standing outside of himself—the bleakness of his home and community presses home twice as hard. One senses, behind the cruelty and callousness, the buried ugliness of entrenched bigotry. I lived in a kinder missionary community, learning to admire the people I encountered in Ethiopia, Kenya, and Sudan, but over time I had to recognize subtler prejudices that went with that evangelistic expatriate culture. Boyhood spoke to me in a necessary, truth-telling way that was not comfortable but very important.

R W Johnson, an international commentator on South African affairs, first wrote a book with this question in 1977. It provided a controversial and highly original analysis of the survival prospects of the apartheid regime. 

Now, after more than twenty years of post-apartheid ANC (African National Congress) majority rule, the situation has become so crucial that he feels the question must be posed again. He moves from an analysis of Jacob Zuma’s corrupt rule to the increasingly dire state of the economy and concludes that South Africa under the ANC is fast slipping backward.

He feels that twenty years of ANC rule have shown that the party is hopelessly ill-equipped to cope with the challenges of running a modern industrial economy.

Untangling the roots of Apartheid is a thorny challenge, but Marq de Villiers’ approach—of telling the story of the Afrikaners, or South Africa’s “white tribe,” through one family’s complex and troubled history—does an excellent job of explaining the mentality that creates hateful systems of oppression. 

I highly recommend this powerful book.

Do you like a good scare? Well, Stephen King is one kind of scary, but A Question of Power is something else altogether: a descent into a sunless valley writhing with monsters. We know that these monsters dwell in the mind of the main character, Elizabeth. But there’s no safety in knowing that, for we’re locked in with them. If we sometimes climb a tree and feel a fresh breeze on our faces, it’s with the knowledge that those tentacles can slither up and snatch us back into hell at a moment’s notice. And they do. 

I didn’t start with what many consider the most important facts of this novel: that Elizabeth is a mixed-race woman born in South Africa and exiled to Botswana. And those are vital facts. But Elizabeth is also one luminous, suffering soul. Watching her fight her way out of that dark valley is a terrifying… show more.

A brilliant, challenging collection of the writings of the great anti-apartheid activist, who stressed the importance of freeing minds as well as bodies. "Inspirational" is an overused word, but it absolutely fits a work this wise, heartfelt, and urgent.

Biko's friendship with the journalist Donald Woods—immortalised in the film Cry, Freedom—is a testament to the power of the pen, and "I Write What I Like" is Biko at his finest, in his own words.