Here are 100 books that Belzec, Sobibor, Treblinka fans have personally recommended if you like
Belzec, Sobibor, Treblinka.
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I’m originally from New York but have lived in Portugal for the last 33 years. I write my novels in English and my children’s books in Portuguese. As anyone who reads my latest novel will discover, I have been greatly influenced the mythology and mystical traditions of various religions, especially Judaism (kabbalah). Happily, I discovered early on that I adore writing about people who have been systematically persecuted and silenced. It gives me a great sense of accomplishment to explore taboo subjects and topics that others would prefer to forget or conceal. When I’m not working on a book, I like to garden and travel.
Almost all the survivors of the Holocaust have now died, which makes it more important than ever that we pass on knowledge about this incomparably brutal crime against humanity – and do our best to prevent future genocides.
Survival in Auschwitzis a highly detailed, profoundly disturbing, and, in the end, intensely moving account of Italian chemist Primo Levi’s eleven months in the most notorious of the Nazi death camps, Auschwitz.
If you wish to understand what the Holocaust meant to its victims – and how the prisoners did their heroic best to resist dehumanization, hopelessness, and death – you would do well to start with this important work.
The true and harrowing account of Primo Levi’s experience at the German concentration camp of Auschwitz and his miraculous survival; hailed by The Times Literary Supplement as a “true work of art, this edition includes an exclusive conversation between the author and Philip Roth.
In 1943, Primo Levi, a twenty-five-year-old chemist and “Italian citizen of Jewish race,” was arrested by Italian fascists and deported from his native Turin to Auschwitz. Survival in Auschwitz is Levi’s classic account of his ten months in the German death camp, a harrowing story of systematic cruelty and miraculous endurance. Remarkable for its simplicity, restraint,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
In 2010, I landed in Vienna on the last flight from Australia to a European airspace shut down by the eruption of the Icelandic volcano, Eyjafjallajökull. Before I left, I had booked a tour of Auschwitz-Birkenhau, and when I arrived, I discovered I was the only English-speaking tourist. For five hours, my passionate and knowledgeable guide and I wandered the camps. In such intimate circumstances, I was able to ask and receive forthright responses to even the most difficult and challenging questions about life and survival. Because of this and subsequent opportunities to talk with survivors, I could undertake detailed and targeted online research into life in the camps and in Amsterdam during the Nazi occupation.
When I visited Auschwitz-Birkenhau I was struck by the Australia plaque at the rear of the camp whose first three lines read, "Forever Let This Place Be; A Cry of Despair: And a Warning to Humanity."
Similarly, I was drawn to Wiese’s work when, in his preface to Night, he tells us he feels “he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human history.”
His is a brutal, first-hand account of the horrors and atrocities in Auschwitz. He appears to leave no stone unturned as he recounts the events from his admission to the camp, his life of survival juxtaposed with the protection of his father amidst the dehumanization of his fellow prisoners, to the eventual liberation, including the Death March, during which his father perished.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of…
I’ve dedicated most of my writing career to the Holocaust, and in order to create novels that are historically accurate, I’ve interviewed survivors, as well as done research at many of the camps. It is one thing to study Auschwitz, but it’s an entirely different thing to walk its soil. I give lectures on the Holocaust and do readings from my novels all across the country, and I view my work as a way to open discussion about what happened in Europe between 1933-1945. As I often say, just because we live in a post-Holocaust world, does not mean we have come to understand the Holocaust.
This is a shattering account of a man who was forced to work in the gas chambers of Auschwitz for several years. Not only did he see the serial mass murder up close, but he also witnessed the failed rebellion at Crematorium IV on October 7, 1944. Müller’s writing is sparse and harrowing as he describes daily life in the Third Reich’s largest concentration camp. This is an essential document about the Holocaust and it helps the reader understand what it meant to be part of the Sonderkommando—those unfortunate prisoners who were forced to work in the gas chambers and crematoria. This is an unforgettable and vital book.
Filip Muller came to Auschwitz with one of the earliest transports from Slovakia in April 1942 and began working in the gassing installations and crematoria in May. He was still alive when the gassings ceased in November 1944. He saw millions come and disappear; by sheer luck he survived. Muller is neither a historian nor a psychologist; he is a source-one of the few prisoners who saw the Jewish people die and lived to tell about it. Eyewitness Auschwitz is one of the key documents of the Holocaust.
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I’ve dedicated most of my writing career to the Holocaust, and in order to create novels that are historically accurate, I’ve interviewed survivors, as well as done research at many of the camps. It is one thing to study Auschwitz, but it’s an entirely different thing to walk its soil. I give lectures on the Holocaust and do readings from my novels all across the country, and I view my work as a way to open discussion about what happened in Europe between 1933-1945. As I often say, just because we live in a post-Holocaust world, does not mean we have come to understand the Holocaust.
When I first read this book, I didn’t know much about Treblinka, and in order to write my book I needed to read as much as I could about the extermination camps. I read Raichman’s memoir in one sitting because his account of surviving Treblinka is so immediate and visual. Whenever I’m asked about books on the Holocaust, I always recommend this one. He describes thousands of innocent people getting off trains, being separated, and then being forced to run naked up the “The Road to Heaven” and into the gas chambers. No other book captures Treblinka as well as this one does. Some 900,000 people died in Treblinka, and nearly all of them were Jewish. Raichman’s account is deeply moving, poignant, and heart-rending.
Quickly becoming a cornerstone of Holocaust historiography―a devastatingly stark memoir from one of the lone survivors of Treblinka.
Why do some live while so many others perish? Tiny children, old men, beautiful girls. In the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution.
In the tradition of Elie Wiesel’s Night and Primo Levi’s Survival at Auschwitz and The Drowned and the Saved, Rajchman provides the only survivors’ record of Treblinka. Originally written in Yiddish in 1945, without hope or agenda…
Since I first began to study the events of the Holocaust in 1991, I became deeply engaged and committed to trying to understand why individuals engaged in the abuse and murder of their neighbors, fellow countrymen, and those deemed racially or politically inferior. In exploring this question, I drew in part on my own military experience to think about how a warped organizational culture and corrupted leadership emerged in Nazi Germany in which state-sponsored propaganda and ideological socialization combined to pervert existing moral and ethical norms and led many within the SS, police, and the German military to engage in genocide.
The Holocaust survivor, Richard Glazar, authored a compelling memoir of his imprisonment and escape from the Nazi killing center at Treblinka in occupied Poland, a site at which an estimated one million Jewish men, women, and children perished at the hands of the SS and their Ukrainian auxiliaries.
Glazar provides a first-hand and extended look not only at the process of mass murder at the camp, but he also provides extensive descriptions and analysis of the SS men he encountered in the camp including their daily habits, personalities, and actions.
The memoir exposes the full range of the emotional, psychological, and physical hardship experienced by Glazar in the “death factory” of Treblinka and places perpetrator actions within the context of prisoner experience.
Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
I love the way Jennifer Gold writes. She takes an important historical moment and turns it into a heart-stopping, rollercoaster ride that leaves the reader wanting more! That's how I felt when I read Names in a Jar. The story is an important one, historically. It's set in the Warsaw Ghetto and the Treblinka death camp. There are not many YA novels set in Treblinka, probably because so few prisoners survived that death camp. Jennifer has taken the true story of a real revolt that took place in Treblinka and adapted it for her novel. It's a story filled with courage and with hope.
Twelve-year-old Anna Krawitz is imprisoned in the Warsaw Ghetto with her older sister, Lina, and their father. Happy days spent reading about anatomy and science in Papa’s bookshop are long gone, and the knowledge they have is used to help their neighbors through the illnesses caused by starvation and war.
With no hope in sight and supplies dwindling, Anna finds herself taking care of an orphaned baby. With a courage she didn’t know she had, Anna and the baby leave behind all they know and go into hiding with a Catholic family, changing their names to hide their identity, but…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I am Professor Emeritus in the School of Social Sciences and Humanities at Loughborough University. I have written widely in the areas of social and cultural history, the sociology of art and culture, and media and communication studies. Recent projects have involved books on song and music in the workplace, popular culture, cultural studies, advertising and racism, and blackface minstrelsy. I co-wrote Media and the Management of Change with Emily Keightley, the last volume in a trilogy on media and memory and the interaction of memory and imagination.
A predominant amount of work in memory studies has focused on national memory cultures. The shift in this anthology is towards small, local or regional memories and towards vernacular sites of remembering. Its contributors attend in the main to personal and familial forms of memory, and thus on the narrative modes and media associated with them. The chapters cover a fascinating range of topics, making for a diverse volume united by a key preoccupation with the locatedness of memory, rather than referring broadly across a whole national context or to a huge sweeping range of memory and remembering. This is a very welcome shift, bringing to the fore everyday objects of memory that have tended to be less predominant—hence ‘peripheral’, in the sense of being swept aside or overshadowed. Redressing this allows for a more complex understanding of relations between public and private memory and remembering practices, across varying temporal…
After a period of intense work on national memory cultures, we are observing a growing interest in memory both as a social and an individual practice. Memory studies tend to focus on a particular field of memory processes, namely those connected with war, persecution and expulsion. In this sense, the memory - or rather the trauma - of the Holocaust is paradigmatic for the entire research field. The Holocaust is furthermore increasingly understood as constitutive of a global memory community which transcends national memories and mediates universal values. The present volume diverges from this perspective by dealing also with everyday…
I am Professor Emeritus in the School of Social Sciences and Humanities at Loughborough University. I have written widely in the areas of social and cultural history, the sociology of art and culture, and media and communication studies. Recent projects have involved books on song and music in the workplace, popular culture, cultural studies, advertising and racism, and blackface minstrelsy. I co-wrote Media and the Management of Change with Emily Keightley, the last volume in a trilogy on media and memory and the interaction of memory and imagination.
In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous.
The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of 'palimpsestic memory', which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its…
Having lost relatives in the Holocaust, and also a scholar of twentieth-century history, I have a special interest in attempting to understand how Germany turned from one of the most literate and advanced countries into the barbarism we call Nazi Germany. In the course of teaching and writing for the past 50 years, I have written/edited some nine books on modern Jewish history-including four on the Holocaust and hundreds of articles and reviews in such publications as Virginia Quarterly, Tablet, Holocaust and Genocide Studies, The Forward, Midstream, Commonweal, Congress Monthly, Choice, among many other publications.
In my many years of teaching the Holocaust, I discovered that many students learn about the Holocaust from films. The problem is that many films are not accurate and in our age of Holocaust denial it is imperative that films be as accurate as possible in their depiction of the SHOAH. Browning’s book is by far the best available guide to films—the good, the bad, and the inaccurate, that depict the Holocaust.
Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends-and many others-with a comprehensive guide to hundreds of films and made-for-television movies.
From Anne Frank to Schindler's List to Jojo Rabbit, more than 400 films are examined from a range of…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I'm a Dutch author and lawyer specialized in international criminal law. My expertise is the role of women leaders in times of conflict, crisis, and change – especially during war and in post-conflict societies. Women are traditionally portrayed as victims, while it is precisely women who show genuine leadership skills in times of conflict, crisis, and change. I've done research on women’s armed resistance in the Netherlands in WWII, and am an expert on the lives and resistance work of Hannie Shaft and the sisters Truus and Freddie Oversteegen. In addition, I've done research in the former Yugoslavia and Rwanda and saw the same patterns in these conflicts and the impact on the generations after.
An incredibly powerful book that sheds light on Jewish Resistance in the Netherlands, by two women. Both topics are rare and especially the combination of them. The style of narrative non-fiction is brilliantly chosen. The book is historically informative and accurate, but told with the arts and craft of a novelist. A New York Times bestseller. This is exactly what my platform ‘Sophie’s Women of War’ sheds light on.
The unforgettable story of two unsung heroes of World War II: sisters Janny and Lien Brilleslijper who joined the Dutch Resistance, helped save dozen of lives, were captured by the Nazis, and ultimately survived the Holocaust.
Eight months after Germany’s invasion of Poland, the Nazis roll into The Netherlands, expanding their reign of brutality to the Dutch. But by the Winter of 1943, resistance is growing. Among those fighting their brutal Nazi occupiers are two Jewish sisters, Janny and Lien Brilleslijper from Amsterdam. Risking arrest and death, the sisters help save others, sheltering them in…
