100 Books Like Beloved and God

If you think our wars are long and drawn out, the 25-year war between Athens and Sparta at the time of Athenian power in ancient Greece. The story is told by Alexis, born at a time of plague and the outset of the war. Alexias is born to a rich family and takes part in all the big events that shaped the outcome of the war. The book traces his adventures from his school days and how he witnessed the great naval battle in the Great Harbour, how he was captured and buried his father on his return. There are also references to Alicabides, a prominent figure in Athens at the time.

The Last of the Wine is more than about battles. It also offers great insights into how lived beyond the constant battles that pepper the book and coming to know some of the key Athenian statesmen who come… show more.

Davidson demonstrates that sexual relationships with courtesans and youths in ancient Athens paralleled the markets in other luxuries such as fish and wine rather more than resembling the modern ideal of romantic love. In a society where marriages were mainly business arrangements made between families to ensure the production of legitimate heirs to their estates, such formal relationships were frequently loveless. This led the male partners and those as yet unmarried to resort to employing mistresses, courtesans, and youths as luxurious distractions from the mundane matter of marital maintenance of the bloodline.

Who knew that the emperor Nero appointed an Advisor on Tastefulness, who also penned a bawdy and gritty novel about the adventures of several friends in the Roman Empire in the 1st century AD? Fairly few, and the even more surprising fact is that hundreds of pages of his text survive today. You can still read either in Latin or in English translation about two young men proposing to fight for the affections of the youth Giton and you can join them all in a visit to an archetypal Roman brothel. There is nothing else remaining that provides a more direct and authentic insight into daily experiences and relationships in ancient Rome.

What would happen if a randy teenage boy became Emperor of Rome after winning a pitched battle against a usurper? Would the magisterial traditions and decorum of the office triumph over adolescent hormones or vice versa? Actually, there is no need to speculate about the answer, because it happened in real life and was recorded in several ancient histories that have come down to us. This novel, though billed upon its publication as erotic, is quite closely based on those histories. Clue: the hormonal impulses of teenage boys are quite hard to suppress.

In my own research, I’m interested in how Roman imperialism is shaped through the concept of peace and this is central to Tom Holland’s latest examination of power in the ancient Mediterranean world.

I found myself sucked into to the cinematic accounts of shocking and poignant events, such as the erection of Vesuvius and the sacking of Jerusalem, yet also really struck by how Holland manages to paint a picture of the vast diversity and difference to be experienced in the Roman world. And I particularly like that he reminds us how different the Romans are from ourselves.

In an ancient Roman Britain garrison town, Roman army physician, Ruso, and his native wife, Tilla, investigate a series of murders. Worse, Emperor Hadrian is coming. Ratcheting tension. The central issue in Semper Fidelis is the rivalry between Roman legionaries and Briton conscripts. The crime is solved, but the story doesn’t end. Briton conscripts riot, and, Hadrian absent, his empress, Sabina, must intercede.

The empress Vibia Sabina (posthumously deified), is my favorite character. Neglected, bored, sarcastic, calculating, duplicitous, funny, she is the perfect spoiled patrician matron.  What I like best is how everybody lies to everybody in Semper Fidelis, a tour-de-force of mendacity. An interesting, different, more-than-just-murder-mystery historical novel.

I’ve always seen Muriel Spark as a kindred spirit, and her experience of Rome as mirroring my own, albeit on a more luxurious scale (although I did once live round the corner from her flat near Piazza Farnese).

Of the novels she set in Italy, my favourite is probably The Public Image, a story of revenge and dissimulation that captures the dark heart of the city at a time when it was known as Hollywood on the Tiber. It’s a wonderful portrait of what lay beneath the dolce vita and also, presciently, has a lot to say about celebrity culture and its manufacture. Listen up, influencers!

Pasolini’s films, Mamma Roma and Accattone, were among the reasons I decided to move to Rome in the first place.

Their blend of poetry and wretchedness chimed with my own vision of life at that time and I seized the chance to improve my knowledge of the city, of Italian and of Roman dialect, by reading his first novel Ragazzi di Vita, as soon as I arrived in the city.

Ragazzi di vita are hustlers, doomed from birth by circumstances outside their control, and I was drawn to the novel’s dark non-conformist romanticism, its refusal to compromise and the sheer texture of the language, which I only partly understood. It’s like Kerouac, but for real.

Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.

Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratops and Psitticasaurus.

She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.

In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.

Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist.