Books like Behold the Bold Umbrellaphant — picked by fans

After writing 14 children’s books about art appreciation, I decided to try my hand at children’s poetry. When I read this collection of haiku by Jack Prelutsky, it was a revelation. Each poem is a first-person description of an animal, full of rich, unexpected language. By writing in first-person, Prelutsky broke one of haiku’s cardinal rules. But it worked—and inspired me to write my own collection in the first person as well. Here’s one of my favorites poems in his book:

Raucously we caw.
Your straw men do not fool us.
We burgle your corn.

This anthology of concrete poems (also known as shape poems) is a direct influence on my own book. For anyone who loves concrete poetry, or wants to know more about it, A Poke in the Eye is indispensable. Each poem is by a different poet, and each approaches the form in their own way, which got me excited about trying it myself. I do have to say, while I love the mixed collage-style illustrations by Chris Raschka, it made me want to create my own concrete poetry book without supporting illustrations. In my mind, a concrete poem is its own illustration.

When I first became interested in children’s poetry, I found a seven-book series by James Stevenson—all self-illustrated, and all with titles containing the word “corn.” I loved everything about them, including his loose pen-and-ink illustrations washed with watercolor. His style seems effortless, with unique and relatable observations on everyday scenes or objects. A lot of poetry feels like it’s trying too hard. Stevenson taught me the power of not letting the effort show. Here’s a perfect example:

There’s a yellow chair
at the junkyard gate.
Sometimes an old guy sits there
just to make sure
nobody swipes a crane.

I love wordplay, and Douglas Florian is a master. His poems are short, fun, and well-crafted. He also illustrates his books, in a style that is sketchy, childlike, and textural. When I need a bit of lighthearted inspiration for my own poetry, Florian always delivers. He has written dozens of books, but his book about summer called Summersaults captures the essence of his style. Here’s a delicious sample:

"A Summery"

June: We seeded.
July: We weeded.
August: We eated.

As research, I read a lot of books about werewolves. Some were bad, some were decent, and some were too academic. This one was, in the words of Goldilocks, just right. I loved that it was written in a language anyone could understand and that it wasn’t focused on just one geographic location or culture.

Douglas presents everything from Greek mythology to Norse, Japanese, American Indian, and others. He keeps his personal commentary to a minimum and presents the reader with much information. I see this book as a primer for understanding just about everything about the shapeshifter in legend and literature. If the fiction author has done his/her job well, the shapeshifter will have roots in something Douglas has told us about.

The pegasi characters in this story are a lot like humans, but they’re also a lot like horses. Their personalities are as unique as their names! I love how this highlights a young animal’s life in a really relatable, playful way that adults can enjoy, too. This book reminded me of the joy of horse foals in real life, but it also made me think a lot about what it means to be true to yourself and your calling.

I love this lavishly produced 2013 book. It overarches my other recommended “best books for following mythical beasts through time.” Titles of early chapters—“What is an Imaginary Animal?” “Every Real Animal is Imaginary,” and “Every Imaginary Animal is Real”—encompass the book’s interplay between nature’s animals, imaginary ones, and human beings.

Open Imaginary Animals anywhere to get a glimpse of its variety and scope. Boria Sax’s interdisciplinary, learned, and conversational text sweeps across folklore, legends, myths, and natural history of worldwide cultures from antiquity to today. Accompanying art, much in color, spans a Lascaux cave painting and a photograph of a human-looking robot; throughout are fantastic creatures in paintings, early natural history engravings, and other pictorial forms.

As Dr. Sax writes, “Imaginary creatures can be overwhelming in their multiplicity.”

This book was the first time I saw elements and mythical creatures mentioned together, and I grew up loving both. Although I read this as a kid, I still think about this series frequently.

The main character is unique because she is a companion to all mythical creatures and regular animals instead of just one type, and I found that super cool. The descriptions and storyline of her power made me wish I had it, too. I liked how many mythical creatures I got to read about in this book, and it helped spur my interest in them even more.

I also like it when the MC in books is oblivious to the magical world but gets dragged into it because I get to learn about it alongside them.  

Josephine Against the Sea was a new find for me since it debuted in 2021, but I instantly connected with the trouble-maker main character. Josephine is desperate to keep her father from finding love after her mother dies, but when a vengeful sea creature tries to steal her father's heart, she must use her talent to save him before it's too late. 

I loved learning about Josephine's Caribbean culture living in Barbados. It was also intriguing to read how Shakirah Bourne tackled a mother's death and its effects on the father, as this is a struggle my own characters face in my book.

No writer creates a compelling sense of dread better than H.P. Lovecraft. His stories instantly immerse you in whatever world he’s conjuring, and I think his writing reached its peak in this book.

His narrator descends into a creepy world of “others” whom he senses want to harm him (in his personal life, Lovecraft was notoriously disdainful of “others”). I was willingly dragged along with Lovecraft’s desperate narrator as he raced through town, hotel rooms, and ultimately into a terrifying gathering of the townspeople.

Nearly a century after its publication, I consider it to be one of the most timeless and striking pieces of horror ever created.