Books like Begotten — picked by fans

This retelling of the Book of Hosea reminded me that love is meant to be unconditional. Patient, healing, hopeful. No matter what Angel does, Michael loves her. I read this entire book in less than two days. I laughed, I cried, and while I couldn’t put the book down, I dreaded closing the cover for the final time. I had a book hangover for days.

If I could choose one book to reread for the first time, it would be this one. I haven’t experienced things that these characters have, but this story still inspired healing and sparked hope. It broke me and put my back together. I walked away with a clearer view of how much God loves me and the lengths He will go to prove it.

This book contains tough questions that I have struggled with in the past like, “Why would God allow this to happen?” “Does God see me?” “How can God use this for His glory?” I found comfort in these pages. I learned the struggle of many during the Jacobite uprising—something I knew precious little about, and I have Scottish heritage!

Laura always transports me into history, and I love how she combines stories of struggle with hope. I always walk away from her books with new knowledge of history and encouragement for my own life. Besides, I can never say no to a good romance!

I will read this book any time I need a good cry. Roseanna combines mystery and utter heartbreak, and I just couldn't get enough. I felt like I was in Gemma’s shoes as she dealt with a loss I could never imagine. I could hear Graham’s heart shatter as everything he once believed in dissolved.

I love books that make me FEEL, and I don’t shy away from hard topics. Among all the pain, these characters discovered forgiveness that never falters and love that never fails. I have so much love for this story. Weeks later, I’m still not recovered, but I would read this book over and over again. 

A slow-burn story is great, but one mixed with regret and hope? Sign me up! I couldn’t imagine living through the trials and expectations that young ladies had to bear during the Regency era, but Julie gave me a pretty good glimpse through this English countryside window.

I felt compassion for some of these characters and anger toward others. The pain and betrayal felt so tangible that my own heart hurt. I feared for the life of more than one throughout the entire book, and I successfully cost a friend a good night’s sleep after recommending this one to her. I believe that the love and hope found in these pages can be found in real life, too.

I like historical novels with strong female characters, even unsympathetic ones (maybe especially unsympathetic ones), but if I am not going to throw the book against the wall, their lives and values need to be true to those of their time.

The Maria of the title is one of the best examples I know of a slightly difficult and strong-minded woman who is fully a product of her world, in this case, the world of Norman adventurers of the eleventh century who carved out domains for themselves in southern Italy against opposition from Muslims and the pope in Rome.

Her life is constrained by the expectations of her class and gender and a marriage she does not want, but she is a survivor, and she finds her own way to exert power.

This is a much-needed antidote to the navel-gazing tendencies of American criminal justice thought.

Reading contemporary treatments, you might almost be fooled into thinking that certain types of police controversies have a specifically American – or at least modern – origin. They don't. In fact, the peculiar challenges of policing and its inevitable discontents might even be universal.

Certainly, they were present at an early stage in medieval Italy, long before the first English "bobbies" ever dawned a uniform. Use-of-force controversies, weapons prohibitions, reluctant witnesses, hostile crowds, simmering beefs among local gangsters: it's all here. Roberts' medieval world so eerily resembles our own when it comes to law enforcement that one ends up surprised to encounter any differences at all.

Here's one, though: medieval town dwellers did not have cell phones with which to film the cops misdeeds. Instead, they hollered for notaries to scribble records on the spot.

I was immediately caught by the novel’s premise: a medical examiner mystery set in the Middle Ages!

When King Henry I faces threats to the Jews under his protection because of a spate of murders of young children, he sends to Italy for a “master of the art of death,” only to receive Adelia, a woman. I was enchanted by Adelia’s courage, intelligence and wry humor as she searched for the killer.

I wallowed in the lush description, the tight plot, and the often contentious exchanges between Henry and Adelia. The final confrontation with the killer has all the stark graphic horror of a well-constructed film, and the fate of the killer’s accomplice is a masterpiece of terrible justice.

I do want to warn you, though; once you finish reading this, you’ll want to binge every following text in the series!

It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.

I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature. 

I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.

If you’ve ever fantasized about restoring a crumbling medieval Italian villa, then you’ll get to live that experience vicariously through this memoir.

The author has a wonderful sense of the absurd as she recounts her family’s multi-year efforts to turn a roofless villa into their dream home, complete with a complicated teenage daughter who is trying to find her way in the rural Italian countryside where the family has been transplanted.

Brimming with idiosyncratic and endearing characters. 

Waterfall takes a 21st-century girl, Gabriella, and mysteriously places her in medieval Italy. Gabi’s journey is unexpected and exciting! While the title might be misleading, you won’t be disappointed when you’re introduced to this teenage girl who’s grown up with archeologist parents learning how to wield a sword. Finding herself in the fourteenth century, Gabi literally lands in the middle of a battle, she meets a knight-prince, and her summer has only begun.