Books like Becoming Unbecoming — picked by fans

I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.

But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.

The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.

You have probably seen the film version starring Dame Judi Dench and Steve Coogan—which I also highly recommend! But Sixsmith’s original book demonstrates how an experienced yet disenchanted writer can find their own way, and make an international impact, by helping another person discover the hideous truth.

Philomena Lee was a woman from Roscrea, Ireland, who, after fifty years, could no longer endure the torment of not knowing what had happened to her toddler son, taken from her at a Catholic home for unwed mothers and sold to an American couple. Unbeknownst to Philomena, her son later went searching for her.

Sixsmith blends these two histories together in a story with many political and personal layers, including only an occasional, seamless glimpse of his amazing research process.

I have admired Wideman for many years. As a writer, he is a virtuoso in multiple forms, making room to confront violence and racism without offering readers trite or false resolutions.

I appreciate how he keeps calling back to the themes and subjects of earlier work. His essay, “Looking at Emmett Till” (originally published in Issue 19 of Creative Nonfiction), grappled with his recollections of 1955 as a 14-year-old teenager, the same age as Emmett Till when he was lynched and murdered.

Writing to Save a Life builds upon this work, tracing a parallel history of Till’s father, Louis, and Wideman’s journey to confront official documents of Louis’s prosecution and hanging during his service in World War II. Here as in so much of his writing, Wideman chooses a unique structure for the book, braiding his own reflections on injustice into the documentary material. 

OK, so Marcel Marceau was totally famous as a French mime artist, and his history has not been exactly “lost.” But I was intrigued by the idea of a biography that focuses on someone who was known for performing through silence, mastering silence itself as an art of communication.

Every page in Wen’s book is a surprise! First, she creates an impressionistic rather than traditional biography. There are source notes at the end, like a usual work of nonfiction, but her book fits easily in the palm of your hand and resembles a collection of poems more than the usual biographical tome.

Each segment invites a re-reading, a back and forth, that evokes the ever-kinetic and elusive interplay of Marceau’s living art. “Videos and photographs remind you how transient the stage is,” Wen writes, taking on Marceau’s persona at one point. “So you replay the dancing ghost in your head… show more.

Amy’s book takes on the same topic, but from the perspective of an academic—and with a more balanced, objective approach. In particular, she examines the role of anti-comics crusader Dr. Fredric Wertham, arguing that his “role in the crusade against comics has been largely misinterpreted by fans and scholars alike, who dismiss his findings as naïve social science, failing to understand how his work on comic books fits into the larger context of his beliefs about violence, psychiatry, and social reform." 

Another readable academic work, Bradford’s book helped me situate the history of comics within the broader narrative of post-war America’s emerging youth, pop, and consumer cultures.

This is a little different in how it approaches magic. Garlic is a sentient vegetable that has been brought to life by a witch residing in the woods. She’s tasked with confronting a vampire that has come to town (since they’re not fans of garlic…) and helping to keep her friends safe. Garlic suffers from anxiety though and this is a big ask for someone who second-guesses herself a lot. It’s a delightful adventure though, and between the heart put into the story and the fun little jokes, I was smiling the whole way through.

I am not recommending a particular volume or compilation. In general I love the work of Harvey Pekar. He has brought me closer to Documentary Comics than any other author. He worked with reflections and anecdotes and was one of those authors that from the writing was able to defy the common places in comics making. Yes, he was a scriptwriter, but he pulled out so many amazing comics from the graphic formula and made them work. I remember seeing gigantic balloons with blocks of text. Pages and pages of close-ups, and they weren’t boring. A comic about him reflecting on his masculinity by unclogging the toilet. Amazing.

This book brings the format of a graphic novel to the subject of women's resistance during enslavement and the trans-Altantic slave trade—and the result is fresh and compelling. As a historian myself, I appreciated the interwtined narratives of Hall's own research quest as a historian following the documentary record—and her reconstruction of the extraordinary revolt of the women held captive in 1772 on the slave-ship Unity. Both the search for truth and the dramatic uprising are conveyed with great skill and emotional power. The account of the Unity revolt calls attention to what we know, how we know it, and what we don't know. But Hall refuses to stop there. Instead, carefully marking speculation as such, Hall offers a fascinating, well-informed, effort to imagine a fuller account of what might have actually happened. We are left with a powerful sense of why this history matters two and a half… show more.

This is a story about someone going through something difficult and not having the words to verbalize why it is having a drastic impact. The premise is simple: Laila’s parents are going through a separation and she has to stay home. One day, she sees a giant bird across the street and allows him to enter her house. Laila tries to keep him a secret, but this bird has other plans. To me, this book is about visualizing a difficult or unnamed emotion. It shows how messy such a process can be. Also, the illustrations are delightful.