Here are 17 books that A Thousand Lives fans have personally recommended if you like
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I taught English and creative writing for 37 years in San Francisco, California. In 2018, Ron Cabral and I published And Then They Were Gone, which tells the story of the Peopleâs Temple teenagers we taught. Many of them never returned after the Jonestown massacre and died there. We hope this story about our young studentsâtheir hopes, their poetry, their efforts to help make a better worldâwill bring some light to the dark story of Jonestown.
Raven is the best, most comprehensive, and most thoroughly researched book on Jim Jones, Jonestown, and Peoples Temple. Reiterman is a fine investigative journalist who was part of a group to visit Jonestown, Guyana in November of 1978. The visitors included, among others, eight members of the press; Congressman Leo Ryan and his aide Jackie Speier; and thirteen representatives of the âConcerned Relatives,â their own name for the group. Every member of the group had defected from the Temple in San Francisco. Only some of these visitorsâReiterman and a few of the other journalists, Ryan and Speier, and a small number of the group of relativesâwere finally and reluctantly admitted in by Jones, on the stern advice of Jonesâs lawyers. The Concerned Relatives were there to see ifâas they strongly suspectedâthose in Jonestown were being held against their will. The journalists wanted to find the truth about life in theâŚ
The basis for the upcoming HBO miniseries and the "definitive account of the Jonestown massacre" (Rolling Stone) -- now available for the first time in paperback.
Tim Reitermanâs Raven provides the seminal history of the Rev. Jim Jones, the Peoples Temple, and the murderous ordeal at Jonestown in 1978.
This PEN Awardâwinning work explores the ideals-gone-wrong, the intrigue, and the grim realities behind the Peoples Temple and its implosion in the jungle of South America. Reitermanâs reportage clarifies enduring misperceptions of the character and motives of Jim Jones, the reasons why people followed him, and the important truth that manyâŚ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŚ
I taught English and creative writing for 37 years in San Francisco, California. In 2018, Ron Cabral and I published And Then They Were Gone, which tells the story of the Peopleâs Temple teenagers we taught. Many of them never returned after the Jonestown massacre and died there. We hope this story about our young studentsâtheir hopes, their poetry, their efforts to help make a better worldâwill bring some light to the dark story of Jonestown.
Layton escaped, at great risk, to try to prevent the tragedy of Jonestown. Her book is the best book yet to read to see Jonestown and Jim Jones through the eyes of a survivor. Layton entered Jonestown (as did most of Ronâs and my students) later than early settlers, when the situation was getting more and more dire as Jones was deteriorating.Â
Twenty-four at the time, Layton accompanied her mother, who believed Jones could cure her cancer. As Charles Krause says in the foreword, âDebbie quickly realized that she and the others had been deliberately deceived: Jonestown was essentially a concentration camp in the jungle.â Layton had been in the church since she was a teen. Jones had immediately recognized her intelligence and energy, and eventually made her one of his inner circle. When she left, he declared her a traitor. The book is fascinating and well written.
In this haunting and riveting firsthand account, a survivor of Jim Jones's Peoples Temple opens up the shadowy world of cults and shows how anyone can fall under their spell.
"A suspenseful tale of escape that reads like a satisfying thriller.... The most important personal testimony to emerge from the Jonestown tragedy." âChicago Tribune
A high-level member of Jim Jones's Peoples Temple for seven years, Deborah Layton escaped his infamous commune in the Guyanese jungle, leaving behind her mother, her older brother, and many friends. She returned to the United States with warnings of impending disaster, but her pleas forâŚ
I taught English and creative writing for 37 years in San Francisco, California. In 2018, Ron Cabral and I published And Then They Were Gone, which tells the story of the Peopleâs Temple teenagers we taught. Many of them never returned after the Jonestown massacre and died there. We hope this story about our young studentsâtheir hopes, their poetry, their efforts to help make a better worldâwill bring some light to the dark story of Jonestown.
Woollettâs novel is based on much research on Peoples Temple and Jonestown. She came to the US from Australia for interviews with many survivors and othersâincluding Ron Cabral and me because of our knowledge of the teenagers in the Temple. Itâs a great read and adds much to the understanding of those who joined the Temple. Evelyn Lyndon (all the characters have fictional names except Jim Jones) is the âBeautiful Revolutionaryâ who, with her idealistic husband, joins the Temple and eventually becomes one of Jonesâs mistresses. I recognize many of the bookâs characters, sometimes two people rolled into one. Only in a novel could Woollett be in the minds of the characters she follows in this story, who are all believable and vividly drawn.
The thrilling new novel, inspired by the events at Jonestown in the 1970s.
It's the summer of 1968, and Evelyn Lynden is a woman at war with herself. Minister's daughter. Atheist. Independent woman. Frustrated wife. Bitch with a bleeding heart.
Following her conscientious-objector husband Lenny to the rural Eden of Evergreen Valley, California, Evelyn wants to be happy with their new life. Yet she finds herself disillusioned with Lenny's passive ways - and anxious for a saviour. Enter the Reverend Jim Jones, the dynamic leader of a new revolutionary church ...
Meticulously researched and masterfully written, Beautiful Revolutionary explores theâŚ
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is realâbut hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to actâŚ
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of otherâs experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and âbe-insâ or âhappenings.â With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
A nonfiction book that reads like a novel; I loved this book because it gave context to one of San Franciscoâs darkest days. On November 27, 1978, California suffered a terrible blow as its beloved mayor, George Moscone, and its first openly gay Supervisor, Harvey Milk, were assassinated.
With its infamous âTwinkie defense,â the assailant, Dan White, attempted to convince the city that he was temporarily insane. I loved learning about the behind-the-scenes politics.
The critically acclaimed, San Francisco Chronicle bestsellerâa gripping story of the strife and tragedy that led to San Franciscoâs ultimate rebirth and triumph.
Salon founder David Talbot chronicles the cultural history of San Francisco and from the late 1960s to the early 1980s when figures such as Harvey Milk, Janis Joplin, Jim Jones, and Bill Walsh helped usher from backwater city to thriving metropolis.
In 1999, fresh out of Harvard, I moved to Zendik Farmâa neo-hippie cult with a radical take on sex and relationships. Since I left in 2004, Iâve been composting the experience into a source of fertility. I've explored not only what drew me to Zendik and kept me there but also how groups like Zendik feed on deficiencies in our cultural soilâand how common it is for us humans to get trapped inside stories. Evenâespeciallyâif we assume ourselves immune to cultism. That is, Iâve approached my cult experience with sincere curiosity. So have all the authors on this list. Thatâs why I love them.
Of the dozens of cult memoirs Iâve read, I like this one best. Why? Because Hollenbach turns her cult experience into a thing of sensual beauty. She skillfully evokes the scrubby yet lush feeling of the land near Taos, New Mexico, where she spent five life-changing months.
She also conveys the romance of throwing herself into a daring experiment and the longings her cult experience did and didn't satisfy. Finally, she shows how any intelligent adult might surrender her sovereignty to an egomaniacâthen compost that detour into fertilizer for her next phase.
In 1970 Margaret Hollenbach, an idealistic twenty-five-year-old graduate school dropout, changed her name and gave up her possessions to join a commune known as The Family, located in Taos, New Mexico. The Family believed in 'group marriage' and practiced its own version of Gestalt therapy, sometimes coercively. Hollenbach spent only a few months in this intense environment, but the lessons she learned have shaped her life. She tells the story of the young woman she was then in a memoir unsparing in its recall of her own torment, joy, and anger.
In 1999, fresh out of Harvard, I moved to Zendik Farmâa neo-hippie cult with a radical take on sex and relationships. Since I left in 2004, Iâve been composting the experience into a source of fertility. I've explored not only what drew me to Zendik and kept me there but also how groups like Zendik feed on deficiencies in our cultural soilâand how common it is for us humans to get trapped inside stories. Evenâespeciallyâif we assume ourselves immune to cultism. That is, Iâve approached my cult experience with sincere curiosity. So have all the authors on this list. Thatâs why I love them.
After ten years in a political cult, Janja Lalich dove deep into research on Heaven's Gate. Then she set out to explain, in this book, how smart, driven people function under coercive control.Â
The gist? While they keep their intelligence and capacity for achievement, they shrink the range within which they act and think.
Lalich's perspective helped me understand why my fellow ex-Zendiks and I had acquiesced to so much dumb shit. We weren't stupid or brainwashedâjust trapped by bounded choice.
Also, I was delighted by her account of her own cult's implosion, crystallized in the moment when the leader pulls out a cigarette and no one offers a light.Â
Heaven's Gate, a secretive group of celibate 'monks' awaiting pickup by a UFO, captured intense public attention in 1997 when its members committed collective suicide. As a way of understanding such perplexing events, many have seen those who join cults as needy, lost souls, unable to think for themselves. This book, a compelling look at the cult phenomenon written for a wide audience, dispels such simple formulations by explaining how normal, intelligent people can give up years of their lives - and sometimes their very lives - to groups and beliefs that appear bizarre and irrational. Looking closely at Heaven'sâŚ
Aury and Scott travel to the Finger Lakes in New Yorkâs wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, itâs time to dig into the details and seeâŚ
In 1999, fresh out of Harvard, I moved to Zendik Farmâa neo-hippie cult with a radical take on sex and relationships. Since I left in 2004, Iâve been composting the experience into a source of fertility. I've explored not only what drew me to Zendik and kept me there but also how groups like Zendik feed on deficiencies in our cultural soilâand how common it is for us humans to get trapped inside stories. Evenâespeciallyâif we assume ourselves immune to cultism. That is, Iâve approached my cult experience with sincere curiosity. So have all the authors on this list. Thatâs why I love them.
Fourteen months after leaving Zendik, still a true believer, I realized that I was not a fucked-up failureâZendik was one fucked-up place. Then, reading Combatting Cult Mind Control, I saw how Zendik fit the cult pattern. How I'd fallen for yet another tired variation on an all too well-worn scheme.
In this book, Hassan adds to the foundation laid by his first book. Most notably, he lays out ways to approach cult members with curiosity, not judgment. Forget arguing and hole-poking, he says. Focus instead on offering unconditional love and letting them come to their own liberating conclusions at their own pace.
In 1999, fresh out of Harvard, I moved to Zendik Farmâa neo-hippie cult with a radical take on sex and relationships. Since I left in 2004, Iâve been composting the experience into a source of fertility. I've explored not only what drew me to Zendik and kept me there but also how groups like Zendik feed on deficiencies in our cultural soilâand how common it is for us humans to get trapped inside stories. Evenâespeciallyâif we assume ourselves immune to cultism. That is, Iâve approached my cult experience with sincere curiosity. So have all the authors on this list. Thatâs why I love them.
In fictional Union Grove, post-collapse, it takes a cultâthe New Faith Churchâto sustain a village. Equipped with social cohesion, ecstatic optimism, and shared purpose, the New Faithers come through for their neighbors in surprising and admirable ways.
I love this book because it shows the bright side of cult life. The New Faithers remind me of myself and my fellow Zendiks at our best. For all our failings, we sure did know how to band together to get shit done.Â
In The Long Emergency celebrated social commentator James Howard Kunstler explored how the terminal decline of oil production, combined with climate change, had the potential to put industrial civilization out of business. In World Made by Hand, an astonishing work of speculative fiction, Kunstler brings to life what America might be, a few decades hence, after these catastrophes converge. For the townspeople of Union Grove, New York, the future is nothing like they thought it would be. Transportation is slow and dangerous, so food is grown locally at great expense of time and energy, and the outside world is largelyâŚ
I began reading about religion, cults, and âhigh demandâ groups to help me understand the group I was writing about in The Sullivanians: Sex, Psychotherapy and the Wild Life of an American Commune. In my book, the central question was how could so many smart, highly educated people allow their lives to be taken over by a group of psychotherapists. As a result, it was crucial for me to understand what draws people into new religions and holds them in groups that others may consider extreme or bizarre.
The Road to Jonestown is a solid, comprehensive account of the long road that led Jim Jones and more than 900 of his followers to take their lives in Jonestown, Guyana in 1978, by literally drinking the Kool-Aid.
What Guinn does well is show the early appeal of Jonesâs church, its message of inter-racial harmony and social justice which attracted many idealistic young people as well as a substantial number of African-American followers. The book explains Jonesâ repeated contacts with Father Divine and his Peace Mission movement.
Jones was a complex mix of charismatic preacher and flim-flam man â both deeply insecure and wildly grandiose with a pronounced tendency toward victimhood and paranoia which became increasingly pronounced as he led his group to its apocalypse.Â
In the 1950s, a young Indianapolis minister named Jim Jones preached a curious blend of the gospel and Marxism. His congregation was racially integrated, and he was a much-lauded leader in the contemporary civil rights movement. In this riveting narrative, Jeff Guinn examines Jones's life, from his extramarital affairs, drug use, and fraudulent faith healing to the fraught decision to move almost a thousand of his followers to a settlement in the jungles of Guyana in South America. Guinn provides stunning new details of the events leading to the fatal day in November, 1978 when more than nine hundred peopleâŚ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
I am an aficionado of lost objects, lost time, afterlives; of writing which never âfittedâ its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison⌠the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
Someone once said that novels were for light summer reading by bourgeois ladies. W.G. Sebald may have shared this opinion. The latter preferred letters, notes, fragments and diaries. Similarly, Elias Canetti, Bulgarian-born, of Sephardi ancestry, German-speaking and winner of the 1981 Nobel Prize for literature, only ever wrote one novel. But his aphorisms, both long and short, are remarkable. He unearths forgotten writers, important ones that he had met, and he meditates on literary gossip and the remaining time in his life. Hereâs an example: Klaus Mannâs last proposal: a mass suicide of writers (of the great names).
From one of the preeminent intellectual figures of the twentieth century, a highly personal testimonial of what Canetti himself chooses to term "notations," bits and pieces: notes, aphorisms, fragments. Taken together, they present an awesomely tender, guiltily gloomy meditation on death and aging.
" A mosaical portrait of an old body's mind determined to do its exercises and not lose a step--and fascinating for that." - Kirkus Reviews