100 Books Like Baby Snack Time

I write nonfiction books for children and teens that focus on current environmental stories. But environmental headlines are usually gloomy and filled with foreboding, so, I prefer to focus on stories that involve individuals identifying an environmental problem and working to develop a solution – hence this list of happy conservation stories. The stories in this list – and many others – are the antidote to the headlines. They are the hope. They show human ingenuity at its most creative, most flexible, and most caring. Happy conservation stories empower kids, teens, and adults to care about the role they play in nature and unite them in action. 

I moved to New York City for school when I was 18 years old and found myself surrounded by people from all over the world. Every fourth person in New York City is an expat. It was fascinating to me and since then I have lived in three countries and done months-long artist residences in Morocco and Ireland. I also read books and stories about cultures from around the world and am particularly enchanted by Africa. Currently, I live on the Pacific coast of Mexico in the city of Mazatlán and have written two children’s books about Mexico. 

I moved to New York City for school when I was 18 years old and found myself surrounded by people from all over the world. Every fourth person in New York City is an expat. It was fascinating to me and since then I have lived in three countries and done months-long artist residences in Morocco and Ireland. I also read books and stories about cultures from around the world and am particularly enchanted by Africa. Currently, I live on the Pacific coast of Mexico in the city of Mazatlán and have written two children’s books about Mexico. 

I moved to New York City for school when I was 18 years old and found myself surrounded by people from all over the world. Every fourth person in New York City is an expat. It was fascinating to me and since then I have lived in three countries and done months-long artist residences in Morocco and Ireland. I also read books and stories about cultures from around the world and am particularly enchanted by Africa. Currently, I live on the Pacific coast of Mexico in the city of Mazatlán and have written two children’s books about Mexico. 

I am a writer based in Brooklyn, NY. My books include The Unofficial Hocus Pocus Cookbook, XOXO: A Cocktail Book, and consulting for Are You My Wine? Clearly, I am very interested in drinking, eating, and pop culture. When we started talking about a follow-up project for The Unofficial Hocus Pocus Cookbook, my mind first went to my daughter Beatrice. I was excited for the day when she could watch the movie with me and share a part of my own life as a kid. I knew that many other millennial parents probably felt the same way, and so I knew I wanted to do a book that would enhance that experience. 

I love 'Show, Don’t Tell' because it really brings a novel to life for the reader. It’s something so many writers struggle with, but it can turn a so-so novel into one readers can’t put down. Losing yourself in a story is the sign of great writing, and when a writer can show me what’s in their head and do it in a way that makes me forget I’m reading, well, that’s a book that keeps me turning the pages until it’s done. And that’s my favorite part of reading, writing, and teaching writing. 

I’m an author, playwright, nonprofit strategist, and mother to two small children–the list goes on and on, and it's enough to work up an appetite. Since three of my favorite things in the world are 1) my kids, 2) stories, and 3) food, this reading roundup is near and dear to my heart. I wrote my picture book, Do Not Eat This Book!, because I believe food is a delicious entryway for exploring identity, sharing, caring, culture, and more, and the books in this list exemplify the sweet power of a good food-themed picture book.

I am an emeritus professor from Harvard and have spent decades trying to develop an anthropological mode of understanding history. Far from being “one damned thing after another,” as Henry Ford allegedly put it, history is an attempt to understand the human condition. It brings us into contact with people in the past, showing us how they thought, felt, and acted. For many decades, anthropologists have endeavored to do the same thing, concentrating on people separated from us by space rather than time. By applying anthropological insights to historical research, I think it is possible to make the past come alive to modern readers, while at the same time making it interesting and even amusing.

Conformism, religiosity, and tribalism pose an increasingly serious threat to democracy, equality, liberty, and the world order. Many public intellectuals, therefore, argue that we should try to tamp down or eliminate these tendencies. I argue the opposite. Based on decades of collaborative research with psychologists, evolutionary scientists, historians, and archaeologists, I show that the human propensities to copy, believe, and belong are here to stay, and our best hope for the future is to draw on our rich inheritance of biological and cultural evolution to harness and manage these core features of human nature more sustainably, peacefully, and consensually.

I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.