Books like B is for Bison — picked by fans

This book is a little different than a typical children’s board book or picture book. It’s a hardcover book that plays 11 different snippets of classical music that coordinate with the story as it progresses.

This book was the first time my son was exposed to classical music, and it’s how we found out how much he loves it. He has had this book for about two years, and it’s still an absolute favorite!

I absolutely love reading this book to my son. No matter how many times we read it, he keeps asking for us to read it again! He went through a phase (pun intended!) where he was obsessed with the moon and wanted to learn all about it.

This book is educational and teaches kids about the moon, but it is still a fun and engaging read with adorable illustrations. 

My husband has a PhD in chemistry, and this book is a fabulous way for him to begin introducing some chemistry and STEM terms to our son. It’s written in a simple way that is easy for a young child to follow.

Even if you’re not a chemist, it’s still a great book to share with your kids. And you might learn something, too! (I did!)

My son and I love reading this book together.

It’s a rare children’s book where I absolutely learned from it as I don’t have a background in computer engineering. The buttons and lights keep the book super interactive, which is important for engaging children. Each page is written in a simple manner that makes sense for kids (and non-computer engineer parents!).    

To be perfectly honest, the title is the best part of this book. None of the text is quite as funny as the concept, but the concept is worth the price of admission.

You can keep your A is for Apple and B is for Ball. I’ll take K is for Knight and D is for Djibouti.

It’s not likely that a toddler is going to need to spell “phlegm” any time soon, but it’s a fun read for the adult — and the grown-ups also need to be entertained by a book that’s going to be aloud 100 times. 

I’m a completionist. I take pleasure in completing a game or task involving many steps that I can tick off as I go.

A to Z lists thrill me like nothing else can! Seeing different minds tackle the same 26 letters each in their own way, never gets old. I was a grown-up when I first discovered Edward Gorey and found him amusing.

But when I discovered this book, the hairs on the back of my neck tingled. He was taking on the A to Z challenge! And he nailed it. Each line is concise and yet tells me everything I need to know.

It’s a short book, but since each line comes with an illustration showing that letter’s victim’s last moments, it’s worth pausing to savor each page.

I live on the West Coast of B.C., just like Deborah Hodge, so this book resonates with me.

The cover describes it as a Nature Alphabet book. It's that and much more. Each letter is followed by a description of different life forms found on the shore or in the sea. And that's what makes it special for me, there's a balance of recognition and discovery.

Reading the poetic writing and looking at the painterly illustration brings me back to my childhood turning over rocks, discovering starfish and clams in the endless tidal pools. Again what makes this book work is the perfect balance of art and words. 

We all want to use language well. But language pundits sometimes promote grammar rules (e.g. no ‘split infinitives’) that contrast with what we hear in speech all the time.

The source of the discrepancy is traditional grammar books, which originated in the 18th Century, and were based on Latin models. But English has always had a different grammatical structure than Latin, and so some traditional ‘rules’ have never made sense. Instead of relying on such traditional prescriptive grammars, it is much better to refer to modern descriptive grammars, which describes how English is actually used nowadays.

These are based on thousands of examples of real written texts and spoken discourse, and so they can confidently report how English is really used in today’s world. The Cambridge Grammar of English is one of the best examples. 

This clever and funny book explains that there are specific techniques that make good writing sound good, or a pithy phrase stick in the mind, and tells you the long and difficult Greek (or slightly easier Latin) names for all these rules you kind of knew without actually knowing.

I can hardly retain any of the Greek labels, but I do remember the fun little examples, like why Oscar Wilde’s epigrams are so striking (antithesis) and how Shakespeare totally lifted part of Julius Caesar from a historian, but polished it up (alliteration). And whenever you hear a memorable three-part phrase, it was probably longer but everyone forgot the other bits (tricolon). 

This is not one for fans of utilitarian writing, but as Forsyth says, “To write for mere utility is as foolish as to dress for mere utility.”

This book takes the reader back to another speech world, that of 16th and 17th century English, albeit one on which we have some purchase through the plays of William Shakespeare. Where someone today may hedge their words with I suppose or probably, people in this time peppered their speech with expressions conveying certainty like verily and forsooth. This contrast represents the ethos of truth and faith that reigned at this time before it was replaced by a modern spirit of epistemic detachment ushered in by the British enlightenment. Yet a by my troth was not interchangeable with a by my faith, and each chapter of the book opens the door on the specifics of an epistemic expression in 16th and 17th century English through colourful examples, cultural evidence and a statement of its meaning. I love this book.