Here are 100 books that Asylum fans have personally recommended if you like
Asylum.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
Some of us are confronted, amid life, with the need to look at ourselves and to change. It’s usually a question of survival. Do I want to live? Better stop this, better start that. I consider myself fortunate to have been forced down this path. So, who am I, really? Will I double down on my past mistakes, or can I change up and make some new ones? I love stories of the pain that precedes growth, redemption, and freedom that comes with it. Here are five of my favorite novels about recognizing what you are and becoming something new.
Redemption is not just about stopping this or quitting that. Whether your problems are chemical or behavioral, those simple changes are a necessary beginning, but they are rarely enough to get the monkey’s teeth out of your neck.
In this novel, Block’s protagonist from 8 Million Ways to Die wrestles with the post-addiction problem of who you are, really, after that thing that has been propping you up is taken away. Redemption isn’t about what happens when you stop digging the hole. It’s about what happens when you climb out of the hole and start becoming.
Detective Matt Scudder is on the trail of a killer - but solving the case might be his undoing...
Matt Scudder and Jack Ellery were at school together but never exactly friends. Twenty years later, when Scudder was a detective and Jack was standing on the other side of the one-way glass in a police line-up, it was clear their lives had taken very different paths.
What they shared, however, was a battle with alcohol. Now Jack is on the ninth step of the AA program and it's time to make amends to the people he's wronged over the years…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
The fantastical attracts me as something not less real than the world but as a revelation of the world: the magic and beauty that underlies everything. This is pantheism, the belief that all parts of the universe are connected and deserve our awe and wonder. This is also social justice and how we treat all living things on the Earth we so remarkably and briefly share. As the author of some dozen published books, translated into nine languages, I also write about science and nature in adult nonfiction, as well as YA fantastical history and speculative fiction. Again, they are connected. I teach writing, and I love to write.
Two Black teenagers in New York are thrown back in time to the Civil War era. Suddenly the similarities and differences of what it means to be Black in America are also thrown into relief, past and present both converging and clashing. Genna is our first-person narrator, and through her, we live fully in two worlds—one in which she struggles to go to college and leave behind the dangers of her Brooklyn neighborhood and one in which she struggles to stay alive in a volatile society which offers little support to the poor and vulnerable of any race.
"Although there is plenty of history embedded in the novel, A Wish After Midnight is written with a lyrical grace that many authors of what passes for adult literature would envy." -Paula L. Woods, The Defenders Online
"Zetta Elliott's time travel novel A Wish After Midnight is a bit of a revelation...It's vivid, violent, and impressive history." -Colleen Mondor, Bookslut
Genna is a fifteen-year-old girl who wants out of her tough Brooklyn neighborhood. But she gets more than she bargained for when a wish gone awry transports her back in time. Facing the perilous realities of Civil War-era Brooklyn, Genna…
The stories of investigative reporter Jerry Mitchell have helped put four Klansmen and a serial killer behind bars. His stories have also helped get two people off Death Row. The author of Race Against Time, Mitchell is a Pulitzer Prize finalist and a winner of more than 30 other national awards, including a $500,000 MacArthur “genius” grant. After working for three decades for the statewide Clarion-Ledger, Mitchell left in 2019 and founded the Mississippi Center for Investigative Reporting, a nonprofit that exposes corruption and injustices, investigates cold cases, gives voice to the voiceless, and raises up the next generation of investigative reporters.
Nellie Bly was one of the great muckraking reporters in American history. She pretends to be insane and is admitted to the “mad house.” Along the way, she exposes the horrible treatment of those suffering from mental illness, but of her treatment in a boarding home, where spoiled beef was served.
Many at the Women’s Lunatic Asylum on Roosevelt Island suffered no mental illness; they simply didn’t know how to speak English, she wrote. “I left the insane ward with pleasure and regret—pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself.”
Her reporting led to a grand jury investigation and reforms inside the asylum.
Ten Days in a Mad-House (1887) is a book by American investigative journalist Nellie Bly. For her first assignment for Joseph Pulitzer's famed New York World newspaper, Bly went undercover as a patient at a notorious insane asylum on Blackwell's Island. Spending ten days there, she recorded the abuses and neglect she witnessed, turning her research into a sensational two-part story for the New York World later published as Ten Days in a Mad-House.
Checking into a New York boardinghouse under a false identity, Bly began acting in a disturbed, unsettling manner, prompting the police to be summoned. In…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship.
It can be difficult for kids to see their parents as real people, and that’s why I loveSome Places More Than Others. When Amara finally convinces her parents she should get to go on a trip with her dad to New York City’s Harlem to meet the grandfather she’s only spoken to on the phone, she uncovers the fact that her dad and her grandfather haven’t spoken in twelve years. I love the depiction of Amara’s father as a person in his own right, someone with a history and his own problems and how, as Amara slowly unravels the mysteries of her father’s past, she begins to understand herself better too.
From Newbery Honor- and Coretta Scott King Author Award-winning, New York Times bestselling author Renée Watson comes a heartwarming and inspiring novel for middle schoolers about finding deep roots and exploring the past, the present, and the places that make us who we are.
All Amara wants for her birthday is to visit her father's family in New York City--Harlem, to be exact. She can't wait to finally meet her Grandpa Earl and cousins in person, and to stay in the brownstone where her father grew up. Maybe this will help her understand her family--and herself--in new way.
I'm the author of two police procedural mysteries, a series that features a father/daughter detective team. I write in the traditional mystery genre for the simple reason that I'm a passionate reader of this genre, and always have been. I enjoy the structure of a whodunnit—the pacing, red herrings, clues, plot twists, reveals—and love constructing a multi-layered mystery that is both engaging and suspenseful. I’m a big fan of the masters of this genre: Agatha Christie, PD James, Dick Francis, and Val McDermid. I’m also an avid watcher of police procedural television series, and I’m especially drawn to the darker investigative stories you find in programs like The Killing, Mare of Easttown, and The Wire.
Former NYPD detective and single mom PI Laney Bird is flawed and imperfect, yet resourceful and determined—a nuanced protagonist that makes this book as much a character study as a mystery thriller. Far from the grisly crime cases she investigated in NYC, Laney settles into a small town in upstate New York hoping to raise her teenage son in a safe environment. When Laney’s neighbor Holly disappears, the plot takes off in unexpected directions as Laney scratches the surface of her friend’s seemingly normal life. Although this is a crime novel, at its heart, it’s about the lengths women will go to to protect their families.
NYPD detective turned small town PI Laney Bird is in a fight to save lives—including her own—when an explosion of deadly violence at a block party exposes the crimes simmering underneath her neighborhood’s peaceful façade.
A transplant to the upstate New York hamlet of Sylvan, all Laney wants is a quiet life for herself and her son. But things rarely remain calm in Laney’s life. When one neighbor, a Russian immigrant, is shot, and his Ukrainian wife disappears—along with Laney’s best friend—at her neighborhood summer block party, Laney will need all her skills as a PI to solve a mystery…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, including—or especially—within his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmi’s mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.
“David Adjmi has written one of the great American memoirs, a heartbreaking, hilarious story of what it means to make things up, including yourself. A wild tale of lack and lies, galling humiliations and majestic reinventions, this touching, coruscating joy of a book is an answer to that perennial question: how should a person be?”
— Olivia Laing, author of Crudo and The Lonely City
In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
How did I – as a scholar of German literature – turn to economic topics? That had a certain inevitability. When I left for Paris in the early nineties, reading traces of anthropological knowledge in literature and aesthetics of the 18th century, I came across economic ideas on almost every page, in natural history, in medicine, in philosophy, in encyclopedias, in the theories of signs and in the teachings of beauty. There was circulation, communication, flows of exchange all over the place, and the Robinsons were the model. This reinforced the impression that the human being was engaged in aligning himself with homo oeconomicus. The question of modern economics has therefore become unavoidable for me.
With this grotesque odyssey of a hedge fund manager in New York, Don DeLillo’s novel takes us right into the arena of the modern financial market, touches on the question of whether that market lends itself to literary treatment, and offers a series of narrative and rhetorical figures to represent the riddle of the finance economy, its protagonists and their operations.
Eric Packer is a twenty-eight-year-old multi-billionaire asset manager. We join him on what will become a particularly eventful April day in turn-of-the-twenty-first-century Manhattan. He's on a personal odyssey, to get a haircut. Sitting in his stretch limousine as it moves across town, he finds the city at a virtual standstill because the President is visiting, a rapper's funeral is proceeding, and a violent protest is being staged in Times Square by anti-globalist groups. Most worryingly, Eric's bodyguards are concerned that he may be a target . . .
An electrifying study in affectlessness, infused with deep cynicism and measured detachment;…
My father came from Ukraine, and every summer took the family to stay on a farm in an immigrant community in southern New Jersey, Carmel, a community begun by the Baron de Hirsch Foundation, which settled Jews from all over Europe. Italian immigrants also settled there. I lived in a family that spoke to their siblings in three languages, Yiddish, Russian, and Ukrainian. Hence, I was privy to the loves and losses of people who felt estranged from their language and often yearned to return to their country of origin.
This book relates the story of Legs Diamond, who began as a street urchin working for Arnold Rothstein and then became a major figure among gangsters. Kennedy treats Legs as a mythic figure, larger than life, who was in the 1930s as much of the story as the Great Depression. The narrator, Gorman Marcus, functions as a kind of Nick Carraway, telling the story from an observer point of view. I admire Kennedy's ability to make Legs a likable figure, notwithstanding the corruption and the murderous instincts of the man. If readers want an intelligent gangster story, this is the book for them.
Legs, the inaugural book in William Kennedy's acclaimed Albany cycle of novels, brilliantly evokes the flamboyant career of gangster Jack "Legs" Diamond. Through the equivocal eyes of Diamond's attorney, Marcus Gorman (who scraps a promising political career for the more elemental excitement of the criminal underworld), we watch as Legs and his showgirl mistress, Kiki Roberts, blaze their gaudy trail across the tabloid pages of the 1920s and 1930s.
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
Frank O’Hara is most talked about as a “city poet” who, on his time off from working at an art museum, walked around Manhattan writing about what he felt and saw. A poet of “I do this, I do that,” O’Hara is lauded for his finding the beautiful in the quotidian. But that’s the lesser half of the story. O’Hara’s greatest feat is writing tender, quirky and deeply satisfying love poems. If you are not enviably moved by his poem “Having a Coke with You,” there’s little reason to continue reading poems at all.
Available for the first time in paperback, The Collected Poems of Frank O'Hara reflects the poet's growth as an artist from the earliest dazzling, experimental verses that he began writing in the late 1940s to the years before his accidental death at forty, when his poems became increasingly individual and reflective.
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I’m an investigative journalist and author, and a decade ago I began digging into the child welfare system—what we call the patchwork web of child protection agencies around the country. The more I learned, the more I realized how this system, which is ostensibly to help children in need, is actually perpetrating deep and lasting harm on generations of children and families. These books have helped me understand how we punish poor people instead of helping them, and how our racist systems harm Black and Indigenous children. They’ve also helped me to sit with the reality of child abuse, and begin to see a different way of preventing harm and healing those who’ve been hurt.
Andrea Elliott, a New York Times reporter, spent nearly a decade reporting on Dasani Coates, a Black child growing up in a New York City shelter, and the result is a deeply humane look at a family in poverty.
This Pulitzer-winning book makes clear that the child protection system is a downstream solution to problems that begin with the failure of our society to meet families’ basic human needs.
As Dasani’s journey becomes public in a front page New York Times series, she is afforded an opportunity to escape poverty and become educated in an elite institution, but Elliott shows that plucking a favored child out of her family—even for the most positive of reasons—is still painful for the child.
PULITZER PRIZE WINNER • NATIONAL BESTSELLER • A “vivid and devastating” (The New York Times) portrait of an indomitable girl—from acclaimed journalist Andrea Elliott
“From its first indelible pages to its rich and startling conclusion, Invisible Child had me, by turns, stricken, inspired, outraged, illuminated, in tears, and hungering for reimmersion in its Dickensian depths.”—Ayad Akhtar, author of Homeland Elegies
ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times • ONE OF THE BEST BOOKS OF THE YEAR: The Atlantic, The New York Times Book Review, Time, NPR, Library Journal