Books like Astrology for the Soul

I love this book because it gave me the structure to start writing.

The practice of Morning Pages opened a door and allowed me to express myself without judgment. I enjoyed Cameron’s prompts and have gone through them multiple times over the years, which has allowed me to track how I am evolving. 

Cameron shows us that creativity is a spiritual and healing act that all of us should pursue in order to feel truly human.

This book is an incredible reference book. I used it as an actor in one of my favorite acting classes. During rehearsal, we used archetypes to help flesh out and explore our characters. This technique felt groundbreaking.

Since archetypes are essential to character development, and we each possess every archetype within us, this book was a staple for me in my creative development. I will go so far as to say that this book was a portal for me to access the teacher in me and expanded me out of my actor self and into my author self.

I recently saw a clip of Rick Rubin talking about art and AI. To paraphrase, he explains that he’s interested in artists because of their point of view. AI has no point of view. I watched him speak so eloquently (and so simply) about something I have tried to put words to for months. 

Creativity is akin to magic. It’s what sparks joy. It’s what makes you remember the details you do. What makes creativity powerful isn’t polish, but presence. Part of that story is the ability to notice, to feel, to pay attention to what most people rush past and capture it, if only for a moment. 

In The Creative Act, Rick Rubin distills that instinct into a way of being. He reminds us that creativity is a birthright. A way of moving through the world with sensitivity and curiosity. Rubin’s words are art in and of themselves.… show more.

I was bed-bound, post-car accident. I was so injured that I was unable to open a window on my own for several months. I needed a routine and an outlet to help me have purpose without being mobile. Journaling was great, but I wanted something non-verbal and non-linear that helped me to feel joy.

Each daily prompt gave me a subject, art material guidance, and a theme without having to come up with the idea myself. At the end of 3 months, I had 90 new drawings. I even sold a couple of the drawings that I posted and got hired for a commissioned piece. All because I followed along. It made me feel like a kid again.

I bought this book in 1976, when it first came out and it’s now held together with Sellotape.

It offers an in-depth description of Saturn, a much misunderstood and maligned planet, through the signs and houses it occupies in a birth chart and includes a section on aspects as well aspects in synastry. No one else offers as much insight into the Saturnian principle and the painful lessons in life it can describe as Liz Greene. She does this planetary principle justice. 

This book gave me a profound realization: humans aren’t rational decision-makers—we’re copiers. We survive by inheriting “packages of expertise” passed down through generations, but over time, those packages lose their rationale. When circumstances change, blindly following tradition can become a liability.

My work is about helping people use AI, data, and collaboration to think through the consequences of their actions. This book explains why that’s so difficult—reasoning isn’t what got us here. We memorize and repeat what worked before, even when the world shifts beneath us.

In an increasingly volatile world, that strategy is failing, and this book makes it clear why new approaches to decision-making are needed. If you’ve ever wondered why people resist logic and innovation, this book will change how you see human behavior.

I love this book because, in typical Paul Davies fashion, it approaches the fine-tuning issue from all perspectives, asks the big questions, and then, like a murder mystery, probes the most likely explanations. The book is a feast for the intellect.

While it describes many of the cosmos's most notable fine-tuning features, such as the strength of gravity, the value of the cosmological constant, and the smoothness of the cosmic background radiation, Paul Davies puts his own spin on the mysteries, examining them with the rigor of a scientist and a philosopher.

I also like this book because Davies shows care for the reader, filling the book with simple examples (such as synchronized ballerinas to illustrate the horizon problem) to explain a scientific conundrum and summarizing key points at the end of each chapter. Last, I appreciate the books of Paul Davies because, whether I agree or disagree with his… show more.

Hailed as a “new genre of nature writing,” Mueller’s book is species-specific, dwelling upon the lives and deaths of salmon, yet the subject matter could apply to any creature that has become a commodity within late-stage capitalism. Mueller contrasts the Norwegian farmed-salmon industry and the increasing mechanization and reduction of living beings to things with wild salmon populations and Native people’s perspectives from the Pacific Northwest. Critically, he dares to take on the perspective of salmon, sprinkling memorable and moving vignettes throughout the book, helping readers imagine the world from a salmon’s-eye-view. This work of interspecies empathy is a rare and welcome contribution to thinking about personhood through a lens that is other-than-human.

I recommend Humankind as a reality check.

So much of what we were told as settled truth about human nature turns out, with the right context, to be an exaggeration at best and a fraud at worst. Bregman forced me to reopen cases I had accepted as closed.

I love it because it argues with the cheap cynicism that treats cruelty as realism. It does not make me naive. It makes me demand better evidence before I write people off.

This is the book for readers who wish to sample Berlin’s kaleidoscopic, multidisciplinary work in a single volume across its whole range. It includes his most celebrated essays in philosophy, political theory, the history of ideas, and twentieth-century portraiture. His two most famous pieces, The Hedgehog and the Fox (on Tolstoy’s view of history) and Two Concepts of Liberty (on ‘negative’ and ‘positive’ political freedom), are here, as are his accounts of his formative meetings with the great Russian poets Anna Akhmatova and Boris Pasternak, his impressions of Churchill and Roosevelt, and his pellucid accounts of romanticism and nationalism. The essays are linked by his ruling preoccupation with understanding human nature in all its irreducibly various guises: what he called, following Kant, ‘the crooked timber of humanity’.