100 Books Like Ashes To Admin

This classic study of the 1832 Anatomy Act is a great combination of scholarly history writing and a call for social justice.

It recounts how the Act solved the problem of corpses being stolen for medical research–by instead appropriating the bodies of poor people who had died in the workhouses. Abuses are still happening: Richardson links the Anatomy Act to the 1990s Alder Hey scandal.

This book reminds me how important it is to keep institutions that deal with the dead accountable–and to know our rights when the time comes.

This beautifully illustrated book about the experience of death in Victorian Britain was a keynote publication in the emerging field of ‘death studies,’ once a niche interest and now an established academic discipline and popular historical topic. Curl’s scholarship is on display in this massive tome, but he wears his learning lightly, and it’s an entertaining read.

This book examines the background of the architecture and customs surrounding death in the 19th century, from the humble working class burial to the spectacular state funerals of the Duke of Wellington (who would have preferred something more low-key) and Queen Victoria herself, the doyenne of Victorian mourning. We learn about the founding of the great urban cemeteries, which were masterpieces of architecture and landscape gardening, and the inevitable development of cremation. In a style as ceremonial as a royal funeral, this book is by turns intriguing, poignant, and amusing. 

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This book is a classic for a reason. It’s a sobering (and deeply entertaining) look at the industry of death.

With so few universal truths, one would imagine that humanity’s shared capacity to understand our own mortality would be a source of connection. Instead, it feels like the mechanics of death and everything surrounding it, get shoved under the carpet in our desperation to avoid the topic.

As Mitford lifts the veil on the funeral industry, it becomes apparent how important it is to shine a light on the things we’re most afraid of.

In 2018, Danny Jefferson was selected “Funeral Director of the Year” by his colleagues. That honor was more than just the culmination of many years of hard work. It was especially gratifying for Jefferson, whose success was hard-won. Hearing impaired since birth, he not only became licensed as a funeral director, but also realized his dream of owning a funeral home. In his book, Jefferson writes candidly about the unique challenges he faced, and overcame, along the way in both his personal and professional life. He hopes that by sharing his story, it will inspire others not to let their own challenges, whatever they are, hold them back from achieving their goals. His friend, and co-author Raymond Reid, a noted artist, helped choose the book's title and also created the cover.

As I said before, I love history, and Puckle’s book gives the reader a great look into the why of our funeral customs. As in: why do we send funeral flowers? (To which Puckle offers the glib answer, “the half sovereign he paid for it save him from the mental exercise of composing a suitable letter of condolence” before offering a serious explanation). Sure, the book was published almost a century ago, but that has no bearing on the contents. It’s an evergreen book and a highly recommended read for serious funereal scholars or those considering a career in funeral service.

This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.

This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin. 

Funeral directors often wonder about the lives of those they serve. Obituaries offer clues, but are limited in scope. Funeral director Eric Daniels decided to learn more about some of the lives entrusted to his care. Wanting them to be more than a “body” Daniels delves into the lives of “ordinary people who lived extraordinary lives.” In the book’s prologue, Daniels writes that the people he chose were those “who made a lasting impact on me because of the difference they made in the lives of others.”

Writing the book, Daniels says, enriched his own life. It also left a lasting legacy for the families of those whose lives he chronicled. An added bonus for readers is that the book’s forward was written by Dr. Alan Wolfelt, one of the country’s foremost grief experts.

During the course of my work week, I get a lot of people telling me they currently are interested in the funeral profession, or if they are of retirement age, they were interested in their younger days. Which begs the question: how do you get started in the profession? Society-girl Meyer simply went in and asked for a job at an East-side funeral home after planning her own father’s funeral. The book details how she helped plan some amazing send-offs for the Big Apple’s rich and famous, and I think is a great how-to for “rolling your sleeves up and giving something a try.” I read somewhere that the experience motivated her to attend mortuary school. Fun read. 

In his book, funeral director Stanley Swan ponders the question, “Are we destined before birth to be what is planned for us?” In Swan’s case, that just may be so. He shares several childhood experiences that he believes may have foreshadowed his career. In one reminiscence, he recounts how he tenderly cared for the remains of a dead sparrow. In another, Swan describes watching the local undertaker conduct a burial in the small cemetery adjacent to his family’s dairy farm in upstate New York, where Swan often played and explored. Fifteen years later, he enrolled in mortuary school and soon after was serving as a funeral director for his community. In his 40-year career, Swan witnessed the public tragedies that were 9/11 and Hurricane Katrina as well as the deaths of many of the locals he knew as friends. He writes about them all and offers a window into how… show more.

Marjorie Kunch was 13 when her grandfather died. She could not have known at the time that his death and funeral would become the catalyst for her to one day pursue a career as a funeral director. But it was a second funeral, that of her grandmother, which turned Kunch into an author. Having searched for a book to explain the funeral rituals of the Serbian Orthodox Christian church to her young children, she found none. So, Kunch wrote her own. The text is easy-to-read and illustrated with a number of photos. What’s more, because of her work in funeral service, the funeral terminology is precise. When My Baba Died is an excellent resource for families and a must-have for every funeral director's library. The book is also available in a Greek Orthodox version titled, When my YiaYia Died.