Books like Arthur's Eyes — picked by fans

I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.

Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.

I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.

When I first started to teach my son how to be a good person, I came face-to-face with the question of what “goodness” even meant to me. Living in Taiwan at the time, I started studying what Chinese philosophy had to share on the topic, and I started drawing and writing stories that would make certain concepts easier for young readers to explore with their grown-ups. Parables and fables have long been engaging tools to convey morals and values. Though the values may change over time, I find the format to still be a wonderful tool to explore some of life's biggest questions.

My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.

I’ve always written funny, rhyming poems so, when I began reading picture books to my kids, I decided to give writing one a try. I now have seven published books (six are in rhyme). I love creating humorous, alliterative stanzas – I think that’s what makes rhyming picture books so much fun to read aloud! Here's an example from my book Cock-a-Doodle Oops: “I know that I’m quiet, but I’d like to try it. Here goes said a shy little sheep. / Her cock-a-doodle baaaa didn’t travel too faaaa. In fact, she made barely a peep.” I hope you enjoy reading the books I’ve listed and other humorous, rhyming picture books!

Free time is precious and in short supply, so when I can lose myself in a story, following it from beginning to end in just one sitting, I find it satisfying. Each of these books is a miniature masterpiece whose very length demands that the author pay attention to word choice, chapter structure, characterization, and plot. Readers must also pay attention because the pleasure of following these small gems is immediate and fierce. I’ve written two novellas so far, and I like to picture my readers—and the readers of the books listed here—lazing back against some squishy pillows, savoring their relaxation beverage, and losing themselves in other worlds.

Like many who carry over childish curiosity into adulthood, I'm attracted to forbidden places. I trespass. When I heard that a portion of South Africa’s coast was owned by the De Beers conglomerate and closed to the public for nearly 80 years, plunging the local communities into mysterious isolation, I became obsessed with visiting the place. Afterward, I began studying carrier pigeons—the amazing flying things that folks use to smuggle diamonds out of the mines. I wrote a book about this, Flight of the Diamond Smugglers. I'm also the author of nonfiction books about the first-ever photograph of the giant squid, working on a medical marijuana farm, and American food culture.

I grew up in the foothills of the Adirondack Mountains in upstate New York and spent many weekends hiking, camping, and fishing with my parents. Identifying and understanding the plants and animals around me was always interesting, and this love of nature has stayed with me as an adult. I now live near Lake Michigan and am an avid hiker, birdwatcher, and an Indiana Master Naturalist. I take endless inspiration from the natural world in my illustration work and believe that co-existing with, respecting, and preserving the natural world is central not just to the integrity of our planet, but to our very humanity.

I believe laughing together is a big part of the glue that bonds people together. Humor has gotten me through my toughest times—and given me much joy in the good times. Laughing over my books with one or both of my toddler grandsons will always be cherished memories for me. Likewise, I love hearing about moments of connection for other readers bonding over Applesauce Is Fun to Wear, Baby’s Opposites, Baby’s Firsts, and Pirate Jack Gets Dressed. Picture books should appeal to the ear as well as the eye. Coming from a family of musicians, I’m partial to rhyme, as you might guess from most of my picks here.