Here are 100 books that Artemisia fans have personally recommended if you like
Artemisia.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
This book was a phenomenon when it came out, and with good reason.
Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.
The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.
The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard
Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth
Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. Girl with a Pearl Earring tells the story of sixteen-year-old Griet, whose life is transformed by her brief encounter with genius . .…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A professor of 16th- and 17th-century Spanish literature and culture at Georgetown University with a focus on women’s writing and the mystics, I am also the author of four bio-novels, all of which feature indomitable female protagonists. Whether queens, saints, or not-so-ordinary housemaids, the protagonists of the books I have chosen (and my own) demonstrate the power and vulnerability of women in early modern Europe. Fiction and scholarship overlap in my work, as I am often able to bring my academic research into my fiction. Two of my latest scholarly books areTeresa de Ávila, Lettered Womanand Women Religious and Epistolary Exchange in the Carmelite Reform.
I have been fascinated with
Sisi since I visited the Habsburg Castle in Vienna several years ago. In The
Accidental Empress, Allison Pataki imbues Elisabeth of Bavaria—known as
Sisi—with humanity and intelligence. Engaged to Sisi’s older sister, the
emperor Franz Joseph falls in love with the younger girl instead, making Sisi
an “accidental empress.” However, his choice unleashes a chain of intrigue and
political maneuvering. Pataki’s novel is rich in psychological insight, and her
detailed descriptions of court life and the Austrian landscape transport the
reader to another time and place. Pataki captures beautifully the atmosphere of
luxury and intrigue of the Habsburg court and having been in the Castle, I can
well imagine Sisi gliding through its vast space or dining on its priceless
china.
*NEW YORK TIMES BESTSELLER * Discover the "captivating, absorbing, and beautifully told" (Kathleen Grissom) love story of Sisi, the Austro-Hungarian empress and wife of Emperor Franz Joseph-perfect for fans of the Netflix series The Empress!
The year is 1853, and the Habsburgs are Europe's most powerful ruling family. With his empire stretching from Austria to Russia, from Germany to Italy, Emperor Franz Joseph is young, rich, and ready to marry.
Fifteen-year-old Elisabeth, "Sisi," Duchess of Bavaria, travels to the Habsburg Court with her older sister, who is betrothed to the young emperor. But shortly after her arrival at court, Sisi…
A professor of 16th- and 17th-century Spanish literature and culture at Georgetown University with a focus on women’s writing and the mystics, I am also the author of four bio-novels, all of which feature indomitable female protagonists. Whether queens, saints, or not-so-ordinary housemaids, the protagonists of the books I have chosen (and my own) demonstrate the power and vulnerability of women in early modern Europe. Fiction and scholarship overlap in my work, as I am often able to bring my academic research into my fiction. Two of my latest scholarly books areTeresa de Ávila, Lettered Womanand Women Religious and Epistolary Exchange in the Carmelite Reform.
Isabella of Castile is one of Spain’s most controversial and complicated queens. I have been teaching Spanish history for decades, so it was particularly thrilling for me to see how C.W. Gortner brings this dynamic woman to life. Having engineered her own marriage to Fernando of Aragon, Isabella contrived to back the voyages of Christopher Columbus and took an active part in the war against the Moors in Granada. She resists and finally succumbs to the demands of the fanatical inquisitor Torquemada, who urges her to rid the realm of Jews. Gortner recreates the climate of intrigue, the bloody battlefields, and the lush gardens of Andalusia so beautifully that you feel as though you were there.
“A masterwork by a skilled craftsman . . . Make a vow to read this book.”—New York Journal of Books
Isabella is barely a teenager when she becomes an unwitting pawn in a plot to dethrone her half brother, King Enrique. Suspected of treason and held captive, she treads a perilous path, torn between loyalties, until at age seventeen she suddenly finds herself heiress of Castile, the largest kingdom in Spain. Plunged into a deadly conflict to secure her crown, she is determined to wed the one man she loves yet who is forbidden to her—Fernando, prince of Aragón. As…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
May I suggest historical fiction fans of the English Tudors try the French royalty for a change? For me, Tudor intrigue pales in comparison to France’s 16th-century queen and regent, Catherine de Medici. This lush, biographical novel from C.W. Gortner follows Catherine from traumatic childhood to poignant death, revealing the necessity behind her ruthlessness. Since the era’s religious conflicts echo today’s cultural divides, the history feels surprisingly fresh. I can’t help thinking that this strong woman who stopped at nothing to protect France, her children, and her power would be more admired if she had been a man.
“The Confessions of Catherine de Medici is a dramatic, epic novel of an all-too-human woman whose strength and passion propelled her into the center of grand events. Meticulously-researched, this engrossing novel offers a fresh portrait of a queen who has too often been portrayed as a villain. Bravo Mr. Gortner!”—Sandra Gulland, author of The Josephine B Trilogy and Mistress of the Sun
The truth is, not one of us is innocent. We all have sins to confess. So reveals Catherine de Medici, the last legitimate descendant of her family’s illustrious line. Expelled from her native Florence, Catherine is betrothed to…
I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me.
Artemisia Gentileschi was a 17th-century Italian Baroque painter. One of the most fascinating and progressive artists of her time, she was also the first woman ever accepted into the prestigious Accademia di Arte del Disegno in Florence. Her personal life was riddled with turmoil—from rape to torture and public humiliation, but she endured it all to pursue her passion for painting. Many artists sacrifice for their art, but this woman took on an entire city and the Inquisition, and still went on to paint what are considered some of the most brilliant paintings of all time. For me, she is the quintessential feisty female protagonist, beating the odds and the establishment and standing tall.
"Susan Vreeland set a high standard with Girl in Hyacinth Blue.... The Passion of Artemisia is even better.... Vreeland's unsentimental prose turns the factual Artemisia into a fictional heroine you won't soon forget." —People
A true-to-life novel of one of the few female post-Renaissance painters to achieve fame during her own era against great struggle. Artemisia Gentileschi led a remarkably "modern" life. Vreeland tells Artemisia's captivating story, beginning with her public humiliation in a rape trial at the age of eighteen, and continuing through her father's betrayal, her marriage of convenience, motherhood, and growing fame as an artist. Set against…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.
Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist.
'This is the ring that you gave me, and these are your promises.'
Rome 1611. A jewel-bright place of change, with sumptuous new palaces and lavish wealth on constant display. A city where women are seen but not heard.
Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She belongs to her father and will belong to a husband.
As Artemisia patiently goes from lesson to lesson, perfecting her craft, a mysterious…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Bernini shows the culmination of the Baroque era in which the artist himself played a significant part in forming and exposing how art can be an intersection between painting, sculpture, and architecture. The level of detail and expression that he can imbue his sculptures with is an experience in itself. The book also gives insight into his process, internal rules, and definitions of art as well as the historical context behind many of his works. His larger works, along with his smaller, far more personal portrait busts, are all detailed with rich photography showcasing the incredible detail of his work.
Gian Lorenzo Bernini (1598-1680) was the greatest and most influential sculptor of his age. Endlessly inventive and gifted with extraordinary skill, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that perfectly expressed the fervour of Counter-Reformation Rome. Intensity and drama also characterize his remarkable portraits and his world-famous Roman fountains.
Rudolf Wittkower's classic monograph and catalogue raisonne has been the standard established work on Bernini since 1955. It is now available in an updated and expanded edition.…
I’m a professor of Classics at Rutgers University, where I’ve taught since 2000; before that, I spent a decade on the faculty of Bryn Mawr College. For three years I served on the staff of the American Academy in Rome, a somewhat frenetic experience that prompted me to shift my focus from ancient Roman history to the history of the city of Rome. Since 2010 I’ve been managing a private family archive in Rome, that of the papal Boncompagni Ludovisi, which covers the period from the early 1400s to the 1940s. Now completely digitized, the archive has much new material to offer, not least on the era of Mussolini, including resistance to his regime.
In her decades of work on Italy’s Fascist era, Marla Stone has shown an especially keen eye for the development of the regime’s policies and ideologies, whether in the sphere of art and culture, or that of political violence and imperialist aggression. Here Stone offers a succinct and penetrating overview of the origins, rise, consolidation, and eventual crash of Fascism in Italy, followed by a translation of some three dozen primary documents—about a third of which were otherwise unavailable in English—to illustrate her narrative. Particularly chilling are the propaganda texts from 1938 on, when Mussolini’s grandiose claims to the legacy of ancient Rome took a back seat to full-blown racial politics, “as Italians were declared ‘Aryans’ and biological anti-Semitism became part of official ideology.”
As the first mass movement of the radical right to assume power in the wake of World War I, Italian Fascism became the model and inspiration for violent anti-democratic and anti-socialist forces that swept Europe between 1919 and 1945. In this volume Marla S. Stone provides an essential introduction to the rise and fall of Benito Mussolini's Fascist dictatorship. Drawing on the most recent historical scholarship, Stone explores the multifaceted nature of Fascist rule, which drew strength not only from its terror apparatus but also from popular support for its social programs. More than 35 primary sources, including speeches, decrees,…
I am an anthropologist and professor at Cornell University, where I taught 20-year-olds for thirty years. It was my job to explore the world, learn about it, and then educate others, underscoring the notion that all peoples and cultures are equally interesting and valuable. I started out, as a graduate student, watching macaque monkeys for my research, testing if their behavior might give us clues to the evolution of human behavior. But then I switched to science journalism for the popular audience and have, for decades, written for magazines, newspapers, and many books about the intersection of biology and culture on human thought and behavior.
As a Venetian, diRobilant knows everything about the city and its history, and his writing is historically accurate and pulls the reader into unsolvable Venetian conundrums from long ago. This new book is about a series of old volumes that contain reprinted stories of exploration and travel (such as Marco Polo’s travels) that initiated travel writing as we know it.
I had written briefly about this little-known Venetian editor and publisher myself in Inveting the World, but diRobilant delves much deeper and wider into that history. A Master Class in engaging and informative nonfiction writing.
From the author of the best-selling A Venetian Affair (“A narrative of novelistic resonance . . . Astonishing” —The Washington Post), the story of an Italian Renaissance book editor who introduced European minds to the wider world through his passion for geography
In the autumn of 1550, a thick volume containing a wealth of geographical information new to Europeans, with startling wood-cut maps of Africa, India and Indonesia, was published in Venice under the title Navigationi et Viaggi (Journeys and Navigations). The editor of this remarkable collection of travelogues, journals and classified government reports remained anonymous. Two additional volumes delivered…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
In many ways, this sort of book has gone out of style since it was published in the 1960s.
It’s an opinionated and ambitious portrayal of the Italian psyche and culture. Barzini looks at his fellow Italians with a dispassionate eye and a healthy sense of irreverence, uncovering their foibles, hidden beliefs, superstitions, and great strengths as a culture.
For me, Italy is an eternal paradox. Just when you think you’ve worked it out, something happens that makes you do a double-take. This book helps you understand that paradox has been part of Italy’s identity since the very beginning.
In this consummate portrait of the Italian people, bestselling author, publisher, journalist, and politician Luigi Barzini delves deeply into the Italian national character, discovering both its great qualities and its imperfections.
Barzini is startlingly frank as he examines “the two Italies”: the one that created and nurtured such luminaries as Dante Alighieri, St. Thomas of Aquino, and Leonardo da Vinci; the other, feeble and prone to catastrophe, backward in political action if not in thought, “invaded, ravaged, sacked, and humiliated in every century.” Deeply ambivalent, Barzini approaches his task with a combination of love, hate, disillusion, and affectionate paternalism, resulting…
