Here are 100 books that Arkansas fans have personally recommended if you like
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I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
I loved this fictitious expose of the New York fashion industry because it asks what we would sacrifice for ‘a job a million girls/boys would die for?’ Sometimes, in the creative industries, power can be concentrated in the hands of people for whom ‘the meaning of their life’ is about a creative project being successful.
This can lead them to make the lives of people around them miserable. How much abuse, poor pay, lack of credit, ‘self-exploitation’, being absent for loved ones, how much of this would you tolerate? What if you had to sell your soul to fulfill your dream? This might seem academic, but for many in the creative industries, it has been painfully real.
High fashion, low cunning - and the boss from hell
When Andrea first sets foot in the plush Manhattan offices of Runway she knows nothing. She's never heard of the world's most fashionable magazine, or its feared and fawned-over editor, Miranda Priestly - her new boss.
A year later, she knows altogether too much:
That it's a sacking offence to wear anything lower than a three-inch heel to work.
That you can charge cars, manicures, anything at all to the Runway account, but you must never, ever, leave your desk, or let Miranda's coffee get cold.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.
For years, I refused to re-embrace Holden Caulfield, because Mark David Chapman, John Lennon’s assassin, declared it inspired him to bloodshed. I’m glad I did, getting the juices circulating for my novel.
Holden, manic-depressed over his brother’s death, cut loose from his prep school, may speak in a stream-of-consciousness babble, but he enunciated an old-soul contempt of Ivy-League elitism that reverberates today.
When Holden declares, “The more expensive a school, the more crooks it has,” it’s a literary MRI on American classism still tearing us asunder.
I lived an isolated and sometimes nomadic adolescence. My struggling single mother had untreated paranoid schizophrenia and believed herself to be a prophet. The world, as she saw it, was a strange and scary place, and she raised me and my sister to believe as she did. But being an avid reader and artist, I would escape into my own fantasy worlds to find hope and meaning. Now, as an adult, I use my art and writing to make sense of trauma, and I hope my stories can inspire and empower the people who read them.
A powerful memoir of first love and moving past religious trauma. Craig’s journey as a young evangelical who wants to be an artist was incredibly relatable to me and helped me feel brave enough to give voice to some of my own secret pains in my graphic novel.
The black and white ink work throughout the book is exquisite, and the honesty of the story is brave and moving.
"Quaint, meditative and sometimes dreamy, blankets will take you straight back to your first kiss." --The Guardian
Blankets is the story of a young man coming of age and finding the confidence to express his creative voice. Craig Thompson's poignant graphic memoir plays out against the backdrop of a Midwestern winterscape: finely-hewn linework draws together a portrait of small town life, a rigorously fundamentalist Christian childhood, and a lonely, emotionally mixed-up adolescence.
Under an engulfing blanket of snow, Craig and Raina fall in love at winter church camp, revealing to one another their struggles with faith and their dreams of…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I'm a memoir writer whose latest book, Drunk-ish, chronicles my experience getting sober. Before quitting drinking and after, I devoured all the "quit lit" books I could get my hands on despite not being entirely convinced I had an issue. I read to bond and identify with the authors, and the books I'm recommending are a few of my very favorites on the topic of addiction. On my podcast, "For Crying Out Loud," I often share about quitting drinking and addiction in general, and when I do, I find those are some of the most popular episodes. If you're sober, thinking about quitting, or even just like reading books about messed-up boozers, these books are for you.
This is one of my all-time favorite books about alcoholism because it’s hilarious. The title has a double meaning because the book is about the author’s attempt to stop drinking but also because Augusten’s humor is incredibly dry.
I found this book before I ever even entertained the notion that I, too, might have an issue with alcohol, and yet, I loved it. I’ve probably read this book at least 10 times, and it still makes me laugh despite the fact that it’s become all too real for me.
From the New York Times Bestselling author of Running With Scissors comes the story of one man trying to out-drink his memories, outlast his demons, and outrun his past.
“I was addicted to “Bewitched” as a kid. I worshipped Darren Stevens the First. When he’d come home from work and Samantha would say, ‘Darren, would you like me to fix you a drink?’ He’d always rest his briefcase on the table below the mirror in the foyer, wipe his forehead with a monogrammed handkerchief and say, ‘Better make it a double.’” (from Chapter Two)
Raised by activist feminist parents and schooled by Quakers, I am surprisingly amusing. Eartha Kitt once held my left hand for five minutes. I work primarily as a playwright; Not a Cat is my first children’s book! Now when I show up at a little kid’s birthday instead of bringing a play I wrote, I can give the tot age-appropriate reading material. For me, reading a memoir is this intimate exchange with a writer where they’ve shared everything, and I’ve revealed nothing. What’s better than a good story beautifully curated? Okay, a cookie, but that’s it. I hope my book reaches all the kids out there who are told: be less this and more that.
Of the very, very many books about writing and reading, Alexander Chee’s book of essays is among the best. His prose is honest and soul-baring and his descriptions are the kind you wish you’d thought of. The collection is basically a coming-of-age story divided into anecdotal episodes—as an exchange student wanting love in Mexico, working at a famous gay bookstore in San Francisco while AIDS decimated his community, and time in academia. Chee has an affection for his readers and students that is engaging. He’s also a great Twitter presence and like Jacob, also a looker. At a Christmas party we both attended, we discovered we are Leos, so, we’re basically bonded for life.
Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Named a Best Book of 2018 by TIME, Washington Post, Entertainment Weekly, Wired, Esquire, Buzzfeed, Paste, Bitch, Bustle, The Chicago Review of Books and iBooks
As a novelist, Alexander Chee has been described as 'masterful' by Roxane Gay, 'incendiary' by the New York Times, and 'brilliant' by the Washington Post. With How to Write an Autobiographical Novel, his first collection of nonfiction, he secures his place as one of the finest essayists of his generation.
How to Write an Autobiographical Novel is the author's exploration of the entangling of…
I’ve read a lot of books that feature gay characters. These characters often partition into two main groups: angsty men who are victims of oppression or illness, or camp stereotypes who provide the light relief. I prefer to read about heroes who happen to be gay. That’s why I started writing novels. My recent books are historical novels inspired by real gay heroes. The feedback I get from readers indicates that there are a lot of people who want the same as I do.
Jill Nalder is one of the great heroes of the AIDS crisis in eighties Britain. Her story features in the TV series It’s A Sin. This is her memoir and it’s an uplifting and heartbreaking read. Jill is one of those miraculous allies for gay men who fought to get more information about AIDS distributed more widely. It’s thanks to people like her that AIDS is no longer a death sentence.
'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES
'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH
'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIES
A heartbreaking, life-affirming memoir of love, loss…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
Benjamin Justice is a broken man—a former prize-winning journalist whose career (and life) has been shattered by the death of his lover and a scandal surrounding his best-known writing. Recruited by his former boss to assist an up-and-coming journalist, Ben finds himself investigating a murder that occurred outside a gay bar. The series is tightly written and casts a dark glamor across gay life in ’90s California.
It’s 1994, an election year when violent crime is rampant, voters want action, and politicians smell blood. When a Latino teenager confesses to the murder of a pretty-boy cokehead outside a gay bar in L.A., the cops consider the case closed. But Benjamin Justice, a disgraced former reporter for the Los Angeles Times, sees something in the jailed boy others don’t. His former editor, Harry Brofsky, now toiling at the rival Los Angeles Sun, pries Justice from his alcoholic seclusion to help neophyte reporter Alexandra Templeton dig deeper into the story. But why would a seemingly decent kid confess to…
I’ve read a lot of books that feature gay characters. These characters often partition into two main groups: angsty men who are victims of oppression or illness, or camp stereotypes who provide the light relief. I prefer to read about heroes who happen to be gay. That’s why I started writing novels. My recent books are historical novels inspired by real gay heroes. The feedback I get from readers indicates that there are a lot of people who want the same as I do.
This book affected me very deeply because it’s set in the 80s and 90s when I was in my twenties and thirties. It describes with astonishing accuracy the political cruelty that abounded at that time. For me, the real hero of the book is Leo. He’s not only gay but also Black which makes him a double target for the prejudice of the time. The way he tackles it head on in the book is breathtaking.
In the summer of 1983, 20-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: Tory MP Gerald, his wealthy wife Rachel, and their two children, Toby - whom Nick had idolized at Oxford - and Catherine, always standing at a critical angle to the family and its assumptions and ambitions.
As the Thatcher boom-years unfold, Nick, an innocent in the worlds of politics and money, finds his life altered by the rising fortunes of the glamorous family he is entangled with. Two vividly contrasting love-affairs, with a young black clerk and a Lebanese…
I have written books on topics ranging from climate change, to migration, to labor unions, to pianos. I covered the civil war in El Salvador in the 1980s as a journalist. But I am mostly known as a musician. I have released over 20 CDs and toured internationally for decades. I am the son of a closeted priest and have a daughter whose lesbian mother is a former lover of mine so I am drawn to well-written books about the lives of gay men that don’t fit an easy “coming out’ narrative, that are not “closeted” in dealing with sex, and that address political concerns that go beyond gay males.
I became obsessed with the writing in this book when it was first published in 1991, and I was far from the only one. News of his death, one year after the publication of this book, triggered a spontaneous march of angry mourners through his NYC neighborhood.
He wrote with the urgency of an artist running out of time. David captured the anger of the first generation of gay men to confront AIDS like no one else. Other writers expressed the grief, the despair, and the moral dilemmas. David had fire breathing out of his pen. I am proud to have one of my favorite of his paintings on the cover of my new book.
I am glad I am alive to witness these things; giving words to this life of sensations is a relief. Smell the flowers while you can.
Close to the Knives is the artist, writer and activist David Wojnarowicz's extraordinary memoir. Filthy, beautiful, and sharp to the point of piercing, it is both an exploration of the world seen through the eyes of an artist, and a moving portrait of a generation living, grieving, and dying through the AIDS crisis. It is a triumphant hymn of resistance, and a dizzying celebration of the joys of seeing and living in the world.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’m an autistic writer with a passion for neurodiversity representation in fiction. As a child, I struggled to get into reading because I couldn’t see myself in any of the characters. That changed when I discovered Calvin and Hobbes, a comic strip about a precocious boy with a big imagination who struggles with making friends and is always getting in trouble for his poor self-control. Finally, I thought—a character just like me! For people who are neurodivergent, discovering fictional characters who resemble themselves can be a powerful experience. That’s why I think neurodiversity representation in fiction is incredibly important.
Maya MacGregor, like Corinne Duyvis, is autistic, and like Corinne, Maya nails this aspect of their protagonist, Sam Sylvester. Sam is also non-binary, so there are multiple forms of minority representation in this book, which I love to see.
Unlike On the Edge of Gone, which features an end-of-the-world scenario, this book is more grounded, focusing largely on Sam’s struggles to find their place at a new school in a new town while confronting demons from their past. That’s not all the book has going on—there are also paranormal elements and a thirty-year-old mystery waiting to be solved. I found these aspects of the book to be intriguing as well.
An Andre Norton Nebula Award for Middle Grade and Young Adult Fiction Nominee
"Look no further for your next favorite read, because The Many Half-Lived Lives of Sam Sylvester has it all: a gripping murder mystery that will keep you turning pages, ghosts, romance, and a treasure trove of queer characters with depth and heart. Here's something rare-a suspenseful story that also feels like a hug." -Sarah Glenn Marsh, author of the Reign of the Fallen series
In this queer contemporary YA mystery, a nonbinary autistic teen realizes they must not only solve a 30-year-old mystery but also face the…
