Here are 71 books that Arizona Territorial Officials I fans have personally recommended if you like
Arizona Territorial Officials I.
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There is nothing I detest more than what I have dubbed the “John Wayne Mythos” – the idea the West was populated with righteous gunslingers going about “taming” the West by killing anyone who was not abiding by or submitting to white, Anglo-Saxon, Protestant standards and morality. The West, of which Arizona was an integral part, was much more complex than this, and the heroes of legend were oft-times the real-life villains. I consider myself to be a historian of the “New Western History” school, which recast the study of American frontier history by focusing on race, class, gender, and environment in the trans-Mississippi West.
The true story of the misdemeanor arrest in Tombstone gone terribly wrong that has resounded for almost a century and a half. There are literally dozens of books on this subject, but this is by far the best. Ms. Marks accurately, and without hyperbole, researched the motivations of the men involved in the Earp-Cowboy feud and precisely documents the conflicts which arose between them. As one reads her book, one realizes that the Earp mythos which has been and continues to be touted by other authors and the film industry is erroneous. There were really no good guys or bad guys, just regular men whose political and social ambitions led to bloodshed.
The gunfight at the OK Corral has excited the imaginations of Western enthusiasts ever since that chilly October afternoon in 1881 when Doc Holliday and the three fighting Earps strode along a Tombstone, Arizona, street to confront the Clanton and McLaury brothers. When they met, Billy Clanton and the two McLaurys were shot to death; the popular image of the Wild West was reinforced; and fuel was provided for countless arguments over the characters, motives and actions of those involved. "And Die in the West" presents an objective narrative of the celebrated gunfight, of the tensions leading up to it,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
There is nothing I detest more than what I have dubbed the “John Wayne Mythos” – the idea the West was populated with righteous gunslingers going about “taming” the West by killing anyone who was not abiding by or submitting to white, Anglo-Saxon, Protestant standards and morality. The West, of which Arizona was an integral part, was much more complex than this, and the heroes of legend were oft-times the real-life villains. I consider myself to be a historian of the “New Western History” school, which recast the study of American frontier history by focusing on race, class, gender, and environment in the trans-Mississippi West.
Most meticulously researched book on the worst blood feud in U. S. History, but, being Mr. Dedera was a news journalist and columnist with The Arizona Republican, it is very readable. Prior to the publication of this manuscript, books about the feud between the Tewksbury and Graham families tended to be biased, sympathizing with the latter while condemning the former (in part because the Tewksburys were half Native American). Dedera was one who discovered the document which proved it conclusively was the Graham who had turned on the Tewksburys. Still, Dedera does not take sides, and he does not pull his punches. He lays out the facts before the reader, and when he does draw conclusions, they are based on the evidence presented. Highly recommended.
The history of the American West is punctuated by range wars, and the Pleasant Valley feud was among the most famous. Waged largely in northeastern Arizona, it had all of the classic elements: cattle and horse rustling, massacres, and dramatic courtroom confrontations. A LITTLE WAR OF OUR OWN incorporates more than thirty years of research by the author, including material from recently opened archival sources, and his journalistic vision, which penetrates to the heart of the story.
There is nothing I detest more than what I have dubbed the “John Wayne Mythos” – the idea the West was populated with righteous gunslingers going about “taming” the West by killing anyone who was not abiding by or submitting to white, Anglo-Saxon, Protestant standards and morality. The West, of which Arizona was an integral part, was much more complex than this, and the heroes of legend were oft-times the real-life villains. I consider myself to be a historian of the “New Western History” school, which recast the study of American frontier history by focusing on race, class, gender, and environment in the trans-Mississippi West.
A biography that summarily destroys the myth of one of the great outlaws of western cinema. As it turns out, Johnny Ringo was a very minor outlaw and not a particularly good one at that. He was a depressive, an alcoholic, a poor shot, shunned by his friends, rejected by his family, and pretty much a ne’er-do-well. Finally, after an extended binge, he found a comfortable spot beside Turkey Creek in Cochise County and put a bullet through his head (there are a number of authors who have invented elaborate conspiracy theories on how Ringo really came to his death which are only worth reading for their absurd entertainment value). After considering all the facts, Burrows concludes the only reason John Ringo is remembered today is because he had a wonderfully mellifluous name).
This was the book that inspired me to look at Arizona histories with a more critical eye,…
He was the deadliest gun in the West. Or was he? Ringo: the very name has come to represent the archetypal Western gunfighter and has spawned any number of fictitious characters laying claim to authenticity. John Ringo's place in western lore is not without basis: he rode with outlaw gangs for thirteen of his thirty-two years, participated in Texas's Hoodoo War, and was part of the faction that opposed the Earp brothers in Tombstone, Arizona. Yet his life remains as mysterious as his grave, a bouldered cairn under a five-stemmed blackjack oak. Western historian Jack Burrows now challenges popular views…
There is nothing I detest more than what I have dubbed the “John Wayne Mythos” – the idea the West was populated with righteous gunslingers going about “taming” the West by killing anyone who was not abiding by or submitting to white, Anglo-Saxon, Protestant standards and morality. The West, of which Arizona was an integral part, was much more complex than this, and the heroes of legend were oft-times the real-life villains. I consider myself to be a historian of the “New Western History” school, which recast the study of American frontier history by focusing on race, class, gender, and environment in the trans-Mississippi West.
The Arizona territory was an intersection for people from many different cultures, and they sometimes did horrible things to one another. This is the story of the brutal Camp Grant Massacre of 1871, one of the pivotal events in the war on the aboriginal tribes in the Arizona Territory. This is a difficult book to read as it lays bare the inherent racism of the so-called settlers of the territory, and uncompromisingly addresses their genocidal inclinations. Worse, it shows how the policies of the U.S. Government encouraged such acts of mass murder. Though one hundred of the participants, including a number of upstanding citizens from Pima County, were indicted for 108 counts of murders, and tried, not one was found guilty. A shameful, but important history.
A masterful reconstruction of one of the worst Indian massacres in American history
In April 1871, a group of Americans, Mexicans, and Tohono O?odham Indians surrounded an Apache village at dawn and murdered nearly 150 men, women, and children in their sleep. In the past century the attack, which came to be known as the Camp Grant Massacre, has largely faded from memory. Now, drawing on oral histories, contemporary newspaper reports, and the participants? own accounts, prize-winning author Karl Jacoby brings this perplexing incident and tumultuous era to life to paint a sweeping panorama of the American Southwest?a world far…
I have always loved history, which is why I love to read historical fiction. I’m fascinated by it. Historical fiction has a ability to make connections between the past and the present. It’s almost like bringing people out of history and setting them at a table beside you. Even after we know some facts of history, we feel moved by what happened if we read another account of it.
This book has amazing characterization. Also, the voice of the narration is spectacular. And the chemistry between the love interests is palpable. They are tough characters. Loving and smart and honest. You want to keep them around. Please read it. I can’t say enough good things about it.
Sarah Agnes Prine begins her diary in 1881 when her father decides to move the whole family - and their horse ranch - from Arizona Territory to Texas, where life will be easier. Sarah, at seventeen, is a tomboy: though she longs to be educated, gracious and beautiful like other women. But when the family sets out on the wagon trail and disasters strike in rapid succession, Sarah turns out to be the only thing that keeps them from certain death.
Sarah stays brave, strong and determined through everything that befalls her. But she longs to be loved, like any…
I am best known for my books on allergies and horticulture. But my first love was always writing fiction, and the first two books I ever sold, were both novels. I know a lot about exciting historical novels because I’ve read so many of them. I read; I don’t watch TV. I love history, and historical fiction that has good, strong characters that I can give a hoot about. And I love books that are full of action, where something exciting is always happening or just about to. A plug: I believe I’ve now written some books myself that fit that bill.
The Broken Gun has one of the tightest plots of any of the many Western novels from the late, great Louis L’Amour. L’Amour’s Westerns are almost all set in the mid-1800s. His good guys are good, and his bad guys bad. His books are all fun, easy to read, full of action, and keep you turning the pages. Some readers think Louis L’Amour was a 2nd rate writer…but he knew what he was doing & literally millions of folks have loved his books. Many, like myself, have read all of his Westerns, some of them several times. When I go camping I always toss in a few of his paperbacks. When it’s too windy to fish, I kick back and re-read a Louis L’Amour Western. Always fun.
Ninety years ago the Toomey brothers, along with twenty-five other men and four thousand head of cattle, vanished en route to Arizona. When writer and historian Dan Sheridan is invited to the missing brothers’ ranch by its current owner, he jumps at the chance. The visit fits right in with his plan to solve the century-old mystery—but it turns out that his host isn’t a fan of books, writers, or people who don’t mind their own business.
Soon Dan is living the dangers of the Old West firsthand—tracked through the savage wilderness by vicious killers straight out of the most…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I love to read and write about strong women. I don't necessarily mean gunning down aliens while wearing tight pants. Those books can be good too, but let's be honest, tight pants encourage yeast infections. I prefer books where women handle anything from murder to wayward cats with intelligence and compassion, while wearing whatever they want. The women, I mean. Cats already figured out to skip the pants.
Everything about this book steals my heart, from Chloe's tenderness with horses to the Diné (Navajo) children who don't have enough books at their school.
But let me back up and tell you that Chloe is pregnant with Hank's child. She shouldn't be riding horses at all, but the call is too strong. Hank's a good guy who can't find professor work in Arizona, ends up teaching the Diné children, and finds he loves them more than working at a university.
It should be a happy ending between Hank and Chloe and the upcoming baby, except the horse belongs to an artist named Junior Whitebear, who returns to town and forms an instant, overpowering connection with Chloe. Mapson writes so well that she makes me ache.
When 34-year-old Chloe Morgan appears on Hank Oliver's doorstep in Cameron, Arizona, she arrives with more than her old white German shepherd, Hannah, and a rambunctious horse in tow. Chloe is pregnant with Hank's child, and she's as tough-talking and vulnerable, skittish and tender as when last we saw her, in Jo-Ann Mapson's acclaimed first novel Hank & Chloe.
Loving Chloe takes up where the earlier novel leaves off. As Chloe and Hank settle somewhat uneasily into domesticity in his grandmother's cabin, a local Navajo legend named Junior Whitebear, an artist whose work has been praised by the eastern commercial…
I'm a fifth-generation Arizonan, a former staff writer for the Arizona Republic, and a lifelong student of the Grand Canyon State. One of my very favorite things to do is travel the backroads of this amazing state and talk with the astonishing people who live there. Along the way, I wrote eight nonfiction books, including Island on Fire, which won the 2020 National Book Critics Circle Award. My day job is at Chapman University, where I am an English professor.
We take our sunsets seriously in Arizona, enough that we put a variation of one on our state flag. But Bruce Berger's book made me rethink how I look at the smeared colors in the evening sky.
Look not west, he says, but to the mountains in the east: the “decreasing wavelengths and cooling colors–vermillion to salmon to plum” on the slopes that provide a lightbox to the garish display at your back.
This is only the start. In finely wrought prose befitting the author’s other career as a pianist, he renders the harsh beauty of the Southwest in a set of twenty essays that draw a portrait of landscape and memory.
As a reader and writer, I work with a pretty broad definition of “mystery.” You’ll find my own novels in the fantasy section of the bookstore, but my books are mysteries too — and romances, and tales of adventure, and intimate character studies, and reflections on our reality, no matter how fantastical the worlds in which they take place. I love melding genres! So when I think of my favorite mysteries, I try not to limit myself to the mystery section of the bookstore. Few things make me happier than discovering partway through a book that a mystery has been building that I didn’t even notice.
The less I say about the plot of this book, the better your reading experience will be. I avoided reading the flap copy, and I recommend you do too. What I can promise you is this: a book set in Arizona and firmly grounded in the reality of racism and deportation in the USA, mixed together with spirituality, mythology, sci-fi pop culture, a surprising solution to a mystery, and, just possibly, aliens from outer space. Plus, beautiful writing! This is one of those books with super short chapters, each of which is a little gem. I loved it.
“In a world where we are so often dividing ourselves into us and them, this book feels like a kind of magic, celebrating all beliefs, ethnicities, and unknowns.” —The New York Times Book Review
Aristotle & Dante Discover the Secrets of the Universe meets Roswell by way of Laurie Halse Anderson in this astonishing, genre-bending novel about a Mexican American teen who discovers profound connections between immigration, folklore, and alien life.
It’s been three years since ICE raids and phone calls from Mexico and an ill-fated walk across the Sonoran. Three years since Sia Martinez’s mom disappeared. Sia wants…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles.
This book is Eleanor Davis’s gorgeous travel documentary of her 2016 cross-country bike tour. Her lines are so vivid and alive, and her day-by-day recounting of the details of her body, her bike, and the country changing around her is both simple and intricate. All of her work is amazing, but this one is definitely a standout.
A two-wheeled journey across the landscape of America, and through the heart and mind of an artist.
Eleanor Davis’s bike tour from Tucson, Arizona to Athens, Georgia is a quest of epic proportions ― not just geographically, which it surely is, but inwardly as well. While facing off formidable headwinds, drivers with reckless abandon, and screaming knee pain, the author confronts an even greater challenge ― her own mind. Life on two wheels teaches her many lessons, and she narrates them with keen observation and self-deprecating candor through a series of funny, touching vignettes. Companionship from fellow travelers and the…