Books like Architecture Without Architects

The prose of this classic novel can be a little sticky to our 21st-century sensibilities, but in all other ways, Scott is a modern writer, addressing the issues of anti-Semitism and the corruption of the Church at a time when those things weren’t cool. Plus, we have another awesome warrior-hero in Sir Wilfred of Ivanhoe and jousting to boot. Who doesn’t love a good tourney? My daughter and I hit the Renaissance Faires every year just to see men pretend to stab each other from horseback with long sticks. The plotting of this book is simply perfection—they just don’t write them like this anymore. It’s a hero’s tale with a big dollop of romance—my favorite.

“When K looked at the castle he sometimes thought he saw someone sitting quietly there, looking into space, (…) as if he were alone and no one was observing him…” 

It seems that castles are watching us, with some kind of emotional detachment. This impression is described in this famous Kafka novel featuring a traveler stranded in a remote Mitteleuropa village who despite his tenacity fails to reach the castle that overlooks the place. Apart from the usual kafkaesque absurdity, this unfinished novel brings to mind the feeling of oddness that someone often goes through when approaching a castle, facing its uncanny presence. Even more, it conveys the strange fact that the path that leads to them, probably because of their unusual scale, seems always endless.

I had already included some Spanish castles in my project when I heard about the Reinhard Wolf book and discovered his unsettling pictures. This German artist had photographed the same castles half a century before me, using the same analogic films and the same traditional view cameras, composing frames that I had reproduced without knowing his work. It seems that buildings, like human beings, have a good profile which a photographer cannot miss. The other surprise came from the unexpected feeling that my photographs had been shot prior to Reinhart Wolf’s. Because the castles had meantime been restored, their walls being refreshed, the course of time seemed reversed: they appeared in an earlier condition through my camera than photographed 50 years before, when partly ruined. Having in mind that photography is much about time and traces, the discovery was puzzling. By chance the scope of my personal project was not… show more.

What does a castle and Noah’s ark have in common? What is a castle, if not an over-dimensioned hull? In Globes, part of his Sphere trilogy, the philosopher Peter Sloterdijk brings architecture to its anthropological origin, the necessity to regain the initial womb’s protection, a shared comfort zone confronting exterior threats. Like the mythical cities in which history always start by a ground delimitation, the castles are erecting their walls and closing their gates to preserve the interior world and its coherence from the exterior chaos. In an analogy to the Middle Age, gated communities reproduce in a regressive way this reality. Only the privileged will be saved.

This book gives a great overview of traditional architecture around the world and how it was designed for specific climates.

With great images and descriptions, this book is able to broaden your horizon and help you to discover fabric, design, and uses that can also serve to develop new ideas and solutions that can potentially be transferred into your own context.

Rather than going very deep into examples, it provides more of an overview that can trigger creativity and imagination in the early phases of projects.

If you’ve ever wondered why modern buildings look the way they do—and look so different from say, the buildings of our grandparents’ generation—you cannot do better than read this collection of essays that examines the current state of modern architecture. Glazer, a sociologist who was a noted public intellectual, brings a down-to-earth intelligence and a sharp eye to his subject.

Many books about architecture are like cookbooks, that is, they are written for the cook—the architect—and are concerned with how to make the stuff. But for the lay person, the joy of architecture lies in the actual experience of buildings; good architecture makes you feel good. This classic, written in 1962 by a wise old Dane, is a wonderful guide to the many sensory ways in which we experience buildings, old and new.

Esther McCoy has long been admired for her writing on architecture in Southern California, particularly on the Case Study House program from 1945-1962.

This is a remarkable story of a once-in-a-lifetime program sponsored by Arts & Architecture magazine that brought together legendary architects, hopes and dreams, and some fantastic Mid-century Modern Homes.

Many of these Case Study homes are still standing today, and some are available to tour. You can also look up the addresses of these homes and drive by yourself.

This is an outlier that maybe not many have heard about or read. It features two award-winning designers who define, and illustrate, some 200 “rules of good architecture”. The artwork and lettering are by Malcolm Wells—an architect well-known for his sharp wit and off-beat leanings (underground houses being one). The messaging is accurate and timeless. The tone is light, as is the author’s back-and-forth banter. Wells’s illustrations bring the message home with clarity and force. It is a book that is at the same time funny, useful, and beautiful. Good luck finding one! 

As a New Yorker, I’ve glanced fleetingly over the years at architect Philip Johnson’s monumental structures that dot the city, and as a Ph.D. student, I spent hours researching under the atrium of his Bobst Library at NYU, assuming incorrectly—as this book demonstrates—that Johnson was a traditionally-schooled, distinguished architect of sound personal character. Lamster’s revealing biography untangles a disturbingly complex man—an almost gentleman farmer among architects with limited technical background, lofty plans, and a lifelong engagement with fascism.  

This book pulls back the curtain to unveil an unexpected trail of machinations between Johnson and his circle of the wealthy and powerful, showing how a doyen of modern culture hid his failings from the public behind the façade of his towering creations.