88 Books Like Anne of Avonlea

I’m Deb Miller, a former Fortune 500 executive, marketing professor, and a woman who once believed in fairy tales—until life handed me a sword instead of a slipper. My memoir is all about rewriting the princess narrative and proving that modern-day warrior princesses don’t wait to be saved—they save themselves. I’ve spent my life balancing boardrooms and bedtime stories, raising three extraordinary children while fighting for my own happiness. I have a passion for stories that shatter outdated tropes and celebrate strong women who define their own happily ever afters.

I'm an archaeologist and addicted to reading and writing historical fictions. My first big love is history and I prefer Victorian Era. I’m interested in women’s lives and their habits and relationships in the old times. I was born and raised in Hungary, I’m often stay in London. I was working for years in museums in different cities while I was writing historical short stories and my first novel. School of Ladies – The Debutantes is a historical romance which has won an Audience Award in my country.

I'm an archaeologist and addicted to reading and writing historical fictions. My first big love is history and I prefer Victorian Era. I’m interested in women’s lives and their habits and relationships in the old times. I was born and raised in Hungary, I’m often stay in London. I was working for years in museums in different cities while I was writing historical short stories and my first novel. School of Ladies – The Debutantes is a historical romance which has won an Audience Award in my country.

I come from a long line of women who are survivors. Survivors of transportation, imprisonment, assault, poverty, illness. In all of them was a clawing determination to endure. My ancestors were not shrinking violets; they bore their pain with dignity, used their voices and their hopes for a better future to boost the next generation of girls to a better life. I am the recipient of their courage. I believe this is how our sisterhood should roll. What we fight for today, what we give a voice to, should not have to be fought for again. It is this passion that drives my work, my reading, and my life.

I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.

From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.

I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.

I’ve never belonged to a secret society, but I’ve always been drawn to the idea. When I wrote Stone Cove Island, I was thinking about secrets passed down between generations of the islanders, and I liked the idea that even within, but I liked the idea that even within this tiny community, there was an inner circle of people invisibly controlling things. I’d heard a story from a friend—and it might just be a story, but I’m not the only one who’s heard it—about a rich, private island where if you did something to displease the residents, they sent you a black sweater. No note. Just the sweater. The message was clear: time for you to go.

I’m an avid reader by day and a passionate writer by night. I found myself writing the stories I couldn’t seem to find. This topic is one I know from first-hand experience. I’ve dealt with drug abuse and domestic abuse in my family from a young age and although painful to speak about it’s helped shape my career and help my readers find healing through my characters. I want my readers to be pulled in by a work of fiction while still having the knowledge that for me, it wasn’t. Abuse comes in all forms, shapes, and sizes, and I’ve realized it’s not forever. Even in the worst storms, the sun will always shine. 

I spent all my teenage years daydreaming about being magical (cue a handful of sparkling glitter). Even as an adult, those daydreams haven’t stopped. Magic promises the ability to change the story. I revisit those teen years when I can because ultimately, what each of these stories of magic offer is a coming-of-age story. The struggle of being pulled between two different worlds has always felt familiar to me, whether those worlds are literally different worlds (magical vs non-magical) or figurative (childhood vs adulthood). I’ve felt some version of that struggle my whole life, and I think I always will, which is why these stories will always feel like home.