Here are 100 books that Animal's People fans have personally recommended if you like
Animal's People.
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The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
This is one of those books that is so dense with surprising and counterintuitive facts that I have found myself quoting it regularly for years. It upended my thinking about the way the world we live in is distributed and the manner in which we tell ourselves stories of change.
Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability--at the level of literature, history, and politics--to grasp the scale and violence of climate change. The extreme nature of today's climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
As a child, I sometimes sensed the problems of the world and felt an anger at my helplessness to solve them.
The first time I read Kincaid’s writing, I was struck by the way in which she captured those feelings of frustration. She channels a well-worded rage at the ruling class, in this case focused on the treatment—socially, culturally, and environmentally—of Antigua.
From the author of AT THE BOTTOM OF THE RIVER and ANNIE JOHN, a novel set in Antigua, where the idyllic tourist facade hides a colonial legacy of corruption, remedial social investment, and disenfranchised local culture. First published in 1988.
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
In an afterword, Dillard writes that, as she aged, she came to regret the grandeur of the sentences in this book. But I’m grateful that she wrote it—a chronicle of two years in the Shenandoah Valley—exactly as she did.
I carry this book around like a bible, reading its paragraphs like poems.
Pilgrim at Tinker Creek has continued to change people's lives for over thirty years. A passionate and poetic reflection on the mystery of creation with its beauty on the one hand and cruelty on the other, it has become a modern American literary classic in the tradition of Thoreau. Living in solitude in the Blue Ridge Mountains near Roanoke, Virginia, and observing the changing seasons, the flora and fauna, the author reflects on the nature of creation and of the God who set it in motion. Whether the images are cruel or lovely, the language is memorably beautiful and poetic,…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
No one describes the natural world like Elizabeth Bishop does. She writes with clarity about the way humans look at the world and travel through it. Her writing is pungent and economical.
When I want to describe a natural feature or feeling, I sometimes ask myself, “What would Elizabeth Bishop say?”
This is the definitive centenary edition of the work of one of America's greatest poets, recognised today as a master of her art and acclaimed by poets and readers alike. Her poems display honesty and humour, grief and acceptance, observing nature and human nature with painstaking accuracy. They often start outwardly, with geography and landscape - from New England and Nova Scotia, where Bishop grew up, to Florida and Brazil, where she later lived - and move inexorably toward the interior, exploring questions of knowledge and perception, love and solitude, and the ability or inability of form to control chaos.…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
Stylistically, Erich Segal is my idol because he has a distinct, crisp, clean writing style that he could leverage for dramatic effect. I was intrigued by the fact that he was a classicist by profession; I myself minored in Latin and Greek at the university.
Segal wrote successfully not only for scholarly readers but also for the general public, which is not an easy feat. Segal claimed that Love Story ruined his academic career, but this is actually the book people remember him for today. As a young woman, I enjoyed his novel Love Story, but as a middle-aged woman, I prefer Man, Woman, and Child because it is more nuanced and deals with post-marital responsibilities and challenges that a couple must navigate together if they want their marriage to survive.
From Erich Segal comes an unforgettable story of love: the drama of a father and the son he never knew . . . and a marriage that must stand the greatest test of all.
Bob and Sheila Beckwith had everything: rewarding careers, two wonderful daughters, and a perfect marriage . . . almost perfect. For what Sheila didn’t know was that Bob has once been unfaithful—only once, ten years ago during a business trip to France. What Bob didn’t know was that his brief affair produced a son. Now a tragic accident—and one fateful phone call—will change Bob and Sheila’s…
I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
I sometimes imagine what it would be like to wake up on top of a snowbound mountain, knowing you are alone–and then to hear footsteps outside…It is safe to imagine, of course, because I am NOT alone in a chalet in the Swiss Alps but in my own home, surrounded by my family. However, for a character in this stunning European novel, this is how it all starts.
And then, as you follow the incredible twists and turns of the plot and try to puzzle out the relationships among the characters, you realize that nothing is as it seems. The novel perfectly captures the brooding atmosphere of the Swiss Alps, which I visited as a tourist, although I did not end up in the abandoned valley haunted by echoes. I am glad I did not–but thrilled to read about the characters who did.
'Echo is a compulsive page turner mixing supernatural survival horror and pulp adventure' Paul Tremblay, author of A Head Full of Ghosts
'Hallucinatory, eerie and terrifying' Catriona Ward, author of The Last House on Needless Street
'Echo is a haunting contribution to the literature of folk horror' Ramsey Campbell
'The most frightening opening scene ever written' The Guardian
It's One Thing to Lose Your Life It's Another to Lose Your Soul
When climber Nick Grevers is brought down from the mountains after a terrible accident he has lost his looks, his hopes and his climbing companion. His account of what…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I find that one of the advantages of having worked as a professor (now Emerita ) of German at the University of Wisconsin, Milwaukee, is that it helped me gain perspective. When I study literature–especially in languages other than English–I am forced to step outside of my everyday world to identify the motif and leitmotif of the author. I am proposing that the medical training of these five authors helped them do the same: to dig below the surface to find other structures and root causes and to present their findings and unique diagnoses.
A professor of Medical Law and prolific writer, McCall has entertained and delighted many readers in the UK. He is at his most amusing when he dissects the learned community. His depiction of the anatomy of academic pomposity is essential reading for anyone who has ever stood behind a podium. Yet his satire is never bitter or mean-spirited.
The book listed above is guaranteed to make you laugh, whether you are a student who is required to take certain humanities courses from an indescribably boring professor or a colleague of one. Sadly, you will quickly recognize that your obsession with irregular verbs in another language places you in the same surgical ward.
The third novel in the 'Portuguese Irregular Verbs' trilogy sees von Igelfeld suffering the slings of academic intrigue as a visiting fellow at Cambridge, and the arrows of outrageous fortune in an eventful Columbian adventure. Between trips, von Igelfeld returns to his beloved Regensburg only that to discover while he has been away his murine colleagues have been at play.
Absurdity gets a bad rap in fiction and storytelling, I think. “It’s too silly,” they say. But for those who can take a step back and appreciate how absurd our own world is—our everyday life—there’s nothing more real than absurdity. (I’m saying “absurd” an absurd amount of times. Let’s just say it’s purposeful.) It might be played for laughs at times, but if it’s done right, it gives you perspective. Sometimes we all need to look through a funhouse mirror to realize that we’re only human. These five books share that spirit and have made me laugh, think, and occasionally reevaluate my entire life in a spiral of existential dread—with a smile on my face.
It uses a familiar trope—an alien inhabiting a human body to see our species with fresh eyes—but it does it so well. Simple observations turn into existential truths, and each carries that mix of wonder and dread that is so inherently human.
It’s weird in my favorite way: hilarious, heartfelt, and surprisingly life-affirming.
After an 'incident' one wet Friday night where he is found walking naked through the streets of Cambridge, Professor Andrew Martin is not feeling quite himself. Food sickens him. Clothes confound him. Even his loving wife and teenage son are repulsive to him. He feels lost amongst an alien species and hates everyone on the planet. Everyone, that is, except Newton, and he's a dog.
Who is he really? And what could make someone change their mind about the human race . . . ?
I teach Jewish studies to Jewish teens and have devoted my life to helping young people find meaningful the legacy that’s been given to us—and building bridges to the future; this is in the classroom as well as on the page. My book is a distillation of everything I love about being Jewish—wrapped in a story that many readers find deeply familiar. At the same time, I believe in planting the universal in the specific—and any reader ready to go on a journey can find themselves in Will Levine’s shoes.
I love this book for its humor, voice, and vivid and lovable characters. Goldie reminds me of the grandma I never had—determined, dry-witted, and unafraid to get involved in her granddaughter Maxie’s love life. Set in an assisted living facility full of quirky characters, this element of aging—the loneliness and the desperation—is both hilarious and universally tragic.
Maxie’s story, meanwhile, follows a delightful rom-com arc that mirrors and breaks the repetition of her grandmother’s adventure in love as she meets T-Jam, her grandmother’s eccentric driver. This book charmed me—brilliantly balancing comedy with themes of heritage, love, and legacy, l’dor v’dor.
Hilarious and surprising, this unapologetically Jewish story delivers a present-day take on a highly creative grandmother trying to find her Ph.D granddaughter a husband who is a doctor-with a yarmulke, of course.
Goldie Mandell is opinionated, assertive, and stuck in an Assisted Living Facility. But even surrounded by schleppers with walkers, pictures of sunrises, fancy fish tanks, and an array of daily activities to complement the tepid tea and stale cookies on offer, her salt-free plate is full. She's got a granddaughter to settle, an eager love interest named Harry to subdue, and precious memories of her happy marriage to…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I am Susie Black. Before I became an award-winning, humorous, cozy mystery author, I had a successful career as a ladies’ swimwear sales exec. As you can imagine, I spent a lot of time in Florida. I interacted with progressive, traditional, and conservative buyers and sellers from large cities to small towns all over the Sunshine State. My experiences gave me a unique perspective on the social mores and hierarchy of Florida’s diverse, multi-layered, and complicated society.
Maybe it’s because, as a woman who worked in a historically male-dominated industry, I always root for the underdog—be it a newbie with the chutzpah to say no to a pushy buyer or a small town fighting off a huge conglomerate. Give me a character who is a caricature of an amusement park scion, dialog dripping with sarcasm, and a zany plot that spits in the eye of corporate America.
I led the applause as S. V. Date gleefully poked fun at the greediness of big business while indicting a state government that, for a price, was more than happy to go along for the ride.
A witty satire of planned communities introduces readers to Serenity, Florida--the lifelong dream of amusement park scion Waldo Whipple--a town on the verge of a very public nervous breakdown. 10,000 first printing.
