Here are 100 books that Animal's People fans have personally recommended if you like
Animal's People.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
This is one of those books that is so dense with surprising and counterintuitive facts that I have found myself quoting it regularly for years. It upended my thinking about the way the world we live in is distributed and the manner in which we tell ourselves stories of change.
Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability--at the level of literature, history, and politics--to grasp the scale and violence of climate change. The extreme nature of today's climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
As a child, I sometimes sensed the problems of the world and felt an anger at my helplessness to solve them.
The first time I read Kincaid’s writing, I was struck by the way in which she captured those feelings of frustration. She channels a well-worded rage at the ruling class, in this case focused on the treatment—socially, culturally, and environmentally—of Antigua.
From the author of AT THE BOTTOM OF THE RIVER and ANNIE JOHN, a novel set in Antigua, where the idyllic tourist facade hides a colonial legacy of corruption, remedial social investment, and disenfranchised local culture. First published in 1988.
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
In an afterword, Dillard writes that, as she aged, she came to regret the grandeur of the sentences in this book. But I’m grateful that she wrote it—a chronicle of two years in the Shenandoah Valley—exactly as she did.
I carry this book around like a bible, reading its paragraphs like poems.
Pilgrim at Tinker Creek has continued to change people's lives for over thirty years. A passionate and poetic reflection on the mystery of creation with its beauty on the one hand and cruelty on the other, it has become a modern American literary classic in the tradition of Thoreau. Living in solitude in the Blue Ridge Mountains near Roanoke, Virginia, and observing the changing seasons, the flora and fauna, the author reflects on the nature of creation and of the God who set it in motion. Whether the images are cruel or lovely, the language is memorably beautiful and poetic,…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
No one describes the natural world like Elizabeth Bishop does. She writes with clarity about the way humans look at the world and travel through it. Her writing is pungent and economical.
When I want to describe a natural feature or feeling, I sometimes ask myself, “What would Elizabeth Bishop say?”
This is the definitive centenary edition of the work of one of America's greatest poets, recognised today as a master of her art and acclaimed by poets and readers alike. Her poems display honesty and humour, grief and acceptance, observing nature and human nature with painstaking accuracy. They often start outwardly, with geography and landscape - from New England and Nova Scotia, where Bishop grew up, to Florida and Brazil, where she later lived - and move inexorably toward the interior, exploring questions of knowledge and perception, love and solitude, and the ability or inability of form to control chaos.
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
Stylistically, Erich Segal is my idol because he has a distinct, crisp, clean writing style that he could leverage for dramatic effect. I was intrigued by the fact that he was a classicist by profession; I myself minored in Latin and Greek at the university.
Segal wrote successfully not only for scholarly readers but also for the general public, which is not an easy feat. Segal claimed that Love Story ruined his academic career, but this is actually the book people remember him for today. As a young woman, I enjoyed his novel Love Story, but as a middle-aged woman, I prefer Man, Woman, and Child because it is more nuanced and deals with post-marital responsibilities and challenges that a couple must navigate together if they want their marriage to survive.
From Erich Segal comes an unforgettable story of love: the drama of a father and the son he never knew . . . and a marriage that must stand the greatest test of all.
Bob and Sheila Beckwith had everything: rewarding careers, two wonderful daughters, and a perfect marriage . . . almost perfect. For what Sheila didn’t know was that Bob has once been unfaithful—only once, ten years ago during a business trip to France. What Bob didn’t know was that his brief affair produced a son. Now a tragic accident—and one fateful phone call—will change Bob and Sheila’s…
I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
I sometimes imagine what it would be like to wake up on top of a snowbound mountain, knowing you are alone–and then to hear footsteps outside…It is safe to imagine, of course, because I am NOT alone in a chalet in the Swiss Alps but in my own home, surrounded by my family. However, for a character in this stunning European novel, this is how it all starts.
And then, as you follow the incredible twists and turns of the plot and try to puzzle out the relationships among the characters, you realize that nothing is as it seems. The novel perfectly captures the brooding atmosphere of the Swiss Alps, which I visited as a tourist, although I did not end up in the abandoned valley haunted by echoes. I am glad I did not–but thrilled to read about the characters who did.
'Echo is a compulsive page turner mixing supernatural survival horror and pulp adventure' Paul Tremblay, author of A Head Full of Ghosts
'Hallucinatory, eerie and terrifying' Catriona Ward, author of The Last House on Needless Street
'Echo is a haunting contribution to the literature of folk horror' Ramsey Campbell
'The most frightening opening scene ever written' The Guardian
It's One Thing to Lose Your Life It's Another to Lose Your Soul
When climber Nick Grevers is brought down from the mountains after a terrible accident he has lost his looks, his hopes and his climbing companion. His account of what…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
My first job upon graduating from college was working for an invention-marketing firm. This wasn’t my intention; armed with a degree in journalism, I was ready to take on the world. Unfortunately, the country was enduring a recession, and after six months of unemployment, I was happy to be offered a copywriting position. So often during the two years I spent there, I would think to myself, “This could make such a great novel.” It took me a while—and with more than a few rejections along the way—but inspired by the writers and books I’ve included in my collection, I finally got around to penning my own tale.
My son’s a young adult now, but I treasure the memories of the hours we spent reading together. We went down all the well-trodden paths and shared countless joyful hours with J.K. Rowling and Dav Pilkey and The Mysterious Benedict Society, but the creativity of this book is exceeded only by its humor. Also, it clocks in at around 700 pages, so it’ll entertain you and your children for a good while. I always enjoy a laugh as a reader, and if my work elicits a chuckle from you, then I feel my mission is complete.
Unlike cats, bluebears have 27 lives, which can be very handy when one considers the manner in which the hero of this story repeatedly manages to avoid death only by a paw's breadth. The story describes Captain Bluebear's first 13 and a half lives.
My southern mama raised me to be honest; she always knew the truth and spoke the truth. I soon found out that being honest could clear my name—or get me in trouble. It could draw me closer to my friends—or hurt their feelings. Now that I’m grown and have children of my own, I understand and appreciate my mama’s emphasis on truth-telling from an entirely new angle. And as a writer, honest storytelling helps me write more authentic characters and connect more authentically with my readers. In my personal and professional life, my “honest” upbringing has helped me recognize other truth-tellers—and the not-so-truthful. (I’m eyeballing you, politicians!)
This book is NOT about telling the truth—well, not at first glance, anyway. And because the author is a little sneaky in his presentation, he caught me…hook, line, and sinker. Klassen, author/illustrator extraordinaire, pulls me into the story, daring me to turn the page and see the fate of the thieving main character. What I didn’t expect, though, was the betrayal from a “trusted” source.
Learning who can be trusted to be honest is almost as hard as learning to be honest ourselves. I’ve experienced that lesson a few times in my life—and I’d rather not learn it again. This story makes me laugh and think. It is highly recommended for those who like a good lesson hidden in the weeds. (For the record, I do not want any of these characters to run for office.)
A sneaky fish learns a lesson in crime and punishment in the bestselling, multiple award-winning sequel to I Want My Hat Back.
Winner of the Caldecott Medal and Kate Greenaway Medal 2014
From the creator of the bestselling I Want My Hat Back and Sam and Dave Dig a Hole comes the story of a tiny fish who proudly wears a blue hat. It fits him perfectly. Problem is, trouble could be following close behind... So it's a good thing that the enormous fish he took it from won't wake up. And even if he does, it's not as though…
I was once a little girl who loved reading, and now I'm a mother who shares that passion with my kid. Over the past few years, I've been revisiting my own childhood favorites with him (it's been a serendipitous mix of work and pleasure as I was also researching a book on one of the all-time great children's book authors, Judy Blume). The novels I've recommended here are ones that seemed to spark pleasure in the most discerning—and honest—of audiences: an 8-year-old. And unlike some old books that will go unnamed, they didn't make me cringe as a 21st-century parent.
This is the first book that made me laugh out loud as a kid. When I read it to my son, I remembered why. Not only is Fudge just a bonkers character, but this novel—the second in the Fudge series—features the silliest pet ever, a myna bird named Uncle Feather.
Uncle Feather’s catchphrase is "Bonjour, Stupid" and of course, he says it at inappropriate times. As an adult, I still think "Bonjour, Stupid" is funny. You can imagine the effect it has on an 8-year-old.
He knows a lot of big words, but he doesn't know where babies come from. He's never heard of a stork, but he plans to be a bird when he grows up. He's Superfudge, otherwise known as Farley Drexel Hatcher. And, according to his older brother Peter, the biggest pain ever invented. Among other things.
As fans of Tales of a Fourth Grade Nothing already know, nothing is simple for Peter Hatcher. He is far from overjoyed at the turn the family fortunes are taking. It looks as if Peter will be spending the sixth grade far from Central Park,…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I find that one of the advantages of having worked as a professor (now Emerita ) of German at the University of Wisconsin, Milwaukee, is that it helped me gain perspective. When I study literature–especially in languages other than English–I am forced to step outside of my everyday world to identify the motif and leitmotif of the author. I am proposing that the medical training of these five authors helped them do the same: to dig below the surface to find other structures and root causes and to present their findings and unique diagnoses.
A professor of Medical Law and prolific writer, McCall has entertained and delighted many readers in the UK. He is at his most amusing when he dissects the learned community. His depiction of the anatomy of academic pomposity is essential reading for anyone who has ever stood behind a podium. Yet his satire is never bitter or mean-spirited.
The book listed above is guaranteed to make you laugh, whether you are a student who is required to take certain humanities courses from an indescribably boring professor or a colleague of one. Sadly, you will quickly recognize that your obsession with irregular verbs in another language places you in the same surgical ward.
The third novel in the 'Portuguese Irregular Verbs' trilogy sees von Igelfeld suffering the slings of academic intrigue as a visiting fellow at Cambridge, and the arrows of outrageous fortune in an eventful Columbian adventure. Between trips, von Igelfeld returns to his beloved Regensburg only that to discover while he has been away his murine colleagues have been at play.
