Here are 80 books that Angel of Ruin fans have personally recommended if you like
Angel of Ruin.
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My first mentor was Arthur C Clarke, the science fiction megastar. I’ve always been drawn to epic fantasy, science fiction, and techno-thrillers. Stories that push the boundaries of reality. While I’ve been a professional author for over thirty years in multiple genres, I keep returning to speculative fiction, much of which is published under my pen name “Thomas Locke”. I serve as Writer In Residence at the University of Oxford. In writing Island of Time, my aim was to apply a classical heroic structure to neartime fantasy. Use the naturally occurring elements of light and dark, good and evil, and magnify them by adding magic to this world.
Should an angsty teen girl (or her mom) be relieved when she’s taken under the wing of an eccentric art dealer?
After all, not many people make seventeen-year-old Cera Marlowe feel understood. She’s too into poetry and art and suffers from seizures… The mystery in Mortal Sight is of a much more personal nature than the other books on this list. While this urban fantasy tale is young adult, the blend of modern-day with ancient mythology drew me in and I was reminded of my own childhood. I enjoyed the concept of a girl with a mysterious past and a dangerous destiny awakening to her true identity – all accompanied by lines of Milton in her head that help her to navigate her strange new world.
Seventeen-year-old Cera Marlowe wants a normal life; one where she and her mom can stop skipping town every time a disturbing vision strikes. But when a girl she knows is murdered by a monster she can't explain, Cera's world turns upside down.
Suddenly thrown into an ancient supernatural battle, Cera discovers she's not alone in her gifting and vows to use her visions to save lives. But why does John Milton's poem Paradise Lost keep interrupting her thoughts?
In a race against time and a war against unearthly creatures, will decoding messages embedded in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
Written at the height of the English Civil War, this is perhaps the single most important manifesto for free speech in the English language. But it’s also surprisingly good fun, composed in a vivid, memorable style that brings abstract concepts to life.
Advocating what he terms ‘promiscuous reading,’ Milton encourages us to think for ourselves and resist intellectual authoritarianism. I love his argument for the importance of reading in cultivating independent thought: "A good Booke is the pretious life-blood of a master spirit, imbalm’d and treasur’d up on purpose to a life beyond life." As a writer and literary critic, this life-blood is precious to me, too.
John Milton was celebrated and denounced in his own time both as a poet and as a polemicist. Today he is remembered first and foremost for his poetry, but his great epic Paradise Lost was published very late in his life, in 1667, and in his own time most readers more readily recognised Milton as a writer of prose. This superbly annotated new book is an authoritative edition of Milton's major prose works, including Of Education, The Tenure of Kings and Magistrates and the Divorce tracts, as well as the famous 1644 polemical tract on the opposing licensing and censorship,…
Mike Vasich has a lifelong obsession with stories about gods, superheroes, and giant monsters, and he has been inflicting them on 7th and 8th graders for the better part of 20 years. He wrote his first book, Loki, so he could cram them all into one book and make them beat up on each other. He enjoys (fictional) mayhem, sowing disrespect for revered institutions, and taking naps.
The title is taken from the John Milton poem, Paradise Lost: “Better to reign in Hell, then serve in Heav'n,” and tells the story of the War in Heaven before the Creation from the point of view of the bad guys. So basically, we get the Devils’ (not a typo, by the way) point of view, and, like in Milton (arguably), they are the heroes of the story. Instead of the classic two-dimensional villains who exist solely to oppose the hero, Brust flushes them out so well that you can’t help but root for them. Nor can you understand why anybody would like this God dude or his weird ‘son’, Jesus. The devils in question are Satan and Lucifer, curiously split into two characters for this story, which provides further opportunities for plot and character development.
Steven Brust's Vlad Taltos novels (Dragon) and his swashbuckling tales of Khaavren (THE PHOENIX GUARDS and FIVE HUNDRED YEARS AFTER) have earned him an enthusiastic audience worldwide. But TO REIGN IN HELL, his famous novel that does for the epic of Satan's rebellion what Roger Zelazny's Lord of Light did for Hindu myth, has been out of print for years - causing used copies to trade for improbable sums. Now, at last, TO REIGN IN HELL returns to print in a paperback edition, with an introduction by Roger Zelazny.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I often think of the ways my life could have gone differently. Career-changing emails that were only narrowly rescued from spam folders, for example. In many parallel timelines, I doubt I’m still doing what I do today—which makes me cherish my good fortune to still be doing it. What I do is study the ways people have come to understand everything can go otherwise and that the future is, therefore, an open question and undecided matter. Of course, for ages, many have instead assumed that events can only go one way. But the following books persuasively insist history isn’t dictated by destiny, but is governed by chance and (sometimes) choice.
Given I study old books, I wanted to include at least one. I was tempted to recommend either Lawrence Sterne’s Tristram Shandy, for its sheer strangeness, or Christopher Smart’s Jubilate Agno, for including the best poetic lines ever written about a cat, or, otherwise, John Milton’s Paradise Lost. The latter can be read as an early declaration of human freedom in the face of the totalitarianism of nonhuman forces (be they demonic or divine), but, more importantly, one that is sensitive to the pitfalls of such self-assertion (“sufficient to have stood, though free to fall,” is how Adam and Eve are described). Now that thermonuclear weapons exist, this latter truth applies to humankind as a global collective.
But, numinous as Milton is, his work is familiar, so I decided to recommend a writer from his period who, albeit less famous today, is just as searingly good.
This volume in the 21st Century Oxford Authors series offers students and readers an authoritative, comprehensive selection of the work of Sir Thomas Browne (1605-1682). Accompanied by full scholarly apparatus, the edition demonstrates the breadth of the author of some of the most brilliant and delirious prose in English Literature.
Lauded by writers ranging from Coleridge to Virginia Woolf, from Borges to W.G. Sebald, Browne's distinct style and the musicality of his phrasing have long been seen as a pinnacle of early modern prose. However, it is Browne's range of subject matter that makes him truly distinct. His writings include…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
This is where it all started. The beginning of modern criticism.
Samuel Johnson was the first and greatest English literary critic, whose life and work were memorably recorded by his friend James Boswell.
Johnson himself, an exemplary, even obsessive, man of letters, wrote these 52 short biographies of figures, many still canonized today (John Milton, John Dryden, Jonathan Swift, William Congreve, but no women, alas) and he shows with sympathy and good sense how an understanding of a writer’s life helps us to understand his work as well.
Johnson was luminous. His prose is dazzling. He was a prodigious writer and thinker.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
My choice of books reflects a lifelong passion for literature and the natural world. I’ve always enjoyed travelling, to cities or more remote locations, learning as much as I can about the people that live there, and my first published article was about a hotel in Mali, photographed by my sister. Ten years later we published our first book, The Foraged Home. With Living Wild we wanted to look more deeply at how people lived, not just where, focussing not only on day-to-day life and their work, but their relationship with the surrounding landscape, asking big questions about our place in the world.
At once a voice arose among / The bleak twigs overhead / In a full-hearted evensong / Of joy illimited; / An aged thrush, frail, gaunt, and small, / In blast-beruffled plume, / Had chosen thus to fling his soul / Upon the growing gloom . . .
Hardy’s nature poems deal in darkness and light (but mostly darkness), the changes wrought not only by seasons, but by human activity and our relationship with the natural world.
In The Darkling Thrush, the poet listens to the ‘ecstatic sound’ of the bird, ‘some blessed Hope, whereof he knew / And I was unaware.’ A troubled ending, but, given WWI was just around the corner, a reminder how fragile it all is.
A selection of the writer's greatest nature poetry, selected by Tom Paulin, published in a beautiful new edition by Faber.
At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom . . .
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
I love a bit of historical crime, and this novel, the first in a series about Cat Lovett and James Marwood, has everything. It’s a brilliantly plotted mystery but it is also so much more. Set in 1666, it opens with the Great Fire of London, as the chaos of fire sweeping through the city is used to cover up murder.
I found the story and the characters compelling, so much so that I’ve gone on to read the rest of the series, each of which intertwines the personal lives of Cat and James with the political events of the day.
The first book in the No. 1 Times bestselling series
'This is terrific stuff' Daily Telegraph
'A breathtakingly ambitious picture of an era' Financial Times
'A masterclass in how to weave a well-researched history into a complex plot' The Times
A CITY IN FLAMES London, 1666. As the Great Fire consumes everything in its path, the body of a man is found in the ruins of St Paul's Cathedral - stabbed in the neck, thumbs tied behind his back.
A WOMAN ON THE RUN The son of a traitor, James Marwood is forced to hunt the killer through the city's…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a sparklingly funny play. I love its contemporary freshness, its fleetness of foot, and its irreverence. It satirizes the fashion for all things French among London’s social climbers. It sugars the pill of all that satire by bringing a fast-paced plot to a comic ending of marriage and reconciliation. It taught me that writers in seventeenth-century England like the play’s author, John Dryden, were importing words and ideas from France as they sought to trace a middle way between a servile mimicry of French culture and an insular rejection of it.
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues…
Internationally recognized mind-body science and design and health pioneer, Esther Sternberg M.D. is Research Director, Andrew Weil Center for Integrative Medicine, Inaugural Andrew Weil Chair for Research in Integrative Medicine, Professor of Medicine, Psychology, Architecture, Planning & Landscape Architecture, Founding Director, University of Arizona Institute on Place, Wellbeing & Performance, and Associate Director (Research), Innovations in Healthy Aging. Formerly a National Institutes of Health Senior Scientist and Section Chief, she received the U.S. Federal Government’s highest awards, authored over 235 scholarly articles, and two engaging and popular science-for-the-lay-public books: The Balance Within chronicling mind-body science underpinning stress and illness and belief and wellness, and Healing Spaces, which helped ignite the 21st-century design and health movement.
This book is a gripping story of the year 1666 in which three calamities befell London: the Black Plague, the Anglo-Dutch War, and the Great Fire of London. When I read the book in 2021, I found that we were re-living practically the same events in modern times. I live in the foothills of the Santa Catalina Mountains in Tucson, Arizona, and in the spring of 2020, shortly after the COVID shutdowns, fires ignited by lighting swept through the canyons just north of my home. I found myself in a “get ready” zone of the region’s “Get Ready, Get Set, Go” emergency evacuation plan.
1666 shows the range of people’s responses to extreme and immediate danger: from Samuel Pepys’ quick thinking to get the critical government documents out of harm’s way, all the way to the panic and inability to act of others. All animals show a range of reactions…
1666 was a watershed year for England. The outbreak of the Great Plague, the eruption of the second Dutch War and the Great Fire of London all struck the country in rapid succession and with devastating repercussions.
Shedding light on these dramatic events, historian Rebecca Rideal reveals an unprecedented period of terror and triumph. Based on original archival research and drawing on little-known sources, 1666: Plague, War and Hellfire takes readers on a thrilling journey through a crucial turning point in English history, as seen through the eyes of an extraordinary cast of historical characters.
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
As a mystery author, I’ve long been drawn to stories about missing persons, particularly novels featuring missing mothers. I suspect the special appeal of books about missing moms is because my own mother was M-I-A during my childhood. Whereas my older sisters lost our mother to mental illness at the tender ages of four and seven, in some ways, I was fortunate because I was an infant when our mom was institutionalized and, thus, had never fully bonded with her. And yet, the longing for my mother was ever-present. She left behind a large empty space in our family.
I’m drawn to characters whose emotional wounds from childhood affect their determination as adults to make the world a more caring place.
I found Jenna Stone, a dedicated investigative journalist in this book, a particularly appealing character. Abandoned as an infant in an apartment building’s hallway, Jenna doesn’t want any child to experience the same fate and doggedly works to uncover the identity of a mother who has left her abandoned baby in a “safe haven” at her local fire station.
Alarmed by the note the mother left indicating that her baby is “in danger,” Jenna hopes to unravel the mystery of what led the new mom to fear for her infant’s safety and reunite her with her child. This is yet another psychological thriller that I had trouble putting down!
I place my tiny, newborn baby in the box. A ‘safe haven’, they call it, for unwanted babies. She’ll be warm, someone will find her soon. She’ll be cared for. But not by me. I will always want her, but I can never be her mother. And she can never know why.
Jenna has never truly known who she is or where she came from. Abandoned as a baby, she grew up with a caring adopted family, and never felt the need to know more about her birth parents. Until one night, nearly thirty years later, when she sees a…
