Here are 86 books that An Inheritance of Magic fans have personally recommended if you like
An Inheritance of Magic.
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I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.
Journalist Polly Toynbee relates her experiences working in a succession of very low-paid jobs that millions of workers across the UK depend on to heat their homes, feed their families, and put a roof over their heads.
It’s a powerful and empathetic reminder of how incredibly hard some people work, doing jobs that society depends upon, and that when we look at how they’re rewarded compared to those in high-earning roles, we really haven’t got the balance quite right.
'A passionately reasoned and compelling account of the avoidable cruelties still embedded in the underside of British life - by a writer who has literally worn the clothes, lived in the flats and done the jobs of the poor. Every member of the cabinet should be required to read it, apologise and then act'. - Will Hutton. A frank and breathtaking book, this is journalist and broadcaster Polly Toynbee's account of her courageous intention to live and work on the minimum wage. The 'decent living' wage set by the Council of Europe is set at GBP7.39. The minimum wage in…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have worked on the problems of poverty, particularly in sub-Saharan Africa, for much of my professional life. I worked at the Centre for the Study of African Economies, which is part of the Department of Economics at Oxford University, from 1991 until my retirement in 2012. I continue to work both with the Centre and the Department as a Managing Editor of Oxford Economic Papers and Chief Editor of the Journal of African Economies. My recent book The Poor and the Plutocrats grew out of this background where I wanted to understand the links between very poor countries and those of much richer ones.
The divide here is not within a country but across countries, in particular between rich and poor countries, which are often referred to as ‘The Global South’.
Hickel argues that the activities by those in rich countries designed to ‘help’ poorer countries have exactly the opposite of their claimed effect. Rather than being the mechanism by which poverty is alleviated the policies they advocate for these poor countries are really the causes of their continuing poverty.
He writes: "Today British apologists defend colonialism in India and interventions in China on the basis that it brought ‘development’ to these regions. But the evidence we have suggests exactly the opposite story. It was the colonial period that forced market integration that inaugurated the ‘development gap’ between Britain and Asia."
More than four billion people-some 60 percent of humanity-live in debilitating poverty, on less than $5 per day. The standard narrative tells us this crisis is a natural phenomenon, having to do with things like climate and geography and culture. It tells us that all we have to do is give a bit of aid here and there to help poor countries up the development ladder. It insists that if poor countries would only adopt the right institutions and economic policies, they could overcome their disadvantages and join the ranks of the rich world.
I was a bookseller specializing in SFF for around 13 years, during which I wrote two novels and many short stories, and I ran a review blog for many years. My love of SFF and Horror began when I was around nine years old, at which time I read Pet Sematary, which opened up the world of ‘grown-up’ books for me. I’m proud to say that I read more speculative fiction than anything else, and I love discovering new voices and visions in Science Fiction, Fantasy, and Horror.
This book took me to a twisted, hidden world full of very creepy scenes and characters, and since I worked in a mall for over a decade, showed me what true horror in a mall could be like.
The whole book is like being trapped in a strange nightmare, and the authors went to some twisted places to imagine what it would be like in their horror-mall. This book also kicks off the series, so there’s more to read after it.
Dan works at a bookstore in a deadly dull shopping mall where nothing ever happens. He's an angsty emo-kid who sells mid-list books to mid-list people for the minimum wage. He hates his job.
Rhoda has dragged her babysitting charge to the mall so she can meet her dealer and score some coke. Now the kid's run off, and she has two hours to find him. She hates her life.
Rhoda bullies Dan into helping her search, but as they explore the neon-lit corridors behind the mall, disturbing text messages lure them into the bowels of the building, where old…
Those People Behind Us is set in the summer of 2017, post-Trump election and pre-pandemic. The story takes place in the fictional city of Wellington Beach, California, a suburban coastal town increasingly divided by politics, protests, and escalating housing prices. These divisions change the lives of five neighbors--a real estate…
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
I fell in love with the world-building in this series. Perhaps because the main setting itself is a character. Having an estate with a mind of its own (or at least a consciousness that doesn’t understand human propriety) makes for extra fun.
The slow-burn romance in the series kept me addicted because of how it highlighted the deliciousness of mixing magic and manners—in this case, the conflict between the fae making their presence known and human society trying to cope. Oh, and did I mention how many times I laughed while reading?
The Lord of Stariel is dead. Long live the Lord of Stariel. Whoever that is.
Everyone knows who the magical estate will choose for its next ruler. Or do they?
Will it be the lord’s eldest son, who he despised?
His favourite nephew, with the strongest magical land-sense?
His scandalous daughter, who ran away from home years ago to study illusion?
Hetta knows it won’t be her, and she’s glad of it. Returning home for her father’s funeral, all Hetta has to do is survive the family drama and avoid entanglements with irritatingly attractive local men until the Choosing. Then…
I love weird situations. I have been writing since I was four years old, and have been patiently waiting for the man who appreciates my wide range of vocal inflections. Books have always been companions for me. It helped me develop empathy for others at a young age. Reading about situations that involve people who are nothing like you helps you think beyond yourself. I think that is partly why I’ve always gravitated towards books with unique plots and characters. There’s something invigorating about a story that breaks the mold and offers something new, even if it’s a little strange. The books I’ve recommended all have heavily influenced me and my writing throughout the years.
So this is actually the sequel to another amazing book called The Hazel Wood, but we get to see more romance blossoming in this one. I adore this author. She has that rare ability to completely suck in a reader and paint the inside of their mind. There’s a delicious bleakness to the writing, the plot relentlessly dark and challenging. It covers so many enduring themes such as sacrifice and normalcy versus the extraordinary. And the romance is so atypical as well. There’s no true linear journey, and their feelings are compromised by these big divisive issues. Such as ending certain worlds to save other worlds.
An addictive thriller crossed with the darkest of fairytales that's guaranteed to keep you up all night...
THE HIGHLY ANTICIPATED SEQUEL TO INTERNATIONAL BESTSELLING NOVEL THE HAZEL WOOD
Alice has fought hard for a normal life. Having escaped the Hinterland - the strange, pitch-dark world she was born into - she has washed up in New York City, determined to build a new future for herself.
But when her fellow survivors start being brutally murdered, Alice must face the fact that the Hinterland cannot be so easily escaped. And that, from the shadows of her past something - or someone…
I’m a Sci-Fi and Fantasy author who loves all things young adult! I always listen to Taylor Swift when I write, because I love how her songs are full of nostalgia, romance, humanity, and a lust for adventure—just like my books. If you couldn’t make it to the Era’s tour, no fear, check out some of these books below!
If your favorite song is “Look What We Made You Do” try Of Cages and Crowns by Brianna Crump.
Think Hunger Games but with more romance, and very much the vibe of “I got my but you’ll all get yours.” There’s revenge, survival, romance, and revenge and a rebellion brewing in the background, but I was surprised at how much this book surprised me.
Every time I thought I knew what was coming next, some new secret or shocking twist surprised me.
For goddess-touched girls, there is only one destiny: the Culling
From the moment Monroe Benson is born with a mark on her hand and the ability to summon fire from her fingertips, her life will never be her own. She’s goddess-touched, which means she’s destined to participate in the Culling, an age-old competition to determine the next queen of Erydia. For most of her seventeen years, her family has managed to keep Monroe―and her powers―hidden. But now, as Queen Viera calls for the Culling to start, and war looms on the horizon, Monroe can no longer hide. She must face…
The Blade in the Angel's Shadow delivers a compelling fusion of dark magic, espionage, and philosophical tension between chaos and order.
A heretic swordswoman, cosmic entities using humans as pawns, Elizabethan occultism, time travel, and the apocalyptic ambitions of the Angels? It’s bold, unsettling, and fiercely imaginative.
I’m a writer of historical novels and primary literacy books, and a poet. I was born in Trinidad and live in London. So why am I writing about the magic of castles? I’ve loved visiting them since I was a child, when I’d run round them and imagine what had happened there. Back home, I’d immerse myself in reading legends and fairy stories—at bedtime, lying in my top bunk, I'd make up stories to entertain my sister in her bottom bunk. So it was natural to move on to writing fiction—the novel I’ve just completed is about King Canute. I’ve written primary literacy books for Collins, Oxford, and Ransom.
This is fantasy right up to date: for 8 to 12-year-olds, it was published in 2021. Its castle setting immediately defines it as fantasy: "Beyond the castle’s moat, the deep, dark forest was shot through with trails of sunlight, tracing golden paths of possibility…. The dark-haired girl… sat, bare feet dangling against stone, on the windowsill of her tower bedroom." It’s a vivid picture, instantly engaging us in a world where family is very important. The heroine, Cordelia, is one of three triplets. Their task is to use their magical powers to find and mend the Raven Crown so that the parched land beyond the forest can be healed of the fighting that rampages across it, and people and the natural world live in peace—themes I feel very much in sympathy with.
Cordelia and her triplets Rosalind and Giles have lived safely in the castle at the centre of the forest all their lives, protected by the spells their mother has woven. The only time Cordelia feels truly free is when she turns into a dragonfly or a blackbird and can fly beyond the great stone walls. But then one day the outside world comes to them. Two rival dukes and their soldiers have come for the triplets - because whoever is the eldest is the heir to the throne.
But their mother knows that since the Raven Crown was broken, no…
I’ve been interested in stories about power, exploitation, and female resilience for as long as I can remember. As a former professional dancer, I grew up in a world where the body was watched, judged, disciplined, and expected to perform, no matter the circumstance. My later experience as a physician scholar and as a mother has deepened my interest in the systems that shape girls’ and women’s ideas about their own lives. Finally, as a survivor, I also understand how these experiences can distort a girl’s sense of herself. I come to these books from the intersection of art, medicine, feminism, and lived experience.
For millennia, we’ve heard the stories in Greek mythology about gods who come down to earth to rape women (Zeus got around), women as seductive sirens who lure sailors to their doom, or goddesses and mortal women alike being exiled.
Because of that, I was intrigued to read this book, a retelling of the familiar narrative, but from the perspective of a woman. I found this book to be very empowering.
I identified with the main character, a woman named Circe (in actuality a goddess) who is exiled because of her powers of witchcraft. However, in her exile, she finds that leaning into her power without the judgment of others makes her stronger.
I loved reading classic Greek mythology, complete with all the familiar characters, told from a woman’s perspective.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift…
I'm a long-time role-player/gamemaster and reader of SFF, and I've read, created, and played (and written!) a lot of stories.Good stories come from good characters. We all know that. But part of what makes characters good is that they're believable, and to me their believability is inextricable from the worlds they come from. A world-build—setting, weather, technology, magic, science, cultures, and languages—should BE as much of a character as the protagonist(s). While I admit a fond nostalgia for ye olde semi-Euro-medieval setting, I lovea world-build that challenges or surprises me, and I love the characters and stories that come out of those worlds. I hope you do too.
I am a sucker for an unusual world-build, but I also love a good morally grey hero.
Harmon delivers both. Most of civilization exists underground with a frozen wasteland above, with populations gathered into politically discrete city-states.
The magic is half chemistry, half alchemy, and unique. Our protagonist, Ig, is an elemental bound to the service of one of those city rulers, forced by that binding to kill (or whatever else he's told). He wants to be free. And that's about where you can stop imagining you know how this story will go.
The tale is dark, violent, intricate, and grimly delightful, but there's a bright sliver of hope: just enough, anyway, to show you how dark the shadows are.
Among boiling volcanoes under Mira's frozen lands, people like Ig are forced to undergo life-threatening trials that bind chemical elements to the human body. One of Mira's most powerful elementals, Ig serves as an enforcer for Magnate Sorrelo Adriann, but is cursed with flesh binding magic that will kill him at the first sign of disobedience.
When Sorrelo is overthrown, Ig quickly learns he can do far worse than what has been asked of him so far. If he can't escape the flesh binding in time, he will have to…
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through…
“Horse Crazy” isn’t a description; it’s a way of life for me. I’ve loved horses since I could remember, selling Girl Scout cookies to finance my way through three years of horse camp, working weekends cleaning stalls, even pursing a degree in Equine Science. Discovering fantasy books with magical, sentient horses not only introduced me to fantasy fiction, but also just made my own experience with horses seem real. Currently, I write equestrian fantasy as well as equestrian literature (horse books for those who chose not to grow out of being horse crazy” and live on my homestead with my herd of rescue horses, who inspire me every day.
It’s the early 1990s, and a “horse crazy” teenager discovers a fantasy novel with a striking white horse and a handsome, dark-haired young man on the cover at her local K-Mart. Okay, so I’ve dated myself, but I’m not going to lie. A horse and a cute boy got me into reading Mercedes Lackey’s tales of Valdemar, and Magic’s Pawn was the first book I discovered. A fantasy novel with a horse that could talk to you and magic powers was the perfect escape for a teenager, and I’m not alone. Many readers discovered Valdemar, and more importantly, a gay protagonist, through these books, and Mercedes Lackey’s work has touched us all in the decades since.
Keep the tissues handy, but this series remains one of my favorite comfort reads. Reading any Valdemar book is like coming home to old, dear friends, and Vanyel’s story sets the stage for so…
Groundbreaking epic fantasy series in Mercedes Lackey’s Valdemar universe • Lambda-Award winning novels with heartfelt high adventure and magic
Though Vanyel has been born with near-legendary abilities to work both Herald and Mage magic, he wasn’t no part in such things. Nor does he seek a warrior’s path, wishing instead to become a Bard.
Yet such talent as his, if left untrained, may prove a menace not only to Vanyel but to others as well. So he is sent to be fostered with his aunt, Savil, one of the fame Herald-Mages of Valdemar.