Here are 100 books that Amusing the Million fans have personally recommended if you like
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I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it.
First published in 1957 (and re-issued with a welcome epilogue by historian Michael P. Onorato), the book vividly portrays the storied seaside’s heyday. McCullough was Coney Island royalty: His grandfather was one of its earliest settlers, his uncle was among its greatest showmen, and his dad owned a dozen amusement-park shooting galleries. The family’s love of the place seeps through these pages (a sub-sub title reads “the most rambunctious, scandalous, rapscallion, splendiferous, pugnacious, spectacular, illustrious, prodigious, frolicsome island on earth”—which about sums it up). Particularly moving is the heartbreaking fate of the show animals on the night of a tragic fire in 1911.
Coney Island is more than a national institution: it was probably the most celebrated amusement resort in the world. This book, by a man whose family helped to build the Island's fantastic reputation, presents its lively and nostalgic history. Touched with sentiment, occasionally with acid, it is frank, outspoken, sometimes biting, but always imbued with humor.
This new edition of McCullough's book includes an introduction by Brian J. Cudahy, who has written extensively about New York's waterways and subways, and an epilogue by Michael P. Onorato, a retired history professor whose father managed Coney Island's famed Steeplechase Park from 1928…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it.
Known as “the people’s playground,” Coney Island was also affectionately dubbed “sodom by the sea.” This thick volume, published in 1941, offers a history going all the way back to 1830, affording a sweeping view of Coney Island’s risque, criminal, glamorous, delightful, glittering, and sometimes seedy past. It includes a splendid few pages about my subject, Dr. Couney, which were no doubt approved by the self-inventing showman himself—co-author Ranson was among his favorite newspaper reporters.
I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it.
Created in conjunction with a 2015 exhibition, this volume is a visual feast -- a tribute to the way Coney Island inspired artists and endures as part of the public imagination. Paintings, drawings, posters, artifacts, and photographs spanning 1861-2008 fill its pages; artists include Diane Arbus, Jean-Michel Basquiat, Red Grooms, and many others. Accompanying essays explore the seaside resort’s cultural significance.
A captivating look at Coney Island and its iconic place in the history of American art
Called "America's playground," Coney Island is a world-famous resort and national cultural symbol that has inspired music, literature, and films. This groundbreaking book is the first to look at the site's enduring status as inspiration for artists throughout the ages, from its inception as an elite seaside resort in the mid-19th century, to its evolution into an entertainment mecca for the masses, with the eventual closing of its iconic amusement park, Astroland, in 2008 after decades of urban decline. How artists chose to portray…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it.
Immerso’s book provided confirmation of a rumor I’d heard—that back in the late 1880s, the first thing a newly arriving immigrant making the transatlantic crossing would see wasn’t the Statue of Liberty—it was in fact Coney Island, and specifically the ridiculous edifice known as the Elephant Hotel. A bad idea from the get-go, the novelty, pachyderm-shaped hotel was converted into a brothel until even the hookers checked out and it burned to the ground.
At the beginning of the twentieth century, Coney Island was the uncontested epicenter of America's emerging mass culture. It was the quintessential American resort: the birthplace of the amusement park, the hot dog, and the roller coaster. Its history is one of breathtaking transformation and re-invention. Celebrated for its glittering amusement parks and its enormous crowds, it was in times past a mecca of grand hotels, race tracks, beer gardens, gambling dens, concert saloons, and dance halls. A new mass culture began to take shape there. Its harshest critics decried it as Bedlam by the Sea, but others deemed it…
Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
This book is really a call to action, and even today, it is hard to read this novel and not feel anger on behalf of Jurgis and Ona. Perhaps that is why I like this book so much. It is visceral. I get angry at money-grubbing management who care nothing about their employees.
I swore off meat for a while, disgusted with the factory conditions of the time. I mourn Jurgis and Ona's inability to achieve the American dream. In this book, I am brought into the Chicago immigrant experience at the turn of the 20th Century.
First serialized in a newspaper in 1905, The Jungle is a classic of American literature that led to the creation of food-safety standards.
While investigating the meatpacking industry in Chicago, author and novelist Upton Sinclair discovered the brutal conditions that immigrant families faced. While his original intention was to bring this to the attention of the American public, his book was instead hailed for bringing food safety to the forefront of people's consciousness.
With its inspired plot and vivid descriptions, Upton Sinclair's classic tale of immigrant woe is now available as an elegantly designed clothbound edition with an elastic closure…
I study the Gilded Age and Progressive Era because it has so many practical applications for the present. As we face our own Gilded Age of enormous technological achievements paired with ongoing problems stemming from what Bob La Follette called “the encroachment of the powerful few upon the rights of the many,” why reinvent the wheel? What worked for progressive reformers in their struggles to create a more equitable and just society? What didn’t work, and why? To help answer those questions I wrote Fighting Bob La Follette: The Righteous Reformer and Belle La Follette: Progressive Era Reformer, and co-edited A Companion to the Gilded Age and Progressive Era.
There are many books on the reforms of the Gilded Age and Progressive Era—this one is the best. Flanagan, who writes clearly and engagingly, centers this work on four themes: politics, social justice, economics, and foreign policy. Every chapter features lively stories and helpful illustrations. While Flanagan certainly includes excellent coverage of vital federal and state reforms, she is particularly effective in her coverage of how every day Americans, including women and various minority groups, responded to the problems confronting society.
This comprehensive and accessible text is for use in classes on the Progressive Era alone, or in a combined class on the Gilded Age and Progressive Eras, which many universities teach. It could also be used as one of several titles in the general survey (1876 - present), or in a 20th century U.S. History Survey. Flanagan's text covers all aspects of the era, political (domestic and international), economic, and social/cultural. She also incoporates the perspectives of women, immigrants, and minority groups into the history of the era.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I study the Gilded Age and Progressive Era because it has so many practical applications for the present. As we face our own Gilded Age of enormous technological achievements paired with ongoing problems stemming from what Bob La Follette called “the encroachment of the powerful few upon the rights of the many,” why reinvent the wheel? What worked for progressive reformers in their struggles to create a more equitable and just society? What didn’t work, and why? To help answer those questions I wrote Fighting Bob La Follette: The Righteous Reformer and Belle La Follette: Progressive Era Reformer, and co-edited A Companion to the Gilded Age and Progressive Era.
If you’re tired of historians spoon-feeding you their interpretations of the Gilded Age and Progressive Era, this great selection of the period’s documents provides an unfiltered look at what people were thinking and doing at the time in their own words. The documents are arranged thematically with four or five per section: The New South; The New West; Native Americans; Big Business; Gilded Age Society; Working People, Immigrants in the Industrial Age; Populism; The Coming of Jim Crow; Labor Protest Rebuilding American Institutions; The Political System; Imperialism and Anti-imperialism, and the Debate about World War I. This is a user-friendly collection that doesn’t go too deep into any one person or event, yet introduces the key issues of the period.
This volume presents documents that illustrate the variety of experiences and themes involved in the transformation of American political, economic, and social systems during the Gilded Age and Progressive Era (1870-1920). * Includes nearly 70 documents which cover the period from the end of the Civil War and Reconstruction in the 1870s through World War I * Explores the experiences of people during the Gilded Age and Progressive Era from a variety of diverse perspectives, including important political and cultural leaders as well as everyday individuals * Charts the nationalization of American life and the establishment of the United States…
I study the Gilded Age and Progressive Era because it has so many practical applications for the present. As we face our own Gilded Age of enormous technological achievements paired with ongoing problems stemming from what Bob La Follette called “the encroachment of the powerful few upon the rights of the many,” why reinvent the wheel? What worked for progressive reformers in their struggles to create a more equitable and just society? What didn’t work, and why? To help answer those questions I wrote Fighting Bob La Follette: The Righteous Reformer and Belle La Follette: Progressive Era Reformer, and co-edited A Companion to the Gilded Age and Progressive Era.
To understand American race relations today, the history of the Gilded Age and Progressive Era is a vital starting point. In the wake of the Reconstruction, legalized segregation formalized institutional racism. With no federal lynch law, many states and municipalities refused to prosecute lynchings, striving instead to perpetuate myths of lynching as the only appropriate response to naturally lascivious Black men who desired inherently pure and virtuous white women. This exceptional biography traces the fascinating life of journalist and women’s suffrage advocate Ida Wells, who fearlessly fought against racism, segregation, and, especially, lynching. She was a leader in progressive era reform, despite the discrimination she endured even from many progressives due to her sex and her race.
Pulitzer Prize Board citation to Ida B. Wells, as an early pioneer of investigative journalism and civil rights icon
From a thinker who Maya Angelou has praised for shining “a brilliant light on the lives of women left in the shadow of history,” comes the definitive biography of Ida B. Wells—crusading journalist and pioneer in the fight for women’s suffrage and against segregation and lynchings
Ida B. Wells was born into slavery and raised in the Victorian age yet emerged—through her fierce political battles and progressive thinking—as the first “modern” black women in the nation’s history.
They say that we begin by imitating what we love and find our personal themes in the process, and that’s certainly been true for me. I grew up reading horror and fantasy and now I write realistic fiction with something deeper and darker always throbbing under the surface. My subjects can be contemporary, like Nightmare, with Angel or The Spirit Box, but I’ve had some of my biggest critical successes with historical fiction. I’ve had parallel career paths in books and TV, each often crossing with the other, but it’s in the novels and short stories that you’ll find me uniquely invested.
Sarah Hall is a phenomenal writer and this is the novel that got me hooked. The Electric Michaelangelo of the title is tattoo artist Cy Parks, a man whose heart, art, and the love of his life are all inextricably entangled. The narrative charts his journey from a Morecambe childhood to a tattoo booth on Coney Island and back again, and it’s another take on the kind of Sideshow Gothic that I love. Hall writes accessible award-worthy novels in prose that’s stripped of any pretentiousness. After reading this and then her debut novel HaweswaterI just order whatever she publishes, sight unseen.
On the windswept front of Morecambe Bay, Cy Parks spends his childhood years first in a guest house for consumptives run by his mother and then as apprentice to alcoholic tattoo-artist Eliot Riley. Thirsty for new experiences, he departs for America and finds himself in the riotous world of the Coney Island boardwalk, where he sets up his own business as 'The Electric Michelangelo'. In this carnival environment of roller-coasters and freak-shows, Cy becomes enamoured with Grace, a mysterious immigrant and circus performer who commissions him to cover her entire body in tattooed eyes.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I live in a 200+ year old house and have always been drawn to stories with dual timelines where the past and present intersect. Living in an old house where people lived and died, and exploring historic sites for my blog Past Lane Travels, I’m constantly aware of the lives that came before mine. I love the idea that something hidden in the past can still shape the present – and sometimes it seems like it’s just waiting to be uncovered by the right person. When stories are set in real places, it adds even more intrigue—I can visit, walk the same ground, and experience it for myself.
First of all, as an author, I love that three different authors wrote about three different characters, and it all melds perfectly. That’s a feat in itself.
Secondly, I’m a fan of dual timelines, history, and family secrets, and this book has it all. Third, it has a setting of a Gilded Age mansion in New York City, and that always makes a great setting.
This novel is a wonderful mix of light romance, history, and mystery, a trifecta for my reading tastes.
New York Times bestselling authors Karen White, Beatriz Williams, and Lauren Willig present a masterful collaboration—a rich, multigenerational novel of love and loss that spans half a century....
1945: When critically wounded Captain Cooper Ravenel is brought to a private hospital on Manhattan’s Upper East Side, young Dr. Kate Schuyler is drawn into a complex mystery that connects three generations of women in her family to a single extraordinary room in a Gilded Age mansion.
Who is the woman in Captain Ravenel’s miniature portrait who looks so much like Kate? And why is she wearing the ruby pendant handed down…
