Books like America's New Vaccine Wars

Illness as Metaphor by Susan Sontag was an incredibly formative piece of writing for me, especially when I was thinking about how fears of tuberculosis and cancer shaped early and mid-20th-century design. I think this book picks up where that one left off, a piece of writing that not only writes a medical history but frames how we think about health, disease, and fear in discussions about vaccination, but with a great deal of empathy. This is a crucial read to understand how we bridge divisions and move forward in our pandemic age.

Most of us can’t even pronounce the names of the childhood diseases vaccines have almost eradicated, nor can we imagine the parental grief, and childhood suffering, that those diseases routinely inflicted on families until well into the 20th Century. This comprehensive history reminds us that the development of vaccines was always a see-saw between life-saving advances, and terrible mistakes and failures.

This book by an anthropologist explores the dynamics of anti-vaccine rumours: how they are initiated and how – like a virus – they spread. She uses the metaphor of fire, and since I also wrote a book on this topic I am interested in this metaphor. She takes into account the emotional basis for anxiety about vaccinations among both the vaccine hesitant and among vaccine opponents. While rejecting the validity of their arguments, she nevertheless makes these more likely to be overcome by offering a nuanced account of some of the emotional and psychological reasons for such beliefs. It’s a kind and thoughtful book.

Why do many parents endanger their children by refusing to vaccinate them? They aren’t, writes Jennifer A. Reich, who studied such parents for over a decade. They aren’t ignorant or irrational – they are highly committed to protecting their children, and are trying to make sense of what they hear and know in their environment. Read this book if you want to understand why people selectively hear, mistrust, or reject scientific information, and seek out alternative ‘experts’ who tell them essentially what they want to hear.

Since my mother had polio before vaccinations were available I am especially involved with the issue of vaccination. This book does not pull any punches in taking to task the anti-vaccination movement; by exploring and unpicking its historical, psychological, and sociological basis the author provides a convincing account of the scientific and post-Enlightenment argument in support of vaccine development. He explores the values underlying anti-vaccine sentiments but also offers hard statistical data on the dangers presented when vaccines are avoided. There are many winning arguments in support of the development of vaccinations especially the evidence of the resurgence of diseases such as polio and measles in places where they have been, and are, opposed. 

Despite ever louder calls to “follow the science,” vaccine skepticism only seems to be rising.

Maya Goldenberg’s arguments helped me see why handwringing over the “war on expertise” fails and how we could do better. She shows that the crisis is rooted in declining public trust of medical institutions. Vaccine Hesitancy helped open my eyes to a critical fact: Medical skepticism is a rational response to a history of research scandals, corporate misconduct, and discrimination.

I honestly believe that had public officials paid attention to books like Vaccine Hesitancy, the government’s handling of the COVID-19 pandemic would not have torn Americans apart. 

Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!

White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.… show more.

I read The Brick People when it was first published in 1988.

At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.

The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.

Morales shows how history from the ground up is manifested in people’s lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.