Here are 100 books that Amazing Art Adventures fans have personally recommended if you like
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I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
This is Hogan’s account of her road trip in search of famous, almost mythical, land art pieces, such as Robert Smithson’s Spiral Jetty and Nancy Holt’s Sun Tunnels. Travelling on her own she found some of the artworks – and a lot out about herself. Brave? Foolish? Probably both. But for the reader, certainly an entertaining and informative chronicle of her travels and discoveries.
Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. "Spiral Jetta" is a chronicle of this journey. A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
Both reference book and travel guide, this second edition includes over 90 sculpture parks in 27 European countries. The parks featured are those that have an ‘art and nature’ element, in which artists collaborate with nature, working in and with nature to create artworks and situations that help us think about and enjoy both. One to take with you on your next trip around Europe!
There is a continually increasing interest in parks and gardens in which modern sculptures and nature form a special symbiosis. Landscapes are an inspiring ambiance for works of art, which in turn add something to the parks and gardens, thus creating a very unique interaction between art and nature.
This guide is the second edition and presents more than 90 parks in 27 European countries, now also including Finland, Hungary, and Poland among others. The parks presented include classics such as the Fondation Maeght in Saint-Paul-de-Vence and the Louisiana Museum in Humlebaek, as well as spectacular new schemes such…
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
This is a beautiful coffee table book to read at home rather than take on your travels. Langen explores 25 private sculpture parks founded by individuals, most art collectors or artists. She weaves in the stories of these characters as their passions inform the themes of the collections. Note that not all of the sites that Langen visited are open to the public.
From Edward James's surreal sculpture garden Las Pozas in Mexico to Anselm Kiefer's sprawling studio complex in the French countryside, artists and art collectors are creating outdoor spaces in order to display sculpture and art that is both transformative and powerful. This book is filled with breathtaking photographs of 25 of these spaces from throughout the world - many of which are not open to the public. Captured in brilliant colour, these spaces are populated by works that both enhance and are enhanced by the landscape: rolling hills, mountain lakes, shaded canyons and empty deserts. Readers will discover Anish Kapoor's…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
Art critic Gayford’s engaging and entertaining essays recount his adventures over the years when meeting artists and visiting destination art sites around the world, such as Brancusi’s Endless Column in Romania and the Chinati Foundation in Texas. A great storyteller, his writing is both chatty and informative and the book is a pleasure to read.
Bestselling author of Modernists & Mavericks Martin Gayford recounts some of the extraordinary journeys he has made in the name of art.
In the course of a career thinking and writing about art, Martin Gayford has travelled all over the world both to see works of art and to meet artists. Gayford's journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. Entertaining and informative, Gayford includes trips to see Brancusi's Endless Column in Romania, prehistoric cave art in France,…
I’m an award-winning toy inventor and author/illustrator, with a lifelong love of art, learning, and creativity. I strive to inspire the future builders and creators of our world in my books, articles, and blog musings. Some of my favorite reads inspired my creative side.
When I first saw the previews of this book, I had to read it the first day it was published.
Though friends had highly recommended Kostova’s more popular book, The Historian, this book spoke to me.
With the point of view shifting from current time to 19th century France, it checked all my boxes: painting, art museum, impressionists - all tied together into a fabulous mystery bow.
While reading, I wanted to peacefully wander an art museum and dabble with a paintbrush on canvas.
To me, the best books evoke a unique artistic mist or glow that I can still feel years later.
Psychiatrist Andrew Marlowe has a perfectly ordered life - solitary, perhaps, but full of devotion to his profession and the painting hobby he loves. This order is destroyed when renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient. Desperate to understand the secret that torments this genius, Marlowe embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy; from the late nineteenth century to…
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I held my breath for some of Desiree's daring cat-burglar-type acts. I found this one a fun, fast ride, but again, the character makes it work for me. I love how, in the middle of her drive to do the right thing, Desiree is real enough to have self-doubts and struggle with applying faith to life.
Her sense of humor adds that little extra to satisfy me, and I like the attraction that grows between her and the FBI agent who appears at the most inconvenient times.
Surrounded by no good options, much less safe ones, Desiree Jacobs knows that no matter what she must protect her father's reputation and his legacy.
If Desiree Jacobs knows anything, it’s art. Her father, whose security company is internationally renowned, taught her everything he knew. Most of all, he taught her about honor. Integrity. Faith. So surely God will forgive her for despising the one man--Special Agent Tony Lucano, who's determined to destroy her father’s good name?
Agent Lucano knows that Hiram Jacobs is an art thief. But what he can’t figure out is Desiree. Is she an innocent victim…or…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
Told from the perspective of a museum guard in London, Asunder is one of the most brilliant novels that engages with art.
The protagonist works in the National Gallery by day, and in the evening, she builds miniature dioramas. She also reflects on the destruction of a famous painting, goes on trips with friends, and eventually has a transformative encounter in a dilapidated castle. Asunder explores the meaning of art, decay, and preservation.
Marie's job as a guard at the National Gallery in London offers her the life she always wanted, one of invisibility and quiet contemplation. But amid the hushed corridors of the Gallery surge currents of history and violence, paintings whose power belies their own fragility. There also lingers the legacy of her great-grandfather Ted, the museum guard who slipped and fell moments before reaching the suffragette Mary Richardson as she took a blade to one of the gallery's masterpieces on the eve of the First World War.
After nine years there, Marie begins to feel the tug of restlessness. A…
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
Years ago, when I worked as an art museum lecturer, I often wandered the galleries before they opened to the public. The author recreated that magical experience for me—those exquisite moments of solitude and solace when the paintings opened up and quietly shared their mysteries.
As I read, I felt I was in the museum with the author, gazing at those works, and absorbing their timeless wisdom.
A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard.
Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then…
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
Frank O’Hara is most talked about as a “city poet” who, on his time off from working at an art museum, walked around Manhattan writing about what he felt and saw. A poet of “I do this, I do that,” O’Hara is lauded for his finding the beautiful in the quotidian. But that’s the lesser half of the story. O’Hara’s greatest feat is writing tender, quirky and deeply satisfying love poems. If you are not enviably moved by his poem “Having a Coke with You,” there’s little reason to continue reading poems at all.
Available for the first time in paperback, The Collected Poems of Frank O'Hara reflects the poet's growth as an artist from the earliest dazzling, experimental verses that he began writing in the late 1940s to the years before his accidental death at forty, when his poems became increasingly individual and reflective.
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
A part of me is reluctant to recommend books on art. The same part of me is reluctant to write books on art. After all, a work of art should speak for itself. Then I remembered that for most contemporary art shows, a catalog is produced, and that catalog typically features an explanatory essay by some sympathetic scholar or critic. If the art of today requires verbal elaboration, how much more will the art of the past—especially the remote past—require such commentary? These recommendations are a selection of some favorite texts about how art comes into being—and is part of our being.
I pity current practitioners of academic anthropology. Is there any human society today without the smartphone? It is then all the more valuable to read accounts of art-making derived from fieldwork among pre-industrial, pre-tech communities.
Ellen Dissanayake’s work, seasoned by (pre-phone) research experience in Asia, Africa, and Papua New Guinea, argues urgently for art as a common human necessity.
Every human society displays some form of behavior that can be called "art," and in most societies other than our own the arts play an integral part in social life. Those who wish to understand art in its broadest sense, as a universal human endowment, need to go beyond modern Western elitist notions that disregard other cultures and ignore the human species' four-million-year evolutionary history.
This book offers a new and unprecedentedly comprehensive theory of the evolutionary significance of art. Art, meaning not only visual art, but music, poetic language, dance, and performance, is for the first time regarded from…