Here are 100 books that Alpha Beta Chowder fans have personally recommended if you like
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I have been creating picture books for 30 years. Picture books are a combination of words and language - that’s what I am drawn to. I love vivid language and art that tells stories. I love wordplay and cornball puns. I savor a perfectly crafted sentence in proper English, but I am not a stickler for perfect grammar. I like slang, pig-latin, and mistakes. I enjoy the sound of languages that I know and that I don’t know. I hope that you enjoy all of these wordy books, including mine.
This book is an ode to the pleasures of words - their sound, look, and meaning. It consists of lists of words such as "words to read backward" including drows, mulp and gubdeb. Or "heavy words" such as duffle, blunderbuss, and galoshes. "Words for times of day" include dusk, owl cry, dewfall, and gloaming.
It is perfectly illustrated by Ben Shahn with black and white line drawings. The scratchy, uneven, expressive lines perfectly capture both the humor and gravity of the words. I have loved these books since I was a child and The Wordy Book sprang out of that love.
What can words be, or rather, what can’t they be? Poet Alastair Reid introduces children and adults to the wondrous waywardness of words in Ounce Dice Trice, a delicious confection and a wildly unexpected exploration of sound and sense and nonsense that is like nothing else. Reid offers light words (willow, whirr, spinnaker) and heavy words (galoshes, mugwump, crumb), words on the move and odd words, words that read both ways and words that read the wrong way around (rezagrats), along with much else. Accompanied by Ben Shahn’s glorious drawings, Ounce Dice Trice is a book of endless delights, not…
This biography for middle-grade readers and up explains who Jane Addams was and why she caused such a stir worldwide. The story follows Addams' first childhood realization of how poverty limits lives, livelihoods, and health to her becoming one of the most beloved―and disliked―women of her day. She worked to…
I have been creating picture books for 30 years. Picture books are a combination of words and language - that’s what I am drawn to. I love vivid language and art that tells stories. I love wordplay and cornball puns. I savor a perfectly crafted sentence in proper English, but I am not a stickler for perfect grammar. I like slang, pig-latin, and mistakes. I enjoy the sound of languages that I know and that I don’t know. I hope that you enjoy all of these wordy books, including mine.
Another book by Steig! Yes! This book was written and illustrated by Wm. Steig. It does not contain CDB oils. It doesn’t actually contain words either. It only contains letters. When you read the letters out loud you hear words. Some of the sentences would be confusing, but Steig’s illustrations help you to figure out the meaning.
For example, C D B means See the Bee.
He talks about emotions: I N-V U
He describes situations: D N S 5 X. That one might be confusing if it didn’t have a picture of the hen and the x that she just laid.
This book makes you hear and see words differently, and it is funny. If you find this book X-L-R-8-N then you will be happy to know that there is a sequel - C D C! Dip your toes into the deep blue C of letters and sounds.
Growing up, my brothers and I begged for a dog, but our parents never gave in. Fortunately, when my kids begged for a pup, my husband and I gave in. So, as a children’s book writer, I wanted to give kids a book to help them convince their parents that there’s always room for a pup in the family, and at the same time, subtly emphasize the importance of gratitude and inclusion.
Martha Speaks is a classic for good reason. How can you not get attached to a dog who is fed vegetable soup that goes to her brain, not her stomach, and then is able to speak--incessantly? This fun book is the basis for the Emmy-nominated PBS TV series of the same name. Read and watch away!
When Helen Finney feeds alphabet soup to her dog, Martha, it goes straight up to her brain, and Martha begins to speak! The basis for the Emmy-nominated PBS series.
Having a talking dog is a lot of fun--unless your dog never stops talking! When chatty Martha gives her family the silent treatment they're relieved at first, but then they get worried. Will Martha ever speak again?
Reeni is wild about birds so naturally, when she and her friend Yasmin have to pick a topic for a school assignment, birds in the city are an obvious choice. But when the upcoming bird count is threatened, Reeni has to detour from birding to activism. This is a global…
I have been creating picture books for 30 years. Picture books are a combination of words and language - that’s what I am drawn to. I love vivid language and art that tells stories. I love wordplay and cornball puns. I savor a perfectly crafted sentence in proper English, but I am not a stickler for perfect grammar. I like slang, pig-latin, and mistakes. I enjoy the sound of languages that I know and that I don’t know. I hope that you enjoy all of these wordy books, including mine.
Alphamaniacs is subtitled: Builders of the 26 Wonders of the Word. Fleischman profiles 26 people who explore and delight in language. The book is a kind of gateway drug for language lovers. After reading this book I had to look for more books. I needed to see Anguish Languish by Howard Chace. Anguish Languish is almost the English Language: the words make up stories that you know, but the individual words have different meanings than you expect. Can you recognize the story of "Ladle Rat Rotten Hut"? Hint: the hut is part of a red cape, and the story includes a big bad woof.
Chace is just one eccentric wordsmith of the many introduced by Fleischman. Sweet’s collaged and painted illustrations play with the ideas in the book and use words as part of the imagery. The art is lovely and smart.
Are you a word person? A curiosity seeker? An explorer? Take a look at these twenty-six extraordinary individuals for whom love of language is an extreme sport.
Step right up and read the genuine stories of writers so intoxicated by the shapes and sound of language that they collected, dissected, and constructed verbal wonders of the most extraordinary kind. Jean-Dominique Bauby wrote his memoirs by blinking his left eyelid, unable to move the rest of his body. Frederic Cassidy was obsessed with the language of place, and after posing hundreds of questions to folks all over the United States, amassed…
I’ve loved words ever since I discovered at age five that the word “pup” was a palindrome. My first published poem, “Kitten,” was written in third grade and was included in Valley View Elementary School’s annual creative writing booklet.
Since then, I’ve written loads of limericks, a heap of haiku, quarts of quatrains, two octos, and enough rhyming couplets to make Shakespeare plead “forsooth, enough already”. To the relief of the general public, I’ve only published one book of poetry. For now.
I’m a completionist. I take pleasure in completing a game or task involving many steps that I can tick off as I go.
A to Z lists thrill me like nothing else can! Seeing different minds tackle the same 26 letters each in their own way, never gets old. I was a grown-up when I first discovered Edward Gorey and found him amusing.
But when I discovered this book, the hairs on the back of my neck tingled. He was taking on the A to Z challenge! And he nailed it. Each line is concise and yet tells me everything I need to know.
It’s a short book, but since each line comes with an illustration showing that letter’s victim’s last moments, it’s worth pausing to savor each page.
A new, small-format edition of one of Edward Gorey’s “dark masterpieces of surreal morality” (Vanity Fair): a witty, disquieting journey through the alphabet.
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I met Bill Bryson once, and we subsequently exchanged a few letters.
‘Knowing him’ gave an extra dimension to his writing and humour, because he’s acerbic with the pen and yet so gentle and shy as a person.
When we met, he was giving a talk on the importance of hedgerows in our ‘Green and Pleasant Land’, and he has always inspired me to appreciate the privilege of being British (He is American).
Sometimes it can be hard to remember..! One thing is for sure: British humour is unique, and I will never fail to appreciate that.
Neither Here Nor There was the first Bryson I read, but you could pick any of his travel works.
He’s got such a wonderful style and humour, you can’t really go wrong.
Bill Bryson's first travel book, The Lost Continent, was unanimously acclaimed as one of the funniest books in years. In Neither Here nor There he brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hammerfest, the northernmost town on the continent, to Istanbul on the cusp of Asia. Fluent in, oh, at least one language, he retraces his travels as a student twenty years before.
Whether braving the homicidal motorists of Paris, being robbed by gypsies in Florence, attempting not to order tripe and…
A gay retelling of the classic fairy tale--a scrumptious love story featuring ungrateful stepsiblings, a bake-off, and a fairy godfather.
Cinderelliot is stuck at home taking care of his ungrateful stepsister and stepbrother. When Prince Samuel announces a kingdom-wide competition to join the royal staff as his baker, the stepsiblings…
I’m a cognitive scientist, and I love reading, thinking, and researching about the nature of the human – and especially the young – mind, and what it is capable of. Even while I was still doing my PhD in experimental psychology at Oxford in the early 1970s, I was gripped by the new possibilities for thinking about education that were being opened up by science. In particular, the assumption of a close association between intelligence and intellect was being profoundly challenged, and I could see that there was so much more that education could be, and increasing needed to be, than filling kids’ heads with pockets of dusty knowledge and the ability to knock out small essays and routine calculations. In particular, we now know that learning itself is not a simple reflection of IQ, but is a complex craft that draws on a number of acquired habits that are capable of being systematically cultivated in school – if we have a mind to do it.
This marvelous little book was first published in 1939 – and it is still bang up to date in its critique of conventional education. (As a society we seem to have learned far too little in the ensuing 80 years). Peddiwell tells the story of the first pre-historic educators who taught young people useful life skills like how to grab fish, or how to use fire to scare away saber-tooth tigers. Over the years the climate changed, but the elders refused to allow the curriculum to change with it. The saber-tooth tigers died out, but scaring them still had to be taught in schools because that knowledge had become a ‘cultural treasure’ even though it was now useless. It is very funny, and bang on the money, in showing just how stupid supposedly clever people can be. (Peddiwell and his story were both made up by a real professor called…
McGraw-Hill first published "The Saber- Tooth Curriculum" in 1939, and it has remained a classic bestseller to this date. The book is just as relevant and applicable to the key questions in education today as it was when it was first published. With tongue firmly in cheek, Peddiwell takes on the contradictions and confusion generated by conflicting philosophies of education, outlining the patterns and progression of education itself, from its origins at the dawn of time to its culmination in a ritualistic, deeply entrenched social institution with rigidly prescribed norms and procedures. This fascinating exploration is developed within a fanciful…
I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
I love Tim Burton’s movies. His book of poems and short stories is just as good as his movies (don’t let the poems aspect put you off). I’m not a fan of poetry, but this collection of twisted tales is great (especially if you read them in your head in Christopher Lee’s voice).
As a bonus, the book is packed with Tim’s off-beat artwork (which matches the characters perfectly). I love the strange and unusual. To quote Lydia (from Tim Burton’s Beetlejuice), “I myself am strange and unusual.”
Twenty-three illustrated gothic tales from the dark corridors of the imagination of Tim Burton. Burton - the creative genius behind Batman, Edward Scissorhands, Sleepy Hollow and Nightmare Before Christmas, among others - now gives birth to a cast of gruesomely sympathetic children: misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and tragedy of these hopeful, yet hapless beings.
I once visited an art exhibition in which an artist had taken old canvasses and re-used them, over-layering one work with another in such a way as to illuminate both. This technique was described as a palimpsest. At the time I was writing a novel that seemed to be four connected stories, struggling with the format, wondering if it would work. The exhibition encouraged me to persevere and Crossings: Four Tiered Stories is the result. Since writing my palimpsest I have come across others in the genre, written by some of the most revered authors of our time. It has been a pleasure to share them with you.
This book is a collection of the author’s memoirs, set in a fictional village in England’s leafy countryside. Each story stands alone and yet they build a picture of a time and place that is now lost.
There is humour and tragedy in these stories. A disastrous dinner party ends up with the guests having to go to the hospital to have their stomachs pumped. An elderly lady who cares more for her animals than she does for herself is discovered to be starving. The mysterious ‘hedging and ditching man’ evades identification although there is a suggestion that this disreputable-looking old tramp is in fact the local squire. A happenstance meeting at the scene of an accident results in a fledgling music group being started up in the village.
All these anecdotes are narrated from the confused, curious, only partly-understanding point of view of a young boy. There is nostalgia…
Welcome to the village of Notwithstanding, where a lady dresses in plus fours and shoots squirrels, a retired general gives up wearing clothes altogether, a spiritualist lives in a cottage with the ghost of her husband, and people think it quite natural to confide in a spider that lives in a potting shed. Based on de Bernieres' recollections of the village he grew up in, Notwithstanding is a funny and moving depiction of a charming vanished England.
Mamiachi & Me is a lyrical and empowering picture book about what it means to be a mariachi in an all‑female band.
Today, Rosa will take the stage next to her mami and play along with her popular mariachi band. But Rosa begins to worry. What if the audience doesn’t…
I’m a comic fan first, then a comic creator. I grew up on the classics—Calvin and Hobbes and The Far Side and excitedly watched as new comics popped up online. I love comic strips and have rows of collections lining my bookshelves. The coolest part of starting my own series has been becoming a member of a cartoonist community that I have always been a huge fan of.
Joshua has a really unique sense of humor that’s accompanied by absolutely stunning art.
The comics are really worth admiring in print, not to get lost amongst the sea of online ‘content’.
Both Joshua and I write comics that give readers a glimpse into the animal kingdom and I love seeing how our interpretations of the same world can differ, through our comedic voices and art… and yes, his work is art.
Based on Joshua Barkman's popular webcomic by the same name, False Knees is animal humor taken to a very absurd, darkly delightful place.
In Barkman's debut print collection, False Knees fans will find old favorites along with an abundance of all-new material. Featuring creatures found in the author's native Ontario, this always sharp, sometimes head-scratchingly bizarre collection of comics offers a view into the secret, surprisingly insightful world of blue jays, squirrels, geese, wolves, and rabbits.