100 Books Like Almost Ruth

I’ve always thought that this is one of the most brilliantly constructed plots in literature. First serialized in 1859-60, Collins’ story revolves around the mysterious figure of the Woman in White, who always induces a shiver of dread and pity, even on subsequent re-readings. And I don’t think I’ve ever encountered a more terrifyingly memorable mastermind villain than the one Collins gives us here.

Threatened innocence, eerie encounters, dastardly deeds—this book has it all. But best of all is the character of Marian Halcombe, who breaks gender barriers to defend her sister. She is one of the models for my own intrepid Victorian detective, Esther Hardy.

This book has haunted me for decades. 

So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)

The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.

And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.

Jo Montfort cannot be chained by the expectations of others for long. The monumental event of her father’s “accidental” death triggers her to break free to discover the dirty truth that was once veiled in brittle glamour. A strong heroine and scandalous outings in the nights makes this read a thrilling ride to savour in the late-night hours.

Jane Austen meets Agatha Christie in Julie Klassen’s Shadows of Swanford Abbey. Rebecca is bidden by her recluse brother to get his manuscript published by an author residing at the abbey. A mysterious death occurs for which Rebecca is a suspect. Even worse, the man she used to care for is the presiding magistrate. Klassen is always faithful in detailing Regency elements in every single area of her work from the clothing, jury procedures, customs, architecture, etc. The mystery was seamlessly woven into the history.

This anthology “blends western grit with the magical and mysterious unknown that waits beyond the next horizon” and includes both a great range of stories and some delightful illustrations. “Abishag Mary” by Frances Rowat brings sea-based imagery deep into the landlocked deserts. “Frank and Earnest” by Tonia Brown features some cracking dialogue, not to mention a villain who seems entirely out of place and mostly baffles the two heroes. Other stories venture beyond the Old West, including "Fifteen Seconds" by Scott Hungerford featuring an alien invasion of a different kind in a more recent West. An excellent collection!

Bob Fudge worked for the famous XIT, a large cattle outfit based in the Texas Panhandle, during the late 1800s and early 1900s. Bob Fudge lived an iconic cowboy life, driving cattle from Texas to Montana. He told his life story in 1932, a year before his death. I first heard about this rare book during a song intro, by western singer Ian Tyson on his Live At Longview album. Before he plays the song “Bob Fudge,” Tyson tells a story of how someone left this book on his guitar case during an earlier performance—and it captivated him. The book captivated me, too, and served as inspiration for my own western novels. Another Canadian western singer, Colter Wall, recorded a live cover version (watch it on YouTube) that is quite cool.

Slogum House is a fairly brutal account of the dynamics between a gentle patriarch who married a shifty woman and the influence her brutality had on the family. Parts of this novel are disturbing and hard to read, but this is an interesting tale of a desperate and driven woman who will literally stop at nothing to get what she wants, and how that ruthlessness colors her family and children’s lives. The setting is the remote western sand-hills of Nebraska. Brilliant writing.

While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.

The Broken Gun has one of the tightest plots of any of the many Western novels from the late, great Louis L’Amour. L’Amour’s Westerns are almost all set in the mid-1800s. His good guys are good, and his bad guys bad. His books are all fun, easy to read, full of action, and keep you turning the pages. Some readers think Louis L’Amour was a 2nd rate writer…but he knew what he was doing & literally millions of folks have loved his books. Many, like myself, have read all of his Westerns, some of them several times. When I go camping I always toss in a few of his paperbacks. When it’s too windy to fish, I kick back and re-read a Louis L’Amour Western. Always fun.

I’ve been to the Tomboy Mine. All that’s left of the camp are old foundations in a rocky basin above timberline, surrounded by high peaks, 3,000 feet above Telluride. The only gold left behind is in the rich hues of a Colorado sunset. While the Tomboy may be gone, it’s the same view Harriet Fish Backus saw every day. Life at a remote mountain mine was full of “mishaps and makeshifts,” and she kept a diary of daily events. Nothing she writes is a dull description, nor is it the soaring purple prose of Victorian-era romanticism. Her account of mining life in 1906, from a woman’s perspective, detailing daily routines, friendships, and fears, is invaluable as a western author, to create believable female characters in the Old West.