Here are 62 books that Almost, Maine fans have personally recommended if you like
Almost, Maine.
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The sound of waves rolling to shore. The scent of beach roses and salty air, mixed with suntan lotion. Breezy summer days with no agenda. This is the promised escape when I discover a cozy mystery with a waterfront cover. I’m immediately transported to a journey of respite with a sprinkle of intrigue tucked deep within the pages. The waterfront setting is one that I desire in both to read and to write, and I know I’m not alone. I’ve compiled a list of favorites for you when choosing a book that revolves around seaworthy things.
Reading a book by Barbara Ross is like taking an actual trip to a charming coastal Maine town.
Loaded with lobster, seafood dishes, and desserts with blueberries in almost every chapter; my mouth was watering for the east coast. The interesting plot line on a lobster boat held my interest and led me to investigate the other books in the series as well.
The busy summer tourist season is winding down in Busman's Harbor, Maine, but Julia Snowden senses trouble simmering for the Snowden Family Clambake Company. Shifty David Thwing--the "Mussel King" of upscale seafood restaurants--is sniffing around town for a new location. But serving iffy clams turns out to be the least of his troubles. . .
When Thwing is found sleeping with the fishes beneath a local lobsterman's boat, the police quickly finger Julia's brother-in-law Sonny as the one who cooked up the crime. Sure, everyone knows Sonny despised the Mussel King. . .but Julia believes he's innocent. Proving it won't…
Secrets, lies, and second chances are served up beneath the stars in this moving novel by the bestselling author of This Is Not How It Ends. Think White Lotus meets Virgin River set at a picturesque mountain inn.
Seven days in summer. Eight lives forever changed. The stage is…
As a child, I received an electronic typewriter as a gift and immediately got to work on a story about a family living on an island. Even at ten, I recognized the power of islands, with their built-in problems of isolation and rich possibilities for metaphors. So it only made sense I’d one day publish a book set on one. If you’re like me and can’t resist books with island settings, you’ll love these book recommendations. Each island in this collection has its own personality that becomes a character of its own, and none of these books could exist in the same way without their unique settings.
This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.
I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine.
New York Times Bestselling Author Susan Elizabeth Phillips is back with a delightful novel filled with her sassy wit, dazzling charm, and a threat of danger-a modern Jane Eyre It's going to be a long, hot winter. He is a reclusive writer whose imagination creates chilling horror novels. She is a down-on-her-luck actress who's given up far too much. He knows a dozen ways to kill his characters with his bare hands. She knows a dozen ways to kill an audience with laughs. But she's not laughing now. Annie Hewitt has been forced to return to an isolated island off…
I love books about everyman/everywoman characters facing danger, puzzles, and romance with a sense of humor. I love the suspense that builds throughout a whole book and the tension that can develop in just a paragraph. It’s easier for me to imagine I’m the protagonist and lose myself in the pages if I’m not reading about a superhero or a serial killer. With so many choices out there, it’s easier to find another person who’s seen the same TV show, for instance, but books are my true love because they are limitless and offer so many choices. It’s a privilege to be able to share some favorites.
While I love Parker’s Spenser series, I love the stronger emotional payoff I often get more of in stand-alone books, which this book is. Plus, Parker brings some of his humor to the table. (To me it’s a very rare book that can’t carry some humor along with life-and-death stakes.)
While I loved the whole idea of a married couple working together to extricate themselves from big trouble, the confrontation with the cops at the end of the book was a terrific cherry on top.
“A novel of violence, crisp dialogue, and suspense. . . . The reader is immediately caught up in the ambience of danger.”—The Boston Globe
At forty-six, Aaron Newman was enjoying the good things in life—a good marriage, a good job—and he was in good shape himself. Then he saw the murder. A petty vicious killing that was to plunge him into an insane jungle of raw violence and fear, threatening and defiling the things he cared about.
She’s hiding from pain. He’s lost everything but his dog. When fresh air and second chances bring them together, can they rediscover true love?
If you enjoy kind-hearted heroes, small towns, and more humor than heat, you’ll adore this contemporary Alaskan romance! A Darling Handyman is the feel-good first book…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
This is a darkly beautiful novel, set in the period after the American Revolution, a time of great hardship for many Americans. Hannah Trevor has lost her husband and three children, and she cobbles out an independent if marginal life for herself as a midwife in rural Maine. She finds love with a married man, and when he is falsely accused of rape and murder, Hannah sets out to uncover the truth. I was drawn in by Lawrence’s striking prose and by Hannah, who is strong, resourceful, and in many ways, a loner.
Hanna Trevor, a midwife in 1780s Maine, is drawn into the investigation into the rape and murder of a young woman when an honorable man--her former lover and the father of her child, is accused of the crime. Reprint.
I’ve always been a fan of horror because a good scare makes the adrenaline flow. Personally, I don’t think ghosts and demons are real, and they don’t scare me. But humans…humans can be downright evil. This is why I gravitate toward serial killer and slasher fiction when I’m looking for a scare. Sometimes I just want to test my endurance for the dark side of human nature. Unfortunately, it is all too easy to write a really depraved book without taking the time to make the reader care about the characters, which is why these novels are my favorite works of darkness. These are great, disturbing books with genuine pathos.
Ketchum’s classic survival horror novel about cannibals attacking a cabin of vacationers is pure 80s slasher goodness. It was perhaps the darkest book of its kind for a long time and pulls no punches with the intensity of its chase scenes. Ketchum’s economical writing style makes it a very easy read, one where you will root for the good guys, and be left emotionally drained by the end.
September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River―off season―awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall…
And before too many hours pass, five civilized, sophisticated people and one tired old country sheriff will learn just how primitive we all are beneath the surface…and that there are no limits at all to the will to survive.
I've read mystery books since I was a kid in a small Iowa town and my
mother was on the library board and in charge of reviewing books for
purchase. She would bring home mysteries and I grew up reading about
James Bond, The Saint, Miss Marple, and many, many other 'classic'
detectives. I wrote my first mystery 'novel' when I was ten and it took
me forty more years to finally decide to get serious about it. I found I
wanted to write about an older demographic—my heroes and heroines are
usually in their 40s or 50s. I try to make my characters believable and
down-to-earth—except they get involved in the occasional murder!
When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.
In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.
And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.
While on vacation, Warden Investigator Mike Bowditch receives a strange summons from Billy Cronk, one of his oldest friends and a man he had to reluctantly put behind bars for murder. Billy wants him to investigate a new female prison guard with a mysterious past, and Mike feels honor-bound to help his friend. But when the guard becomes the victim in a brutal attack at the prison, he realises there may be a darker cover-up at play - and that Billy and his family might be at risk.
Then Mike receives a second call for help, this time from a…
As a born and bred Mainer, there are dozens of great books I could recommend set in the Pine Tree State. But the five I’ve curated capture, for me, the diversity of the Maine culture, from the long-gone loggers who made their living from the woods to the often-overlooked Indigenous communities to the mill towns struggling to survive. When a non-Mainer thinks of our state, what usually comes to mind are quaint coastal villages, lighthouses, lobster… And while those things are part of what makes Maine the place it is, there exists, both on and off the page, plenty of other experiences and histories to discover here.
Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.
I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.
Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic.
A rich collection of classic American literature potraying the beauty of a 19th-century New England town.
A female writer comes one summer to Dunnet Landing, a Maine seacoast town, where she follows the lonely inhabitants of once-prosperous coastal communities. Here, lives are molded by the long Maine winters, rock-filled fields and strong resourceful women.
Throughout Sarah Orne Jewett’s novel and stories, these quiet tales of a simpler American life capture the inspirational in the everyday: the importance of honest friendships, the value of family, and the gift of community.
“Their counterparts are in every village in the world, thank heaven,…
As a born and bred Mainer, there are dozens of great books I could recommend set in the Pine Tree State. But the five I’ve curated capture, for me, the diversity of the Maine culture, from the long-gone loggers who made their living from the woods to the often-overlooked Indigenous communities to the mill towns struggling to survive. When a non-Mainer thinks of our state, what usually comes to mind are quaint coastal villages, lighthouses, lobster… And while those things are part of what makes Maine the place it is, there exists, both on and off the page, plenty of other experiences and histories to discover here.
Addiction, grief, generational trauma… all these things exist in Talty’s work. But his prose lifts all that heaviness and makes it not only bearable, but often strangely beautiful.
His characters are raw and real, and his skill with dialogue is enviable. I love the way the book is structured as a collection of linked stories, each one informing and contributing to the rest. The book is set on the Penobscot reservation in Maine, an area often overlooked both in literature and reality.
Talty is a natural storyteller, and his voice rings with wisdom, dry humor, and honesty, giving readers rare insight into this community.
Winner of the PEN/Robert W. Bingham Prize, National Book Critics Circle John Leonard Prize, American Academy of Arts & Letters Sue Kaufman Prize, The New England Book Award, and the National Book Foundation 5 Under 35 Honoree
A Finalist for the Andrew Carnegie Medal for Fiction, the Chautauqua Prize 2023, and Barnes & Noble Discover Book Prize
Named a Best Book of the Year by The New York Times, NPR, Esquire, Oprah Daily, and more
Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be…
William Klingaman is the author of ten books, most recently The Darkest Year: The American Home Front, 1941-1942, and The Year Without Summer: 1816 and the Volcano That Darkened the World and Changed History. He holds a Ph.D. In American History from the University of Virginia, and has taught at the University of Virginia and the University of Maryland.
No one wrote better than E. B. White, and no one captured the essence of daily life on the home front better than White in this collection of essays. “This is my country and my night,” he wrote from his farm in Maine, “this is the blacked-out ending to the day, the way they end a skit in a revue.” Yet White acknowledged that it was nearly impossible for him or anyone else to truly convey all the ways that the war was changing ordinary Americans. “You write something that sounds informative, throwing the words around in the usual manner, then the thing explodes in your hands, and you look down at your hands,” he explained. “As though you had crushed a light bulb and were bleeding slightly.”
Too personal for an almanac, too sophisticated for a domestic history, and too funny and self-doubting for a literary journal, One Man's Meat can best be described as a primer of a countryman's lessons a timeless recounting of experience that will never go out of style.
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
Olive is not a likable character, yet so many readers related to her in the first book, as I did. Strout took a completely different approach in this sequel, which appealed to me even more. We see the larger community in Olive’s life, looking at her through her interactions with friends, neighbors, and a lover who becomes her second husband.
Strout weaves present and past using these different perspectives, showing the rare kindnesses that Olive allows herself. By the end, she was a hero to me because of her changes as a person—the increased compassion tempered her frankness. A brilliant and realistic exploration of aging, illness, and death.
From the Pulitzer Prize-winning, Number One New York Times bestselling author of Olive Kitteridge and My Name is Lucy Barton
'A terrific writer' Zadie Smith
'A superbly gifted storyteller and a craftswoman in a league of her own' Hilary Mantel
'A novel to treasure' Sunday Times
Olive, Again follows the blunt, contradictory yet deeply loveable Olive Kitteridge as she grows older, navigating the second half of her life as she comes to terms with the changes - sometimes welcome, sometimes not - in her own existence and in those around her.