Here are 65 books that All the Birds in the Sky fans have personally recommended if you like
All the Birds in the Sky.
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I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.
Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
An intense and thoughtful time-hopping dystopian fantasy where three individuals, psychically linked through time, fight enslavement, exploitation, and environmental collapse. A great read for fans of Emily St. John Mandel.
In 2106, Maida Sun possesses the ability to see the entire history of any object she touches. When she starts…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
I’m a pragmatist and a problem-solver. As a student of innovation, I draw inspiration from a risk-taker’s approach to attacking a problem. I’ve changed my life drastically from a farmland kid to a global technology CEO and then author. Along the way, I’ve had opportunities to struggle. I’ve found conventional wisdom seldom fixes the problem, so I’ve refined the ability to look for unique paths. I believe women provide the best examples to learn from because they don’t walk into the room bluffing their way to the solution. They credit the resources they tapped for their solution and bring others along in the journey to raise the education level.
I haven’t read many stories with witches, but that changed when I read the story of these women facing real problems, sadly still resonating today. Before reading this book, I certainly wouldn’t have considered witches to be important on a list of strong women solving problems.
I was sucked into this story of three sisters living in a world that forbids witchcraft. I wanted to fight alongside these sisters as they called upon the bond between women and our common wisdom. I wanted to fight the evil suppressors of women’s right to vote and rights to exist and thrive as women. I still want to lend my voice and privilege to protect their library. They find their ways, not without sacrifices, but always with flair.
'Glorious . . . a tale that will sweep you away' Yangsze Choo, New York Times bestselling author of The Night Tiger
'A gorgeous and thrilling paean to the ferocious power of women' Laini Taylor, New York Times bestselling author of Strange the Dreamer
In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.
An intense and thoughtful time-hopping dystopian fantasy where three individuals, psychically linked through time, fight enslavement, exploitation, and environmental collapse. A great read for fans of Emily St. John Mandel.
In 2106, Maida Sun possesses the ability to see the entire history of any object she touches. When she starts…
When I was ten, I found a book on witchcraft on the shelves of my local bookstore and eagerly set out to learn how to practice magic. I had very little success—one rain spell maybe worked, but to be honest, rain was in the forecast anyway. So instead I became a novelist who likes to write about people who can do magic. I love books that not only sweep you into other worlds but show you how it really feels to live there. I hope these five novels give you a truly magical escape.
Cynthia, a forty-something English professor in the throes of perimenopause, develops unusual abilities and slowly learns to channel them, with help from a visiting faculty member from Faerie. I was lucky enough to read this book in an early draft, and then in its final version. What I love about this novel is how it treats magic as yet another weird thing that happens to you as you get older. I also relished watching Cynthia figure out her new powers in the context of ordinary life: navigating faculty politics, being a mom, working on her marriage. A smart, wry twist on the School for Magic trope.
What if women gained uncanny power at middle age? In Unbecoming, Cyn's family is shattering, and she is at war with her own body. Then, when her best friend flies off on a mysterious faculty exchange program, a glamorous stranger takes her place--Fee Ellis, a Welsh poet who make it all look easy. But it may be costly to welcome this charismatic outsider to their little college town. Cyn's best friend, meanwhile, communicates only in ominous fragments.
To be honest, and this will sound strange, but suspense is the air I breathe. I’m a pretty calm, boring human being, and the only thing that gets my heart pumping are films, TV, books, and video games in this genre. Suspense and thrillers are genres that make up ninety percent of the entertainment that I consume, and one hundred percent of the entertainment that I write.
I can only speak from my experience and, wow, this book hooked me right at the end of that first chapter, “but it’s happening faster.” Now to go into what that means, I will remain spoiler-free, but my jaw dropped. And the story only ramped up after that.
I love stories where the protagonist finds themselves in genuine peril, and Claire puts Harry August in a particular type of peril that truly had me terrified for his well-being in every chapter. The best type of suspense escalates in every chapter and it escalates here in this book in the best possible ways.
'ONE OF THE FICTION HIGHLIGHTS OF THE DECADE' Judy Finnigan, Richard and Judy Book Club
Featured in the Richard and Judy Book Club, the BBC Radio 2 Book Club and the Waterstones Book Club Winner of the John W. Campbell Award Shortlisted for the Arthur C. Clarke Award
SOME STORIES CANNOT BE TOLD IN JUST ONE LIFETIME
No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before.
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
Prefer something a bit more visual as the world falls apart? Stanley Donwood fills a book with full-page black and white linocut illustrations, the same medium I use for my illustrations. Without relying on any text, Donwood is able to use classic sequential art techniques to move us through the continual destruction of a wild and devolving island habitat. You may recognize his work from his decades-long collaboration with Radiohead, but his distinct style of storytelling and art stands alone.
A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still-and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending.
Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot…
As an “arm-chair survivalist” and author of the Dark Tomorrow trilogy, I have zero experience when it comes to actually surviving an end-of-the-world scenario, but I like to imagine that I have a good head start when the SHTF. After reading the novels recommended here, I’m confident that readers will be well-prepared when the next zombie invasion or global pandemic begins wiping out the human race. And if none of us survive the first wave of an alien attack or the coming of the four Horsemen of the Apocalypse, at the very least we will have read a few good books before we are all violently probed and trampled in the name of dystopian fiction.
If you are like me, and you are a vehement admirer of both dogs and tales of global destruction, The Last Dog on Earth, is the perfect canine-based/post-apocalyptic book for you! Centered around an expletive-spouting dog named Lineker, and his agoraphobic owner, Reginald, Walker’s story of survival in the dystopian ruins of a future London is at times humorous, dark, and thought-provoking. On an unexpected quest to deliver an orphaned girl to her family, Lineker and his owner are faced with dangers from all angles including riots, murderous government agents, and of course squirrels—the common and hated enemy of dogs across the world. In the end, I found the canine’s ongoing commentary to be both hilarious and spot-on, and if you’re planning to face Armageddon one step at a time, what better way to do than with a faithful and foul-mouthed dog by your side.
And for Lineker, a happy go lucky mongrel from Peckham, the day the world ends is his: finally a chance to prove to his owner just how loyal he can be.
Reg, an agoraphobic writer with an obsession for nineties football, plans to wait out the impending doom in his second floor flat, hiding himself away from the riots outside.
But when an abandoned orphan shows up in the stairwell of their building, Reg and Lineker must brave the outside in order to save not only the child, but themselves...
My imagination has always been captivated and fired up by reading traditional myths and fairy tales, as well science fiction. Growing up in the ’80s, I was particularly steeped in cinematic masterpieces such as Bladerunner and The Road Warrior, but I also loved reading classic sci-fi, as well as British literature, particularly the Brontes and Jane Austen. I enjoy and write speculative fiction because I believe it offers some of the best, creative ways to explore the timeless, universal truths underlying the human experience. Whether that exploration happens in subtle scenes of interpersonal interactions, or in the epic events woven in threads of dark and light across the tapestry of history, it’s all valuable and relevant.
I was really drawn into James’ dark but believable premise, concerning a depopulated Earth, and the resulting instability and hopelessness of such a societal crisis. The dreariness of her depiction of a childless world is sobering and timely. The plot is not complex, but is very absorbing and fast-paced. The fact that the novel ends on a note of hope and second chances is one of the things I especially liked about it, and makes it well worth an occasional re-read.
Told with P. D. James's trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and…
We are in a time where everything seems fraught, and cozies remind me that there are other paths. I write science fiction and fantasy, a genre known for making things worse. But secretly, I want my books to explore what happens when people talk to one another and make the kinder choice. It’s easy to escalate. But having a book with tension and interest and plot twists, while also making the reader feel secure is much harder. Watching characters in unexpected genres have cozy moments reminds me it’s possible. And also, sometimes you just want a hug from a book.
I read this book ages ago, and it’s stuck with me. My memory of it is wanting to give everyone in the book a hug, and knowing they would give really good hugs back.
It’s a potential-end-of-the-world scenario, wrapped up in a rewarding adult coming-of-age story. The main character has a life and friends that she likes, but she’s also put herself into a small box. It’s a deeply relatable book that heavily features doomsday enthusiasts.
In this young adult rom-com, seventeen-year-old Alba loves routine and doesn't want anything to change, but her world is turned upside down when a conspiracy theorist claims the apocalypse will take place in her small town.
Alba wants to stop time and keep things just the way they are. She loves living behind the bakery and waking up in a cloud of sugar and cinnamon, and thrives when she's drawing comics and watching bad TV with her friends. The only problem is she's spent so much time looking inward that she hasn't noticed everything going on around her.
As an Irish-Italian-American, I’ve got a lifetime of cultural and family traditions to bring to the table, and I want that in the books I read. I love books that celebrate the beauty of life, love, family, and creation. A novel can open up the world, and uplift the reader, adding joy to life – that’s what I’m looking for when I read, and I imagine others, too, want uplifting stories. That doesn’t mean preachy or sanctimonious – stories should be about real imperfect people who sometimes fall short of the ideal – but I definitely want stories that take place in a universe where God, and right and wrong, exist.
In this book, the author speculates about the events that could give rise to the anti-Christ, and a few brave souls who might try to stop his rise to power.
But this is not your grandfather’s end-times fiction. It’s deeply entrenched in actual events of the late twentieth and early twenty-first century, and the story is eminently plausible.
It’s not about world wars or secret underground Christian armies – it’s about how pride is conquered by humility, how the biggest things the devil can throw at us are defeated by the holiness of unknown saints.
This is the real deal. You will not want to put it down!
Michael O'Brien presents a thrilling apocalyptic novel about the condition of the Roman Catholic Church at the end of time. It explores the state of the modern world, and the strengths and weaknesses of the contemporary religious scene, by taking his central character, Father Elijah Schafer, a Carmelite priest, on a secret mission for the Vatican which embroils him in a series of crises and subterfuges affecting the ultimate destiny of the Church.
Father Elijah is a convert from Judaism, a survivor of the Holocaust, a man once powerful in Israel. For twenty years he has been "buried in the…
