Here are 65 books that All the Birds in the Sky fans have personally recommended if you like
All the Birds in the Sky.
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I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.
Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
An intense and thoughtful time-hopping dystopian fantasy where three individuals, psychically linked through time, fight enslavement, exploitation, and environmental collapse. A great read for fans of Emily St. John Mandel.
In 2106, Maida Sun possesses the ability to see the entire history of any object she touches. When she starts…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
I’m a pragmatist and a problem-solver. As a student of innovation, I draw inspiration from a risk-taker’s approach to attacking a problem. I’ve changed my life drastically from a farmland kid to a global technology CEO and then author. Along the way, I’ve had opportunities to struggle. I’ve found conventional wisdom seldom fixes the problem, so I’ve refined the ability to look for unique paths. I believe women provide the best examples to learn from because they don’t walk into the room bluffing their way to the solution. They credit the resources they tapped for their solution and bring others along in the journey to raise the education level.
I haven’t read many stories with witches, but that changed when I read the story of these women facing real problems, sadly still resonating today. Before reading this book, I certainly wouldn’t have considered witches to be important on a list of strong women solving problems.
I was sucked into this story of three sisters living in a world that forbids witchcraft. I wanted to fight alongside these sisters as they called upon the bond between women and our common wisdom. I wanted to fight the evil suppressors of women’s right to vote and rights to exist and thrive as women. I still want to lend my voice and privilege to protect their library. They find their ways, not without sacrifices, but always with flair.
'Glorious . . . a tale that will sweep you away' Yangsze Choo, New York Times bestselling author of The Night Tiger
'A gorgeous and thrilling paean to the ferocious power of women' Laini Taylor, New York Times bestselling author of Strange the Dreamer
In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.
An intense and thoughtful time-hopping dystopian fantasy where three individuals, psychically linked through time, fight enslavement, exploitation, and environmental collapse. A great read for fans of Emily St. John Mandel.
In 2106, Maida Sun possesses the ability to see the entire history of any object she touches. When she starts…
When I was ten, I found a book on witchcraft on the shelves of my local bookstore and eagerly set out to learn how to practice magic. I had very little success—one rain spell maybe worked, but to be honest, rain was in the forecast anyway. So instead I became a novelist who likes to write about people who can do magic. I love books that not only sweep you into other worlds but show you how it really feels to live there. I hope these five novels give you a truly magical escape.
Cynthia, a forty-something English professor in the throes of perimenopause, develops unusual abilities and slowly learns to channel them, with help from a visiting faculty member from Faerie. I was lucky enough to read this book in an early draft, and then in its final version. What I love about this novel is how it treats magic as yet another weird thing that happens to you as you get older. I also relished watching Cynthia figure out her new powers in the context of ordinary life: navigating faculty politics, being a mom, working on her marriage. A smart, wry twist on the School for Magic trope.
What if women gained uncanny power at middle age? In Unbecoming, Cyn's family is shattering, and she is at war with her own body. Then, when her best friend flies off on a mysterious faculty exchange program, a glamorous stranger takes her place--Fee Ellis, a Welsh poet who make it all look easy. But it may be costly to welcome this charismatic outsider to their little college town. Cyn's best friend, meanwhile, communicates only in ominous fragments.
To be honest, and this will sound strange, but suspense is the air I breathe. I’m a pretty calm, boring human being, and the only thing that gets my heart pumping are films, TV, books, and video games in this genre. Suspense and thrillers are genres that make up ninety percent of the entertainment that I consume, and one hundred percent of the entertainment that I write.
I can only speak from my experience and, wow, this book hooked me right at the end of that first chapter, “but it’s happening faster.” Now to go into what that means, I will remain spoiler-free, but my jaw dropped. And the story only ramped up after that.
I love stories where the protagonist finds themselves in genuine peril, and Claire puts Harry August in a particular type of peril that truly had me terrified for his well-being in every chapter. The best type of suspense escalates in every chapter and it escalates here in this book in the best possible ways.
'ONE OF THE FICTION HIGHLIGHTS OF THE DECADE' Judy Finnigan, Richard and Judy Book Club
Featured in the Richard and Judy Book Club, the BBC Radio 2 Book Club and the Waterstones Book Club Winner of the John W. Campbell Award Shortlisted for the Arthur C. Clarke Award
SOME STORIES CANNOT BE TOLD IN JUST ONE LIFETIME
No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before.
I have been fascinated by the zombie genre since I was a child. No other genre has influenced and inspired me as much. I am also a very critical consumer of zombie content, as I have great respect for the genre. I began writing my own stories to fill in gaps that I felt had not yet been addressed by previous works. Since the release of my first novel, I have enjoyed meeting with zombie genre fans, writers, crafters, and creators at horror cons, zombie cons, comic cons and have participated in many panels and podcasts. It is a subject that I will never grow tired of discussing. The zombie genre is truly undying.
Wastelands is an anthology of short stories, all obviously focused on the apocalypse, but not all including zombies. One memorable story was titled When Sysadmins Ruled the Earth by Cory Doctorow, which features the communications between tech geeks who are safely ensconced within blast-resistant data hosting centers when the apocalypse begins. Working in server hosting centers are equipped with their own power sources, air filtering systems, and an abundance of junk food vending machines, the author creates a scenario where truly the geeks shall inherit the earth.
The definitive anthology of the best post-apocalyptic literature of the last two decades. Featuring New York Times bestsellers Stephen King, George R.R. Martin and Orson Scott Card, edited by award-winning anthologist John Joseph Adams.
Prescient tales of Armageddon and its aftermath, by twenty-two of today's finest writers, including:
Paolo Bacigalupi Neal Barrett, Jr. Tobias S. Buckell Cory Doctorow David Grigg Dale Bailey Elizabeth Bear Richard Kadrey John Langan Jerry Oltion James Van Pelt
Together they reveal what it will mean to survive and remain human after the end of the world...
My imagination has always been captivated and fired up by reading traditional myths and fairy tales, as well science fiction. Growing up in the ’80s, I was particularly steeped in cinematic masterpieces such as Bladerunner and The Road Warrior, but I also loved reading classic sci-fi, as well as British literature, particularly the Brontes and Jane Austen. I enjoy and write speculative fiction because I believe it offers some of the best, creative ways to explore the timeless, universal truths underlying the human experience. Whether that exploration happens in subtle scenes of interpersonal interactions, or in the epic events woven in threads of dark and light across the tapestry of history, it’s all valuable and relevant.
I was really drawn into James’ dark but believable premise, concerning a depopulated Earth, and the resulting instability and hopelessness of such a societal crisis. The dreariness of her depiction of a childless world is sobering and timely. The plot is not complex, but is very absorbing and fast-paced. The fact that the novel ends on a note of hope and second chances is one of the things I especially liked about it, and makes it well worth an occasional re-read.
Told with P. D. James's trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and…
As an Irish-Italian-American, I’ve got a lifetime of cultural and family traditions to bring to the table, and I want that in the books I read. I love books that celebrate the beauty of life, love, family, and creation. A novel can open up the world, and uplift the reader, adding joy to life – that’s what I’m looking for when I read, and I imagine others, too, want uplifting stories. That doesn’t mean preachy or sanctimonious – stories should be about real imperfect people who sometimes fall short of the ideal – but I definitely want stories that take place in a universe where God, and right and wrong, exist.
In this book, the author speculates about the events that could give rise to the anti-Christ, and a few brave souls who might try to stop his rise to power.
But this is not your grandfather’s end-times fiction. It’s deeply entrenched in actual events of the late twentieth and early twenty-first century, and the story is eminently plausible.
It’s not about world wars or secret underground Christian armies – it’s about how pride is conquered by humility, how the biggest things the devil can throw at us are defeated by the holiness of unknown saints.
This is the real deal. You will not want to put it down!
Michael O'Brien presents a thrilling apocalyptic novel about the condition of the Roman Catholic Church at the end of time. It explores the state of the modern world, and the strengths and weaknesses of the contemporary religious scene, by taking his central character, Father Elijah Schafer, a Carmelite priest, on a secret mission for the Vatican which embroils him in a series of crises and subterfuges affecting the ultimate destiny of the Church.
Father Elijah is a convert from Judaism, a survivor of the Holocaust, a man once powerful in Israel. For twenty years he has been "buried in the…
As we watch the news–the increasing number of earthquakes, volcanoes, wars, inflation, the rapid progress of AI, unelected elites deciding they know best for the world, and more–we don’t know how to process it all, and it leaves us feeling anxious. My passion for helping my readers not just escape but actually live better fuels me. I created this retelling of the Book of Revelations from the POV of celestial warriors and fallen angels in the unseen realms of our world to allow my readers to “make more sense” of the world and be at peace.
Ee, the author, presents a very different image of angels, which is what I love about it. We usually see angels as protective of humans, willing to help us out of jams. In this series, Ee puts angels in the role of destroyers who hunt humans down to kill them.
I fell in love with the main characters. The story features a courageous girl raised by a “whacko” mother who must rescue her wheelchair-bound sister from angels who have abducted her. She encounters a fallen angel who has had his wings hewn off, and together, they form an unlikely alliance, overcoming their own inner demons on the way to “saving the world.” I loved both of their defiant spirits and unwillingness to quit despite the odds.
I write horror, read horror, watch horror, and live horror. The last one may be a bit of an exaggeration. When I was 10 years old, I begged my parents to take me to the theater to see Friday the 13: The Final Chapter.Of course, they said no. When I was 14, and a horror rebel, I sneaked into a movie theater to watch Friday the 13: New Blood. Thank goodness when they said The Final Chapter, they didn’t mean it. It was around this age that I discovered Stephen King’s Salem’s Lot; that book changed my life for good. I can talk to you about horror books for hours and hours.
This blend of horror, mystery, and coming-of-age novel is a perfect summer read. I actually read this book while laying on a hammock in my backyard. The characters are likable, the mystery is intriguing, and the love story weave in the middle is endearing. You won’t have heart palpitations reading this book, but I can assure you that weird dreams will be part of the experience.
