Books like All of Us

I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!

I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!

I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!

I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up. 

I am an artist, writer, and director of The Wellspring Studio, LLC. When my husband and creative partner, the singer/songwriter Garrison Doles, died unexpectedly just a few years after we were married, I found that I very much did not want to read about grief. I especially did not want to read about managing it or coping with it. Still, there were books that mysteriously found their way to me and drew me in, not with strategies for getting through the grief but with creative, poetic, artful, sometimes offbeat tellings of living with sorrow. These are some of my favorites among them.

I fell in love with reading and writing as a child, but it wasn’t until college that I discovered the magic of poetry and began writing it myself. I began to immerse myself in poetry and, in particular, the poetry of Pablo Neruda through a course on The Poet’s Voice in which we explored how the poet’s voice changes over a lifetime of writing. For many years, I thought of myself as a fiction writer, but gradually I turned to poetry, and poetry saved my life. I start each day with a poem or two, and much of my work is inspired by the poets and poems that I read.

Like most, I grew up reading the classic literature assigned to me at school. But what I always found lacking were characters and themes that related to me—a queer, poor, half-Mexican in 80’s rural Texas. I wanted to be a writer at an early age, but took a 15-year detour as an editor at DC Comics, Scholastic, and other big publishing houses. While there, I was proud to find new diverse talent with new perspectives and voices. Stories are magical when they act as windows through which we learn about others, but they can be even more powerful when they act as mirrors in which we can see ourselves. 

As readers may have gathered from the five books I’ve chosen, my childhood obsessions and passions have had an immense influence on my later writing life. Somewhat to my surprise, I must say. I’ve been a newspaper reporter, magazine writer, movie critic, and have written screenplays. But returning to novels, first with the Sanibel Sunset Detective series and lately with Death at the Savoy and Scandal at the Savoy, I am, in effect, reliving my childhood, using it to write these books. What a joy to be looking back as I move forward—and you always keep the plot moving forward!

Major league baseball stadiums have always enthralled me—their architectures, their atmospheres, their surroundings. Each has a unique story to tell. So I decided to tell the story of how perhaps the greatest of all American ballparks, Dodger Stadium in Los Angeles, came to be. As an urban historian, I also wished to tell a broader story of how the argument between 1957 and 1962 over whether, where, and how to build the stadium helped make Los Angeles into the modern city we know today. So writing City of Dreams allowed me to combine my passions for baseball, for stadiums, and for the history of American cities.

I am a historian of early American history who discovered the history of medicine somewhat by accident. As a history graduate student, I wanted to understand how ordinary Americans experienced the American Revolution. While digging through firsthand accounts written by average Americans, I came across a diary written by a sailor named Ashley Bowen. Although Bowen wrote made entries daily beginning in the 1760s, he hardly mentioned any of the political events that typically mark the coming of the American Revolution. Instead, day after day, he wrote about outbreaks of smallpox and how he volunteered to help his community. From then on, I began to understand just how central and inseparable health and politics are.