Here are 100 books that All of Us fans have personally recommended if you like
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I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
Hirshfield’s craft of language in this book knocks me off my feet. My head rings in the resonance of her poignant and pointed images.
The way she fuses intimate, personal experience with the immensity of nature and the fearless way she takes on the loss and peril of climate change makes me want to be a better writer and a better human. When I read the poems in this masterful collection, I am at once moved to sadness and awe and inspired to take action.
Jane Hirshfield's urgent new collection is a book of personal, ecological and political reckoning. Her poems inscribe a ledger personal and communal, a registry of our time's and lives' dilemmas as well as a call to action on climate change, social justice and the plight of refugees. The poems of Ledger record riches, both abiding and squandered, and mourn our failures. They confirm, too, the continually renewing gift of the present moment, summoning our responsibility as moral beings to sustain one another and the earth's continuance. Finally, it is the human spirit and the language of poetry - loyal instruments…
In the years following his graduation from college, Cole Chen has been back and forth between the U.S. and China, struggling to navigate his transition into adulthood. Estranged from his parents, he returns to Hunan province to work for his friends, while also attempting to write a memoir based on…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
My experience of reading this book is wooly, smokey, visceral, and consuming. His poetry takes a microscope to the guts, the excrement, the feel underfoot of the natural world. Just as he takes me into the detailed realm of the beech tree or lizard, he swoops me into the emotional feel-scape of loss, grief, belonging, and isolation.
Gander’s use of language is relatable and also stark, new, and encyclopedic. This book is perhaps his most famous work, having earned him a Pulitzer. It is condensed and distilled as rare bitters; open the bottle and let its pungent spirit subsume you.
Drawing from his experience as a translator, Forrest Gander includes in the first, powerfully elegiac section a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section-a moving transcription of Gander's efforts to address his mother dying of Alzheimer's-rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
The poems in this book are intimate conversations between the living, the dead, and the soul. I love these poems because they are at once piercingly direct and also delicate and loving. As my parents enter the final years of their lives, I find myself both celebrating my time left with them and also pre-grieving their loss.
Clifton courses this transom, above and below the ground, with a surety of craft that I can only aspire to in my own work. This collection includes a daily poem journal covering the seven days starting with 9/11. I am struck by this sequence of poems in their ability to cover the nation’s fear and grief, the commonality of the global experience, and the minutely personal, all in a few short lines.
Lucille Clifton's poetry carries her deep concerns for the world's children, the stratification of American society, those people lost or forgotten amid the crushing race of Western materialism and technology. In turns sad, troubled and angry, her voice has always been one of great empathy, knowing, as she says, "the only mercy is memory." In this, her 12th book of poetry, the National Book Award-winner speaks to the tenuous relationship between mothers and daughters, the debilitating power of cancer, the open wound of racial prejudice, the redemptive gift of story-telling. "September Song," a sequence of seven poems, featured on National…
In the years following his graduation from college, Cole Chen has been back and forth between the U.S. and China, struggling to navigate his transition into adulthood. Estranged from his parents, he returns to Hunan province to work for his friends, while also attempting to write a memoir based on…
I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up.
The book contains 70 sonnets, all with the same title as the book. Quick-witted, ironic, and politically dedicated to good cause, Hayes speaks from his own experience as an African-American: “Probably twilight makes blackness dangerous/Darkness. Probably all my encounters/Are existential Jambalaya.”
Winner of the National Book Award for his earlier work, Lighthead, he is a poet to watch for his moral sense and mastery of poetic form. The book was written in the first two hundred days of the first Trump presidency.
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry
One of the New York Times Critics' Top Books of 2018
A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead
"Sonnets that reckon with Donald Trump's America." -The New York Times
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the…
I fell in love with reading and writing as a child, but it wasn’t until college that I discovered the magic of poetry and began writing it myself. I began to immerse myself in poetry and, in particular, the poetry of Pablo Neruda through a course on The Poet’s Voice in which we explored how the poet’s voice changes over a lifetime of writing. For many years, I thought of myself as a fiction writer, but gradually I turned to poetry, and poetry saved my life. I start each day with a poem or two, and much of my work is inspired by the poets and poems that I read.
I love kisses, and this is a book full of them. I was reminded of Neruda’s first book, Twenty Love Poems and a Song of Despair.
This is a book about love and loss, good kisses, bad kisses, and even “Generic Kisses.” This is a small book, literally, a portable book I can take with me in my coat pocket or a purse and bring out to read whenever I need the kiss of a poem.
'Ideally, a reader should finish this book, then find someone to kiss.' - Tess Gallagher
'This is the best book of love poems since Neruda's.' - Bill Knott
'There are as many nuances and inflections for kisses as there are lips to kiss,' says American poet Tess Gallagher. And so with these playful, serious and sassy poems about kisses, a whole book devoted to the kiss. Portable Kisses is a book which kept growing. The earliest poems were published in a hand-printed limited edition called Portable Kisses in 1978. But the poems wouldn't stop, like the best of kisses, and…
I am an artist, writer, and director of The Wellspring Studio, LLC. When my husband and creative partner, the singer/songwriter Garrison Doles, died unexpectedly just a few years after we were married, I found that I very much did not want to read about grief. I especially did not want to read about managing it or coping with it. Still, there were books that mysteriously found their way to me and drew me in, not with strategies for getting through the grief but with creative, poetic, artful, sometimes offbeat tellings of living with sorrow. These are some of my favorites among them.
After Gary’s death, reading became unexpectedly painful. We had both loved books and reading together. The loss of that connection, combined with the brain fog that often accompanies grief, made reading difficult for a good while.
Poetry, though, was different. It wasn’t that it was easier than prose; I was still capable of losing my way mid-sentence. But poetry’s spaciousness—its distilled economy of words surrounded by large and quiet margins—helped the pages feel less overwhelming.
I love this collection by Tess Gallagher, written after the death of her husband, the short story writer and poet Raymond Carver. It is luminous. These poems do what poetry does best: speak what seems unspeakable, and make room for us to breathe as it speaks.
Gallagher's seventh collection of poetry and the first to follow the powerful Moon Crossing Bridge, in which she eulogises her dead husband Raymond Carver. Dear Ghosts conjures the spirits of the past as a communion for the present day - the deceased beloved, a long-dead father and the victims of holocaust and war. With these spirits beside her, Gallagher confronts her own illness and mortality and celebrates new love and friendship in spare lyrics and sprawling narratives, each punctuated by her feisty resilience and signature grace.
Like many people, my passions were first ignited when I was a toddler, and I mainly have my maternal grandfather to thank what for interests me. I remember coming to my grandparent’s house when I was young and watching WWII documentaries that my grandfather had on VHS (yes, I’m that old). Since then, I’ve always had a passion for history. It doesn’t really matter the subject, I’m interested in everything; from the Ottoman Empire to the Vietnam War, to the Spanish Reconquista of the Iberian Peninsula, to the US-backed coup in Guatemala during the Cold War. I hope that passion for history comes through when readers explore my book.
Gangsters of Capitalism covers a part of US history that is often deliberately overlooked by Americans, because it clashes with our national myths about ourselves. Katz follows US imperial history from the very end of the 19th century through to the middle of the 20th century, by following the life and career of Smedley Butler, a man who served in the marines for so much of this history. Gangster of Capitalismis in the top five of my favorite books that I have ever read. Katz’s ability to weave a personal biography with sweeping history and how that history still affects us all in the present is superb.
A groundbreaking journey tracing America’s forgotten path to global power—and how its legacies shape our world today—told through the extraordinary life of a complicated Marine.
Smedley Butler was the most celebrated warfighter of his time. Bestselling books were written about him. Hollywood adored him. Wherever the flag went, “The Fighting Quaker” went—serving in nearly every major overseas conflict from the Spanish War of 1898 until the eve of World War II. From his first days as a 16-year-old recruit at the newly seized Guantánamo Bay, he blazed a path for empire: helping annex the Philippines and the land for the…
After more than 30 years in daily journalism in Minnesota, I moved to a trout stream near Durango, Colo., to stage a second act. Editors at the Minneapolis Star Tribune, where I worked for 26 years, gave me a freelance contract to write a Minnesota History column every Sunday. It’s morphed into a popular crowd-sourcing of history with readers feeding me delicious family stories. I’m the lucky one who gets to weave these stories—enriching my knowledge of what being Minnesotans is all about.
This 2008 biography of a Hall of Fame baseball pitcher follows Charles Albert Bender from the White Earth Reservation in Minnesota to his heyday with the Philadelphia Athletics in the early-1900s. While fans know about Minnesota baseball stars like Dave Winfield, Paul Molitor, and Jack Morris, Bender’s amazing life has been all but forgotten. Swift breathes new life into a man with a foot in both his Indian and white worlds.
The greatest American Indian baseball player of all time, Charles Albert Bender, was, according to a contemporary, "the coolest pitcher in the game." Using a trademark delivery, an impressive assortment of pitches that may have included the game's first slider, and an apparently unflappable demeanor, he earned a reputation as baseball's great clutch pitcher during tight Deadball Era pennant races and in front of boisterous World Series crowds. More remarkably yet, "Chief" Bender's Hall of Fame career unfolded in the face of immeasurable prejudice. This skillfully told and complete account of Bender's life is also a portrait of greatness of…
Major league baseball stadiums have always enthralled me—their architectures, their atmospheres, their surroundings. Each has a unique story to tell. So I decided to tell the story of how perhaps the greatest of all American ballparks, Dodger Stadium in Los Angeles, came to be. As an urban historian, I also wished to tell a broader story of how the argument between 1957 and 1962 over whether, where, and how to build the stadium helped make Los Angeles into the modern city we know today. So writing City of Dreamsallowed me to combine my passions for baseball, for stadiums, and for the history of American cities.
One of the models for my own book, this study of Shibe Park—later named Connie Mack Stadium—places it in the context of the growth and decline of its North Philadelphia neighborhood. Home first to the Philadelphia Athletics, then the Athletics and Phillies, and then, until 1970, the Phillies alone, the stadium went from a position as the centerpiece of a vibrant industrial and residential community to a decaying symbol of urban decline by the 1960s. Still, there are those who remember and love it, and Kuklick has written a fascinating and evocative book that tells the story of a twentieth-century American city through its signature baseball stadium.
Shibe Park was demolished in 1976, and today its site is surrounded by the devastation of North Philadelphia. Kuklick, however, vividly evokes the feelings people had about the home of the Philadelphia Athletics and later the Phillies.
Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.
Betsy Ross sewed the first American flag. That’s the legend, which did not appear until her grandchildren started to capitalize on tourism to the Philadelphia Centennial celebrations in 1876. The real Betsy Ross proves far more exciting. She sewed flags, but she was also an artisan, a businesswoman, a Quaker who was too political for her Meeting, and involved in the public protests leading up to the Revolution. Miller connects family networks, the material culture of the drapery and textile industries, British trade policies, and Revolutionary politics and protest into a whole cloth. This is a visceral look at the War for Independence from one of its epicenters and the vantage of one of its most iconic women.
Beyond the legend of the creation of the American flag, we know very little about the facts of Betsy Ross' life. Perhaps with one snip of her scissors she convinced the nation's future first president that five-pointed stars suited better than six. Perhaps not. Miller recovers for the first time the full story of Betsy Ross, sharing the woman as she truly was. Miller pieces together the fascinating life of this little-known and much beloved figure, showing that she is important to our history not just because she made a flag, but because she embraced the resistance movement with vigour,…
