100 Books Like Against Happiness

It’s a short book with 5 essays on displacement, loss, and ways to find a sense of belonging. The stories are personal; perhaps because of that, they touch on something that I think many of us carry in our hearts–a need to reflect on what it means to lose and rebuild a home.

The essays evoke many different themes–the power of movement and starting anew, but also a sense of alienation that even the voluntary wanderers may never lose. We carry the cultures that shaped us within us; as Eva Hoffman, one of the authors, says, “We are nothing more than the encoded memory of our heritage.” And feeling, even if a blessing, sometimes deepens our sense of alienation.

For many of the authors, it’s the language and writing that make sense of the discomfort and find a ‘home.’ It’s a small but beautifully written book and one that inspires… show more.

It is a personal account of a historian examining life in Donetsk, Ukraine, during Russia's 2014 takeover. The author chronicles her experiences and observations living in a city torn apart by war, offering insights into the daily struggles, fears, and hopes of the people caught amid the conflict.

It's powerful, poignant, and full of anecdotes book that will break your heart while showing a never-ending devotion to life that Ukrainians have built. It may not be perfect, but it's theirs. "Ukraine, to me, is like my dad. It's my light. My home," says the author.

A beautiful and captivating novel about love written by a Palestinian writer, it is about a woman who falls for a man she accidentally exchanges letters with. After this introductory story, the book takes the readers through the webs of other characters' lives, heartbroken, forlorn, and desiring love.

It’s a book about alienation but written in such raw and beautiful language that it’s impossible to put it down.

It is a memoir about a father and a father-daughter relationship written by a daughter. But it is also a story about how history written with capital H can affect family relationships, about surprising ways children interpret their parents while searching for space for themselves in their parent’s lives. Jane Lazarre seems to live in the shadow of her extraordinary father, who left Eastern Europe in 1902 for the USA and dedicated his life to fighting for economic equality and racial justice.

He believed in a more just world, but he also struggled with depression and cracking cohesion of the communist movement that he was a member of. The book is as much about him as about his daughter’s attempts to live up to some of his dreams: it’s about love, search for answers, and reconciliation.

If you’re in need of inspiration, this book will either make you fall in love with writing or fall back in love with it again. Although it’s a book for the younger writer (aged 9-12), it’s a perfect book for the young-at-heart, grown-up kid. It’s full of energy and verve – just the thing to boost creativity and confidence. Although it’s one of the shortest books on my list, its content packs a punch. It contains exercises to spark the imagination, helpful hints and tips from established authors, and plenty of advice on writing both fiction and nonfiction.

Austin Kleon writes short and concise tips to help you stay creative when you hit a wall, lose motivation, or are about to quit. When you work online and don’t see the immediate results of your labor translated into a cushy bank balance, it’s tempting to stop practicing and doing things that seem ineffective. Austin shares some of his creative practices that help him overcome the funk, focus on the process rather than results and set healthy boundaries to keep the work going. The book is small and easy-to-digest, peppered with the author’s own drawings. Open on any spot and be encouraged for the new day! 

Nigel Cross was one of the first design researchers to express the notion of ‘designerly’ ways of thinking and knowing – “the application of scientific and other organised knowledge to practical tasks…” – as means of addressing ill-defined and ill-structured problems. 

The attention to ‘messy’ problems, and to the iterative and fluid nature of the design process, is what first drew me to his work; what kept me coming back was a combination of Cross’s clarity of thought, and the way he grounds his perspectives in studies of outstanding designers and real-world examples. 

In this compilation of key lectures and essays, he reflects on the nature of design and discusses what sorts of cognitive skills, strategies, and abilities effective designers bring to bear.  

I’m a firm believer that picture books are for everyone. They are modern, affordable, and accessible works of art that can be viewed at home, school, or a library, rather than a busy gallery. You will find some of the most inspiring, creative and charming work being made today in them and The Artist is a perfect example of this.

Art is for everyone at every age and this book perfectly reflects this and encourages everyone to have a go, no matter what stage you are at! It is a mantra I try to instil in my work and that Ed Vere delivers in this book so perfectly. 

This edited volume, by academics Irene Gammel and Jason Wang from Ryerson University, Canada, includes contributions from authors living across the world. The chapters focus on how the arts and culture can both express and document people’s thoughts, practices, and feelings about living through the COVID pandemic. There are discussions on the role of drawing, graphic fiction, cinema, diary writing, urban space, music, streaming services, film, and video conferencing platforms in helping people cope with COVID life. Reading the book provides insights into the different social, cultural, and geographical contexts in which the pandemic has been experienced and how people adjusted to the often very stressful conditions of lockdown, restrictions on movements, fear about their health and grief.

In The Practice, Godin successfully does that “thing,” that he is so uniquely good at: sharing wisdom with panache and joy, not condescension or cliché. He artfully argues for the creative to better empathize with their audience, and in doing so, create better art. Since, creativity is nothing without impact.