100 Books Like A Year of Marvellous Ways

I have always loved literary thriller queen Daphne Du Maurier's complex and resilient characters, and Mary Yellan is no exception. Everything’s looking pretty miserable for her after her mother’s death forces her to give up the family farm and her hometown to live in a creepy inn with her miserable aunt and aggressive drunk of an uncle.

So I really enjoy how brave and resourceful she is in getting past violence, danger, miserable living conditions, a desolate setting, and bad taste in men to find out whether something more sinister than smuggling is going on at the empty inn.   

Cornish Folk Tales takes the reader on a journey into the heart of Cornish Storytelling.

I have listened to Mike O’Connor many times and he is a master storyteller. I love the Cornish Droll telling tradition; droll tellers went from place to place telling tales for a bed and a bite to eat. The narrators of Cornish Folk Tales, blind droll teller Anthony James and his guide young Jamie are a perfect combination.

Mike O’Connor, through Anthony tells the tales with anecdotes, music, history, and Cornish language. This book taught me how to approach folklore retelling in an accessible way.

Reading I felt myself beside the firesides of Cornwall, listening to tales of dragons, mermaids, giants, and saints; puzzling over riddles, and learning about Cornish traditions and music

Charles Causley’s poems celebrate every turn of Cornwall’s stride. He writes of the sea, towns, moors, and people with incredible imagery humor, and tragedy.

The poems ask questions of love and nature. "And careless, like tide-marks, the hedges / Are bursting with Almond and May." Causley sings the magic of Cornwall, ‘Its anchor is glittering granite," "His smile was sharp as tin."

My favorites are the ballads, I was inspired to write the Caradoc ballads by reading Causley’s ballads over and over. Folklore underpins many of his poems, there are mermaids, giants, saints, and even a baby devil.

Enys Tregarthen’s tales have bought Cornish magic into every home for a hundred years.

I have spent a lot of time with her books and retold many tales in my book. North Cornwall Fairies and Legends is a basket full of piskeys, (the Cornish fairy folk.) One of my favourites is the Piskey’s Revenge, which I retold for Cornish storytelling project Mazed. It is illustrated by Steven Lambert, and used in Cornishibai street storytelling.

It tells how Granfer accidentally digs up the piskey beds, in revenge, the piskeys eat all Granfer’s birthday biscuits. Enys writes about the children of Cornwall and what they encounter: they meet piskey friends up on the moors, little stone figures come alive in towns and aways there is an excuse for piskey mischief.

This novel was an immersive journey through the English countryside, from Cornwall to the Cotswolds. I was so deep into this setting and story that I was always stunned to look up and see that I was at home in my own living room. Rosamunde Pilcher is from Scotland, and she knows this landscape so well. She takes us there with deft prose and page-turning skill. 

The story is about a woman named Penelope Keeling and her extended family. It is a novel of connections—mothers, daughters, husbands, and lovers—all revolving around a famous painting called The Shell Seekers. Through a bohemian childhood and a wartime romance, we come to love the complicated Keeling family. 

I often write about the Second World War, particularly the roles of women in it. Cornwall is another love, my father being Cornish.

The landscape and the culture have made a huge impression on me and when I read Coming Home I thought, yes, this novel was written for me.

It’s the coming-of-age story of Judith Dunbar. When still a young girl her mother leaves her with an elderly relative near Penzance in order to join Judith’s father in Singapore. After this relative dies Judith has to fend for herself, but is increasingly drawn into the orbit of the charismatic Carey-Lewis family of Nancherrow House. Through her relationship with them she experiences passionate love and betrayal as the storms of war are gathering on the horizon.

This novel completely absorbed me. 

An admirable sense of rebellion and freedom that the Second World War brought young people is encapsulated in this book by the author, who herself lived through those times. Mary Wesley’s novels are quirky and unexpected, and peopled with eccentric, sympathetic, and lovable characters who face the dangers of the Blitz and all the uncertainty of war with a certain poise. I love the concepts of escaping convention and the kindness of strangers. To read this novel—which I have done at least five times—is like stepping into a warm bath. It’s my go-to when I need a dose of familiarity and comfort.

de Lint creates a magical mix of myth and reality that is totally believable, his characters stay with you long after the book is done. The glowing mists of magic lingering long after the pages are closed. He makes you wonder if what you think you saw out of the corner of your eye is actually real. 

This is book one of a wonderful series: The Spindrift Trilogy. Because it’s set in Cornwall, where I grew up and where I set most of my books, it naturally drew me in quickly. The series features a rich cast of characters, mainly female at the start, although as male children are born, and grow up, the balance shifts a little. It follows the fortunes of an artistic community that springs from a personal crisis, and the rich mixture of characters keeps the story lively and optimistic while still dealing with the darker side of human nature, and the uncertainty in any new venture where so many almost strangers are brought together. This sense of community is something I myself try to convey in my work, and here it’s done beautifully.

I really enjoyed this clever Young Adult whodunnit mystery centering on three families reuniting for their annual summer holiday in Cornwall.

When one of the teenage daughters goes missing following a game of hide and seek, her doting, yet secretly envious, best friend tries to piece together what happened.

The story is told between present and past events, but also through letters written by the main protagonist to the missing girl, phrased in such a way I wasn’t quite sure how much or little she really knew about what happened to her friend, which elevated the mystery.

The families are brimming with resentments, tensions & jealousies, heightening the intrigue and potential culprits, but what I loved most was the hugely unexpected denouement. A very clever twist I didn’t see coming!