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A True Picture of Emigration.
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I started to garden seriously when we had three young kids and little income. We had limited space and had to be ingenious about how and what we grew. A flock of chickens soon joined the effort, adding fresh eggs, compost-fueling manure, and plenty of entertainment. As we moved, we always had a garden, adding structures like sheds, trellises, tomato cages, fencing, and chicken coops. My work writing books and articles about backyard homesteading gave me the chance to meet resourceful people with expertise miles beyond my own. I always came away from those encounters loaded with new ideas to incorporate into next year’s garden.
I first got acquainted with John Seymour through the original version of this book, The Self-Sufficient Gardener. I was charmed by his earthy lore and practical tips – an author who truly knew his stuff. A plus was the beautiful illustrations in the book. Its new permutation, The Self-Sufficient Life and How to Live Itwas been expanded to cover everything from micro-urban gardens to 5-acre homesteads. While gardening is the focus, the book includes plenty of information on butchering, brewing, canning—even spinning flax. What the book doesn’t include are plans and step-by-step photos for building structures, though it does include rudimentary information on metalworking and carpentry. Most importantly, Seymour has a lifetime of gardening and farming experience to draw upon. The reader reaps the benefit.
Embrace off-grid green living with a new edition of the bestselling classic guide to a more sustainable way of life from the father of self-sufficiency.
For over 40 years, John Seymour has inspired thousands to make more responsible, enriching, and eco-friendly choices with his advice on living sustainably. The Self-Sufficienct Life and How to Live It offers step-by-step instructions on everything from chopping trees to harnessing solar power; from growing fruit and vegetables, and preserving and pickling your harvest, to baking bread, brewing beer, and making cheese. Seymour shows you how to live off the land, running your own smallholding…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I started to garden seriously when we had three young kids and little income. We had limited space and had to be ingenious about how and what we grew. A flock of chickens soon joined the effort, adding fresh eggs, compost-fueling manure, and plenty of entertainment. As we moved, we always had a garden, adding structures like sheds, trellises, tomato cages, fencing, and chicken coops. My work writing books and articles about backyard homesteading gave me the chance to meet resourceful people with expertise miles beyond my own. I always came away from those encounters loaded with new ideas to incorporate into next year’s garden.
I’m a sucker for any book about vanishing skills. Shopwork is loaded with such lore. For example, the section on harness repair reminds us “thread should be torn instead of cut, in order to give a long tapered end.” Why? The better to thread a needle. The “Ropework” chapter has detailed options for making splices and loop ends—and enough knots to challenge any sailor. How many books offer on steps on knife whetting or how to set the teeth of a crosscut saw?
This book can brighten a winter’s evening with things you can be glad have vanished, like spooning toxic white lead to mix paint or soldering with a gasoline-fueled blowtorch. Overall, it equips you to follow the maxim, “Use it up, wear it out, make it do, or do without.”
I started to garden seriously when we had three young kids and little income. We had limited space and had to be ingenious about how and what we grew. A flock of chickens soon joined the effort, adding fresh eggs, compost-fueling manure, and plenty of entertainment. As we moved, we always had a garden, adding structures like sheds, trellises, tomato cages, fencing, and chicken coops. My work writing books and articles about backyard homesteading gave me the chance to meet resourceful people with expertise miles beyond my own. I always came away from those encounters loaded with new ideas to incorporate into next year’s garden.
Setting up and maintaining a backyard homestead is honest, fulfilling work. For those who prefer productive labor as exercise (rather than heading to a gym), this book is an inspiring look backward at satisfying, useful skills. Take Seymour’s wattle hurdle. Used as a herding panel, the hurdle is woven entirely from hazel sticks. Any supple wood will do. The result is a portable fence panel that cost nothing but a bit of labor.
Many of the projects featured are out of reach (like millstone dressing or coopering or charcoal burning) but all are fascinating and most still relevant today. For example, Seymour demonstrates that engineering a wooden gate that wouldn’t sag was worked out a long time ago—in several variations. Like all of Seymour’s books, this one is exquisitely illustrated.
Precise drawings and sketches and historical photographs enhance a detailed record of traditional crafts of Britain, Europe, and the United States and instructions in the skills involved
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I started to garden seriously when we had three young kids and little income. We had limited space and had to be ingenious about how and what we grew. A flock of chickens soon joined the effort, adding fresh eggs, compost-fueling manure, and plenty of entertainment. As we moved, we always had a garden, adding structures like sheds, trellises, tomato cages, fencing, and chicken coops. My work writing books and articles about backyard homesteading gave me the chance to meet resourceful people with expertise miles beyond my own. I always came away from those encounters loaded with new ideas to incorporate into next year’s garden.
Anyone intrigued by the ingenuity involved in farming will be fascinated by this time in American history when farming moved from mere subsistence to offering a marketable surplus. Initially, a farmer's concern was modest: first to “raise sufficient corn for the family and their livestock; next, to be assured of an abundant supply of pork.” But as methods improved, there was soon plenty to take to market. A flatboat traveling from Indiana to New Orleans in 1826 could boast 18 barrels of whiskey, 70 barrels of oats, 8,000 pounds of pork, and 300 barrels of corn.
Unfortunately, demand could tempt producers to abuse: Milk delivered to New York might be shamefully watered down and colored with chalk. World demand for sugar, tobacco, and cotton production fueled slavery, whose brutal conditions this book does not ignore.
Part of a series of detailed reference manuals on American economic history, this volume examines the aspects and problems of land policies and the growth in farming during the mid-1800s.
A reader. A librarian. A writer. I majored in History/English in college, partly because I love historical novels. When my editor asked that my second book be set during the California Gold Rush, I knew I wanted to write from the Mexican point of view - I’m a quarter Mexican. I soon found myself deep in research, learning about those years when Mexico owned what is now the American Southwest. Writing Daughter of Madrugada left me wondering: were some of my own ancestors displaced by American encroachment?
Lots of blood and guts in this book. It’s 1916, and Howard is learning what happened to his family back in 1861. That’s when a pair of young women stepped off a Mississippi River steamboat, and into a tiny town on the Illinois side. The townsfolk - noting the elegance of one girl, and the dark skin of the other - decide they are seeing a mistress and her slave, and go back to arguing about what really interests them: which of their boys are going to fight for the North? Which are going to fight for the South? The Pruitt family has the same concerns - and makes the same assumptions - as everybody else. But in wartime, everything can be turned upside down.
The year is 1861. Civil war is imminent and Tilly Pruitt's brother, Noah, is eager to go and fight on the side of the North. With her father long gone, Tilly, her sister, and their mother struggle to make ends meet and hold the dwindling Pruitt family together. Then one night a mysterious girl arrives on a steamboat bound for St. Louis. Delphine is unlike anyone the small river town has even seen. Mrs. Pruitt agrees to take Delphine and her dark, silent traveling companion in as boarders. No one in town knows what to make of the two strangers,…
Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
If screwball detective fiction intrigues you, you must read Craig Rice. Why not start withEight Faces of Three, the mystery introducing the wacky, rye-soaked team of Jake Justus, Helene Brand, and John Joseph Malone?
Justus is a good-looking press agent and the book’s moral center; Brand is a gorgeous heiress and non-stop partier; and Malone is a stumpy lawyer-slash-PI with good instincts and better luck. Imagine Philip Marlowe meets the Marx Brothers.
In Eight Faces of Three, a young woman awakes to find her aunt murdered, all the house’s clocks set to 3 am, and herself the prime suspect.
Craig Rice was the first mystery writer to grace the cover of Timemagazine. Her private life was strewn with ex-husbands and empty booze bottles, and she died way too young at 49.
However, her literary legacy—one critic dubbed her the “Dorothy Parker of detective fiction”—will keep her…
Pioneering woman crime writer Craig Rice introduces her series sleuth, gin-soaked Chicago lawyer John J. Malone
John J. Malone, defender of the guilty, is notorious for getting his culpable clients off. It’s the innocent ones who are problems. Like Holly Inglehart, accused of piercing the black heart of her well-heeled and tyrannical aunt Alexandria with a lovely Florentine paper cutter. No one who knew the old battle-ax liked her, but Holly’s prints were found on the murder weapon. Plus, she had a motive: She was about to be disinherited for marrying a common bandleader.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I write memoir. I didn’t set out to write memoir. But I’ve become convinced by the power of personal narrative, both on its own merits, and as a frame and lens through which to view the world—a way to take a reader by the hand before slipping into whatever other subject matter sings its siren call. And the memoirs I love best are always in conversation with something bigger, or beyond the self. As Annie Dillard wrote, “there’s nothing you can’t do with [literary nonfiction]. No subject matter is forbidden, no structure is proscribed. You get to make up your own form every time.” I like to see these works as doing just that.
Margo Jefferson is one of the smartest humans on the planet and her memoir reflects that. She tells her story as intertwined with the story of her first cultural context—the Black elite of the 1950s, and the crisis of identity she experienced with the rise of the Black Power movement of the 1960s. She brings her critic’s sharp intelligence and wit to bear in every paragraph, but doesn’t hold back any of her heart. It’s a terrifically moving book anda masterpiece of personal/cultural criticism, full of elegance and nuance.
The daughter of a successful paediatrician and a fashionable socialite, Margo Jefferson spent her childhood among Chicago's black elite. She calls this society 'Negroland': 'a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty'. With privilege came expectation. Reckoning with the strictures and demands of Negroland at crucial historical moments - the civil rights movement, the dawn of feminism, the fallacy of post-racial America - Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions.
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Balto explores how the Chicago police, from 1910 to the 1970s “built an intricate, powerful carceral machinery whose most constitutive feature was an extreme racial selectivity.” Black people are over-policed and under-protected. Balto focuses on policing and anti-blackness. Black Chicagoans’ complaints of torture and “aggressive prevention patrol” by the police went on for decades and was essentially ignored by those in power. Balto tells the story of a racially repressive police force. In two decades, from 1945 to 1965 the Chicago police grew more punitive as the department doubled in size. Black communities were targeted by the CPD, in large part, because black was equated with criminality.
In July 1919, an explosive race riot forever changed Chicago. For years, black southerners had been leaving the South as part of the Great Migration. Their arrival in Chicago drew the ire and scorn of many local whites, including members of the city's political leadership and police department, who generally sympathized with white Chicagoans and viewed black migrants as a problem population. During Chicago's Red Summer riot, patterns of extraordinary brutality, negligence, and discriminatory policing emerged to shocking effect. Those patterns shifted in subsequent decades, but the overall realities of a racially discriminatory police system persisted.
I’m a longtime food writer, magazine editor, cookbook author, and certified chef (through Kendall College, also in Chicago of course!). I was born in Chicago, raised in the Northern suburbs, and came back right after graduating from the University of Michigan in the early 2000s. For two decades, I lived in various parts of the city and wrote about the food scene for local and national outlets. The first edition of The Chicago Chef’s Table came out in 2012. Even though I moved to the suburbs a few years ago with my growing family, we still get down to the city often to enjoy the hottest new spots. My love for Chicago will never subside!
Steve’s headshot is still hanging in both off-the-beaten path and famous restaurants in Chicago having been known as the “Hungry Hound” when he was the premier food reporter for ABC/Channel 7.
He’s now with Channel 5, and he continues to report on lesser-known restaurants and chefs in the city. In fact, he’s made people famous just by his endorsements! That’s why I love his focus on tavern-style pizza. That’s much less talked about than deep dish so there’s lots to learn by this book!
There are few things that Chicagoans feel more passionately about than pizza. It is the most identifiable food of the city, and neighbors can argue endlessly about who makes the best pie, whether thin crust or deep dish takes the cake, and which essential ingredients are the most important to make up the ideal pizza. With such a broad range of Chicagoland pizzerias, how could anyone ever decide the best of the best, once and for all? Enter Steve Dolinsky, Chicago's very own eminent food journalist and impartial pizza judge extraordinaire. Dolinsky has embarked on a self-described "Pizza Quest," methodically…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
For more than thirty years, I worked as journalist covering the biggest news stories of the day—at Newsweek magazine (where I became the publication’s first African-American top editor), then as a news executive at NBC News and CNN. Now, I keep a hand in that world as a judge of several prestigious journalism awards while taking a longer view in my own work as a contributor for CBS Sunday Morning, Washington Post book reviewer, and author of narrative non-fiction books with a focus on key personalities and turning points in Black History.
Mining contemporaneous news accounts, personal letters and diaries, and dozens of in-depth interviews, scholar Marcia Chatelain explores the impact that the Great Migration had on a generation of young Black Chicago women, who coped with coming of age in the urban North while shouldering the expectations and aspirations of their uprooted parents. Anyone new to Chatelain’s work should also check out her next and equally original book, Franchise: The Golden Arches in Black America, a study of the deeply mixed legacy of McDonald’s restaurants in Black neighborhoods that won the 2021 Pulitzer Prize for History.
In South Side Girls Marcia Chatelain recasts Chicago's Great Migration through the lens of black girls. Focusing on the years between 1910 and 1940, when Chicago's black population quintupled, Chatelain describes how Chicago's black social scientists, urban reformers, journalists and activists formulated a vulnerable image of urban black girlhood that needed protecting. She argues that the construction and meaning of black girlhood shifted in response to major economic, social, and cultural changes and crises, and that it reflected parents' and community leaders' anxieties about urbanization and its meaning for racial progress. Girls shouldered much of the burden of black aspiration,…