Books like A Spark of Light

This sly, feminist satire posits that everything is tied to reproduction.

Zumas must have read widely before thinking out loud in print about everything from love, sex, birth, life, love, loss, loneliness, and death to small things that seem inconsequential but make sense within the tale she spins.

Narrated in a cycle by four women, the core of the novel imagines a world where abortion is banned and women are surveilled—but with absurd legal twists and deadpan irony. Zumas blends social commentary with magical realism to deliver a novel that disturbs the reader with inconvenient truths and difficult questions.

Taking place in New York City after the Civil War, this novel is filled with fascinating historical information about the beginnings of the woman suffrage movement with Elizabeth Cady Stanton and Susan B. Anthony, the life of free love advocate Victoria Woodhull, and the challenges a Jewish immigrant woman faced making a living selling condoms. At the same time, this book provides a great deal of context in which to understand how Antony Comstock, as a special agent of the U.S. Post Office, succeeded on March 3, 1873 in banning birth control, contraceptives, abortifacients, and other items he determined to be obscene. 

As a former newspaper reporter, I identified with this book. Newspaper reporter Laura Malloy has walked into the Lakewood Family Planning Clinic in St. Paul to interview the director of the clinic when a bomb goes off in the hallway and the young man very near her dies as Laura is propelled backward through the door. Laura tries to find whoever made the bomb, meeting with the young man’s girlfriend, who was at the clinic to get an abortion, his mother and brother, the head of the “pro-life” group, his wife, and others. I found this murder mystery to be very engaging.

This historical novel about the life of Margaret Sanger, founder of the birth control movement, is full of accurate details about the life of Sanger – a revolutionary who spent her life making it possible for women to choose the number of children they wish to bear. She was an intriguing character driven by her cause and her belief that women enjoy sex as well as men do. She was charismatic, generous, ruthless, compassionate, calculating, and, when it came to her children, conflicted.

This book, from a fin de siècle Scotsman, is a classic of literature in its own right. It contains a perfectly brilliant reading of the sagas as well as other works of medieval literature. It has never been surpassed and is perhaps unsurpassable. Every sentence is an elegant gem, with one nonobvious insight after another. He just nails it. Ker reminds you that literary criticism need not be pretentious and badly written as it so often is. Treat yourself. 

This is by all estimation the greatest of the sagas. I would even claim that its excellence allows it to be fairly mentioned in the same breath as the Iliad, Don Quixote, and the tragedies of Shakespeare. It is quite complex and I would suggest, if I am allowed to, my Why is Your Axe Bloody? (2014) as a guide. But the present Penguin translation is a travesty and should be avoided. The best English translation available is the older Penguin translated by Magnus Magnusson and Hermann Pálsson (1961) and still available from various used booksellers online. Their translation is as good as a translation can get. Hrafnkels saga is a perfect entry to the sagas because it is short and compact and prepares one for the complexity of Njáls saga. 

This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.

These seven actual sagas (really more adventure stories) from the Viking era have it all – famous warriors, thrilling adventures, and intrepid women.

My favorite of the seven is Halfdan Eysteinsson which has a great hero and an even better heroine – Ingigerd who swaps places with her maid and earns her place as a warrior and avenges her father’s death before finding true love. Not to be missed.

As weird as Portugal is, and has been, it may become weirder yet as it absorbs masses of migrants from unexpected places. Unsheltered is fiction that I found accurately portrays the shock and terror of American life for hundreds of millions of families, driving many to migrate. The family portrayed in the book are solidly middle-class, educated professionals. They “did everything right” in the “richest country on the planet,” yet find themselves on a downward slide with no way back to security. Vineland, New Jersey in its present state, and in its 19th-century aspirational origin is the compelling setting. One great thing Kingsolver does is to give hope, creating “new normals” of happiness in frugality.

The Portuguese figured this out ages ago. It's called “soup.”

The University of Michigan professor-emeritus William Ian Miller is, of course, essential reading on violence and revenge, particularly his Bloodtaking and Peacemaking: Feud, Law, and Society in Saga, Iceland.

But Miller has been so deservedly lauded elsewhere – and his books so widely recommended – that I'm using this space to suggest that readers also open his sources. Among the sagas, Njal's Saga is much more complex than this one, and probably more revealing of the Saga tradition. But I'm a fan of the shorter, more readable Hrafnkel's, not least because I have a weakness for spooky horses.

Hrafnkel is a bully who would not pay compensation, and the arc of his distinctly pre-modern biography is not what you might expect. In fact, it will make you realize exactly how much what we call "modern" is really a product of legal development, including our ideas about satisfying narratives.

Also, dark… show more.