Books like A Sense of the World

I loved this book because it offers a refreshing view of what neuroscience can and should be. Unlike different, highly credentialed neuroscientists who routinely offer vastly incompatible views of consciousness and who we ultimately are, this book instead focuses on the extraordinary theme of how the brain organizes the engineering of consciousness rather than on the more elusive and controversial deeper questions. 

As an illustration of the many mind-broadening themes broached in this superb book, instinct is often used as the be-all and end-all explanation of certain animal and human behaviors. Of the two hundred or so books I have read on the subject of consciousness and the brain, I have never before come across a more cogent explanation of how instinct arises and sets over many generations. 

This seventeenth-century offering is where the famous Molyneux Man first appears in the form of a question: If a man born blind and capable of distinguishing a cube from a sphere by touch, was suddenly made to see, would he be able to distinguish the two objects by sight alone? The answer was a resounding “no!” Just as we must learn to read, we must learn to see, gradually building up connections between our sense of touch and our sense of sight. This was a revelation to me when I encountered it as a person going blind and learning to not-see. If humans are not exactly born blank slates, we are certainly unfinished ones, whose environments and education supply us with knowledge and brain power to perceive the world.

For me, thinking about blindness and the brain all started with an essay by Oliver Sacks called “To See and Not See” (An Anthropologist on Mars). In The Mind’s Eye Sacks picks up some of the threads of that earlier essay and goes deep into how seeing is not just a matter of having functioning eyes. From the pianist who could suddenly no longer read music to blind people (like myself) who still consider themselves very visual, these neurological tales are intellectually intriguing and emotionally compelling. Sacks even includes his own journal of vision loss as one of the case studies. But whether he is the patient or the doctor, his distinct voice and personal connection to his subject matter has had a huge influence on my own writing.

Perceptual psychologist Lawrence Rosenblum’s book changed the way I thought about my brain on blindness and gave me hope about its ability to adapt. I was astonished by blind painters and mountain bikers, but more importantly, I learned that what often strike us as superpowers, are actually the result of practice and the cross-modal plasticity of the brain. The sighted brains that change after only five days of blindfold and intensive braille training, the experiments that demonstrate how humans can follow a scent trail, and the ways blind people (and sighted people) use echolocation to learn about their micro and macro environments (even if they are not always conscious of it), are just some of Rosenblum’s many examples that are as fun as they are fascinating.

Florence Nightingale, Freya Start, Gertrude Bell, Karen Blixen, and many other well-known women share their travel adventures in this wildly audacious and inspiring collection of stories. From encountering a madman in the Amazon to surviving a shipwreck, these intrepid globe-trotters overcome many challenges in their dauntless explorations. This book will show you a different side of these famous women.

Damon Galgut recently won the Booker Prize for his riveting, satirical The Promise, but, much as I admire that novel, Galgut’s earlier (also Booker-nominated) semi-autobiographical novel, In a Strange Room, remains my favourite. It comprises three long short stories, all centred on a character called Damon, alerting us to the autobiographical element of the stories. And yet Galgut resists the total identification of autobiography, partly by his device of switching disconcertingly between first and third-person narration (sometimes ‘Damon,’ sometimes ‘I’), and present and past tenses. But the novel is more than technical trickery: the shifting perspectives allow us different angles on the complex relationships depicted in the different sections, rather as a cubist painting affords us a multifarious perspective on its subject. And like other books on this list, this one features a protagonist who travels: something of a trope in South African writing.  

I absolutely loved this book and could have finished it in 2 sittings! But I wanted the book and the author’s journey to linger, so I paced myself. It’s one of my favorite travel memoirs ever. 

I have traveled to Europe many times and love it more each time I visit, so when I was taken with the cover, I was eager to share Steinbach's adventure. Sometimes I’ve traveled alone and know how lonely it can be. Being with Alice was a pleasure. I loved her voice and instantly felt like she was my friend. I’d been to all the places she visited and loved going back with her.

When I finished the book, I felt as if I was returning from a trip. Beautifully written.

This is just plain fun and inspiring to read!

Three friends, each on the brink of a quarter-life crisis, make a pact to quit their high-pressure New York City media jobs and leave behind their friends, boyfriends, and everything familiar to embark on a year-long backpacking adventure around the world.

From the first chapter when they were invited to dance with the Maasai in Kenya, I was swept along with them for an unforgettable journey!

Many years ago, when I first moved to a small cabin in the Rocky Mountains, a friend gave me a copy of A Lady's Life in the Rocky Mountains and inscribed it to "one of the bravest mountain ladies I know."

I relished the book and learned a lot about the history of my new home through the eyes of an English woman who, in 1873, traveled alone and on horseback, to places I now know and love. Instead of fading into the past, Isabella Bird pulled herself out of the shadows. I even named my cat after her. 

A book that deconstructs shibboleths of Britons’ patrician identity and their romantic urge to escape modernity in the Arabian desert, A Barren Legacy reorders and erases the imperial world of From Empire to Orient. The author has spent decades working as a civil servant in Oman and has written several Lonely Planet Guides about Middle Eastern countries. Here, she reviews the Arabian journeys of some media-savvy contemporary British travellers and articulately delivers the genre of Arabian travel-writing into the post-modern era.