Books like In a Strange Room — picked by fans

The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.

The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of… show more.

This is at heart a coming-of-age novel, unshrinkingly autobiographical in its depiction of what is clearly the author’s own family and background: the privileged upbringing on a prosperous farm in the centre of South Africa, the elite schools she and her beloved brother, Paul, attend, the tensions between her stern father and the rebellious brother. All recounted in a deadpan faux-naïve voice, which is often hilarious but also needle-sharp in its puncturing of the posturings and pretensions of upper-middle-class white South Africans. But at the centre of the largely satirical account is the tragic story of the decline and fall of the beautiful, talented, hyper-sensitive Paul and his early death from a drug overdose. A masterpiece of controlled perspective and flexible tone. 

Eben Venter, though born in the heart of the South African ‘platteland’ (the South African equivalent of ‘fly-over country’), has spent much of his adult life in Australia, and the novel poignantly straddles the two locales: the constricting conservatism of the protagonist’s farm background, and the bewildering freedoms and opportunities of a more cosmopolitan setting. Here that conflict is heartbreakingly acted out and in a grim sense resolved in the main character’s losing battle against AIDS, and his death-bed reconciliation with his hitherto unbending father. Venter gives us a harrowing account of what it is like to die of a disease that wastes your body, blinds you, and makes you mad before killing you. It is all the more remarkable that the experience is registered from the inside, as it were, in a subjective stream of consciousness. The poignancy of the novel is intensified for me by knowing that the… show more.

Taking stock of my selections, I realise that they are all to some degree autobiographical or semi-autobiographical. Just why I am attracted to this genre I don’t know: perhaps I am fascinated by the technical challenge of finding a narrative voice that is both personal and detached, of impersonalising emotions that could easily just be self-indulgent. Humour is often useful here, and Vladislavics’s novel is richly humorous, in its (lightly fictionalised) account of a culturally challenging boyhood in Pretoria, at the time the whitest and most conservative city in South Africa (interestingly, also the setting for Galgut’s The Promise). Young Joe, the stand-in for the author has, apart from an addiction to reading, a consuming interest in Muhammed Ali, and has kept a scrapbook of every newspaper item he could find relating to the great boxer. The bookworm-boxing addict is entirely engaging, as brought to life by a master… show more.

From the start, you know Norwood is not the brightest bulb in the lamp, but I fell in love with him as he sets out on a hilarious road trip to retrieve $75 he’s owed by an ex-army buddy.

Portis wrote another of my favorite books, True Grit. All his books combine great writing, humor, and quirky characters—a trifecta I strive for in my writing. 

Winner of the Spotlight First Novel Prize. The first thing to mention is that this is a debut novel. I tend to avoid them, the writing is usually sloppy, and it takes a few books for authors to learn the craft and get a feel for their style and voice. 

That is not the case with this book. The writing is excellent. This writing is up there at bestseller standard. I didn’t find a single typo or error in the book, not something I can say for most of the top names. I found half a dozen in the last King book I read. Browne is already at the top of his game. The story is sweet, the central character is an absolute tool, but you can’t help but love him, and you want the book to end well for him. He’s a character to root for.

I sometimes smile,… show more.

To me The Narrative of Arthur Gordon Pym of Nantucket by Edgar Allan Poe was a brilliant, terrifying discovery.

Like everyone, I was aware of Poe’s famous short stories. But this full-length novel flung me into its deadly world in a way no short story, even one by Poe, ever could. Reading it, I was disoriented, at sea, with no control. So much so that, even now, just remembering the story makes me feel stranded. And struggling vainly for freedom. And the ending...[I won’t tell.]

What can you really say about this one—besides the obvious: it’s perfect. 

Chuck Palahniuk isn’t like the rest of us. He’s sharper, more cynical, funnier, more original. Calling myself a writer in his presence would be like hanging a finger-painting at the Louvre.

Fight Club digs straight into the restless undercurrent of modern life—that gnawing sense that comfort, convenience, and consumerism have carved a hollow right through your chest. We’re one Amazon delivery away from losing whatever’s left of our humanity. Or our masculinity. It reminds me of that line in Jurassic Park: “A T-rex doesn’t want to be fed, he wants to hunt.” More applicable to us now than we’d like to admit.

I love this book because it doesn’t let up where others might. It doesn’t edit its message to fit some form of Overton window. It laughs in your face while stripping everything down to bone. Less… show more.

The Moviegoer was the first novel I read which had little plot and a great deal of meaning. Basically, it’s about one man’s search for meaning in a world which values shallowness and consumerism above all else. It’s as relevant today as it was when written and the prose is amazing!

Mishima’s personal story is as dramatic as any of his fiction – on the day that he completed the final novel of his “Sea of Fertility” tetralogy he printed the novel out, laid it on his desk, then he and a band of supporters took a military leader hostage and demanded that the Emperor be restored to power in Japan. The ill-fated coup attempt ended with Mishima committing seppuku (ritual suicide by disembowelment). While the tetralogy is likely his most famous work, his best in my opinion, is Temple of the Golden Pavillion, a novel loosely based on the burning of the Golden Pavillion of Kinkaku-Ji by a disturbed Buddhist acolyte in 1950. Mishima’s harrowing depiction of the young acolyte’s slow descent into madness will have you disturbed as well.