Here are 100 books that The Hurting Kind fans have personally recommended if you like
The Hurting Kind.
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As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
The poems in this book made me feel glad to be alive in a world that feels like it’s ending. I loved how Jones situated personal grief within disasters of national and international scale; grieving a mother is as monumental as grieving a world.
I also found it compelling how Jones consistently maintains a musical quality to the poems’ language. The first two lines of, 'Saeed, How Dare You Make Your Mother into a Prelude', are: "And then, night neons itself inside me / and I begin missing you in loud new ways.”
Multisensory with pleasing consonance, these lines are a small sample of Jones’s linguistic verve. Full of wit and sincerity, these poems made me want to write my own defiant love letter to the apocalypse.
Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.
In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.
Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
This book is the blueprint. From the concept—persona poems and scenes from New Orleans, told from the perspective of Hurricane Katrina—to the flawless execution of that concept, this book is a must-read for understanding disasters.
I loved the sustained attention to the storm and the people and the way that Smith finds fresh ways to create the scenes before, during, and after the storm. I loved Katrina the persona, too, as much as I feared her destructiveness. Her rage and vengeance felt entirely real, and the poems made me want to walk the earth as if every step would shatter the ground. This book lives up to its succinct, evocative title.
In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its "scarlet glare fixed on the trembling crescent," to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television. Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
If there are two things I love, it’s persona poems and a sustained concept throughout a collection. Like Blood Dazzler by Patricia Smith above, this book has both things.
A book of persona poems imagining the 2011 tsunami that devastated Japan as a series of monsters battling against the 50 employees who remained on-site after the tsunami, the collection weaves seamlessly between languages and comic book-like sound effects that create a heroic narrative in a sparse style.
This collection is one I return to when I think of trying to combat apocalyptic despair; if 50 people can face down a fatal situation, then I can live through another, less catastrophic day.
Named a "Best Book of 2019" by the New York Public Library Finalist for the 2020 Lambda Literary Award in Lesbian Poetry Society of Midland Authors Honoree in Poetry
In March 2011, a tsunami caused by an earthquake collided with nearby power plant Fukushima Daiichi, causing the only nuclear disaster in history to rival Chernobyl in scope. Those who stayed at the plant to stabilize the reactors, willing to sacrifice their lives, became known internationally as the Fukushima 50.
In tsunami vs. the fukushima 50, Lee Ann Roripaugh takes a piercing, witty, and ferocious look into the heart of the…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this book is the strident, confident way the poems tackle our expectations about prose and poetic genres. Right from the collection's first poem, the book says that language is only the beginning; it still has its limits, though it can achieve longevity in the right conditions.
However, my favorite poem of the collection is 'Shakespeare Doesn't Care,' a poem where Dove imagines Shakespeare’s confident, coy response to comments on his prolific, inimitable career. In doing so, she highlights how his work points the finger of judgment through time. Dove does this, too.
This is not a book of portents, nor is it strictly a celebration or mourning of an apocalyptic world; instead, it highlights the strange echoes of history.
In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world's experiments in democracy.
Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives-the simmering resentment of a lift operator, an octogenarian's exuberant mambo, the mordant humour of a philosophising cricket.
Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to…
I’ve been fascinated fairy tales, folklore, and horror since I was a child, drawn to these strange stories in which wondrous and terrifying things happen. In many of these tales, the women often lack a sense of agency or control over their lives and work for a better life within the limitations of their situation. The act of retelling these stories provides space to explore this lack of power and how these women might find clever or unusual ways to reclaim it. In particular, I’m interested in the ways characters might make use of the danger or darkness around them to carve their own path in the world.
In her stunning poetry collection, Brute, Emily Skaja navigates the dark corridors of trauma at the end of an abusive relationship. Exploring the intersections of both love and violence, these poems have a mythic quality to them, with the narrator seemingly struggling to survive the brutality of a fairy tale world longing to gobble her up. At the same time, the fantastical elements of these poems are balanced by the present moment, with cell phones, social media, and other current technologies evoking a kind of modern magic that holds sway over our lives. The poems in this collection take the reader on a journey from sorrow to rage, guilt, hope, self-discovery, and reinvention.
Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets
Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability,…
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
I think that every teen in school today has experienced a lockdown, hopefully just as a drill, but as school shootings continue, it’s a worry for every day of school. That’s why I think teens are so horrified as Emily Bean, the main character, sees her boyfriend bring a gun to school and kill himself.
I believe that reading about the depths of Emily’s agony reveals how devasting suicide can be for those who have had to live through its aftermath. In my author visits, I have met a number of those left behind by suicide, and I think it’s so important that this book ends with some hope for them.
A Michael L. Printz Honor Award Winner in the vein of This is Where It Ends
“A gentle, lyrical story of incomprehensible sorrow faced with quiet courage.”—ELIZABETH WEIN, New York Times bestselling author
“Hubbard treats tragedy and new beginnings with a skilled, delicate hand.”—JOHN COREY WHALEY, author of Where Things Come Back, winner of the Michael L. Printz Award
Senior Paul Wagoner walks into his school with a stolen gun, threatens his girlfriend, Emily Beam, and then takes his own life. Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I'm the author of Penelope’s Purple Passions. I've been in love with writing poetry since I was a little girl. I would go under the bunk bed at night with my flashlight and write all these poems about love, not that I knew anything about love, but what I did know was how writing poetry made me feel. I believe love is truly the most valuable gift we can give to another soul in our lifetime. I want my poetry to empower people and be that beacon of light in people’s lives. Poetry is the avenue where I can spread love and hope globally to anyone who picks up my books.
This book was chosen because of the deep, profound love that is displayed throughout the book. It speaks to how vulnerable a person makes themselves when they love deeply and how scary that can be. It also speaks to how you can feel so totally lost in loving another person that you forget to love yourself. I could identify with loving so intensely also and having my heart broken. I also identified with the journey of coming to loving oneself again and with that being open to finding someone better.
In the spirit of her bestselling series, Pillow Thoughts, Courtney Peppernell returns with a new, empowering collection of poetry and prose. From heartbreak to dreaming of and finding a new love to healing the heart to ultimately finding peace, the themes in this book are universal but also uniquely individual to readers.
Just as moving and endearing as Peppernell's previous books, I Hope You Stay is a reminder of the resilience and hope needed after heartache and pain. The book is divided into five sections, with poems ranging from free verse to short form. These words are a light in…
I have created art from an early age. Years later, my studies in civil engineering allowed me to combine my love for the arts with my belief in an orderly world. Meanwhile, reading and writing have always been my favorite pursuits. While collaborating as an editor with other authors, assisting them in their writing endeavors, in 2014, I wrote and published my first book. Sharing my writing on Instagram gave birth to the idea of my first poetry book, something like, published in 2018. Since then, two more poetry collections have been published: A TriAngle in 2019 and something like in reverse in 2020.
Pillow Thoughts is a collection of poetry and prose about heartbreak, love, and raw emotions. It is divided into sections to read when you feel you need them most.
I’ve always been fascinated by how we can fulfill our potential in a way that allows us to thrive rather than burning ourselves out in the process. My motto is I’d like to ‘save the world, but be back in time for tea.’ My fascination has led me down all sorts of intriguing avenues. I’ve become a stand-up comic (and taken four solo shows to the Edinburgh Fringe), exploring how humor can help us tackle tough topics. I’ve researched mental health (I’m currently studying for an MSc in the Psychology and Neuroscience of Mental Health), I’ve studied elite sports, and I’ve been an Executive Coach to leaders of diverse organizations.
I’m not a fan of conflict (Who is?!), so I found this book incredibly helpful. I really liked the way the authors broke things down into simple buckets. For example, rather than thinking, ‘Why did that innocent little, tiny comment wind me up so much? I must be a muppet!’ It helped me to see the principles at play and, therefore, what I could do to keep thriving.
I use many of the techniques described here on a daily basis. They have helped me to stay true to what is important whilst maintaining rapport, to seek out valuable feedback without getting bent out of shape, and to deliver difficult messages more compassionately and effectively.
Keep your cool and get the results you want when faced with crucial conversations. This New York Times bestseller and business classic has been fully updated for a world where skilled communication is more important than ever.
The book that revolutionized business communications has been updated for today's workplace. Crucial Conversations provides powerful skills to ensure every conversation-especially difficult ones-leads to the results you want. Written in an engaging and witty style, the book teaches readers how to be persuasive rather than abrasive, how to get back to productive dialogue when others blow up or clam up, and it offers…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I’m a feminist author, illustrator, and UX designer who thrives on projects that help to improve awareness, healing, and community around marginalized identities. When I became a mother, I realized the importance of teaching and educating children around inclusivity and empathy. When we allow children to open their minds and question stagnant culture, we set the stage for real and meaningful collective growth. I center my work around this goal and focus on inclusive themes, often from perspectives that are unexpected.
Approaching the topic of body autonomy, this book tells the story of a boy who gets to choose what he does with his body, which in turn empowers him to respect the body autonomy of others. No more forcing hugs and kisses from friends and family members. When we give our children the tools and the respect to make decisions about their bodies, we allow the space for them to give that same respect to others.
The book teaches that it is okay for kids to say no to hugs and kisses, and that what happens to a their body is up to them. This helps children grow up confident in their bodies, comfortable with expressing physical boundaries, and respectful of the boundaries of others. Full color.
