Here are 100 books that A Place Called Schugara fans have personally recommended if you like
A Place Called Schugara.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
Character-driven romance is relatively rare, but this book, essentially a complex and deep love story, is seen entirely through the eyes of lovers. The people on these pages are both exceptional and real. We’re treated to their aspirations, frailties, courage, desires, truths, and lies. These are people I’ve met and been impressed by.
When young, gifted, and hauntingly beautiful Sarah enters the hideaway of best-selling reclusive author, Jeremy, both their lives are fundamentally changed. To supply any more details of the story would be to give spoilers, and the last thing I want to do here is spoil anyone’s read.
Author Jeremy Woods has found perfect isolation, high in the Blue Ridge Mountains, where he can write in peace--until a strange, strikingly beautiful girl crashes into his cottage, and his life. Showing up at his door during the worst blizzard in recent history, the girl is half-frozen from exposure, with dangerously frostbitten fingers and toes. The roads to town are too inundated with snow to seek medical care for her--Jeremy's cottage rests 8000 feet high, with no other shelter for miles. How could the girl have survived the journey on foot? At first, Jeremy is intrigued; the girl displays remarkable…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
This story begins in the first person in the company of a young boy. I lived with him through his early teens and schooling, a huge tragedy, and his fate as the isolated offspring of high-flying achievers, his early experiences, and the casual physical and mental cruelty associated with boarding schools.
Abruptly, I was plunged into the life of a young woman in her late teens, still in the first person. Surprisingly, this overnight transition, both physical and mental, caused me only a short pause to reflect on the nature of gender. I travelled with this developing young woman as she experienced love, sex, and the joys and sorrows life throws at a sensitive, intelligent, and creative soul who enters the world of writing. Her journey as a budding novelist struck a real chord with me, having travelled that difficult and demanding route.
Edgy, funny and devastating, Self is the fictional autobiography of a young writer at the heart of which is a startling twist. This extraordinary life meanders through a rich, complicated, bittersweet world. The discoveries of childhood give way to the thousand pangs of adolescence, culminating in the sudden shocking news of an accident abroad. And as adulthood begins, indecisively, boundaries are crossed between countries, languages and people . . .
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
I have written speculative fiction, and the protagonist, Angel, a feisty, courageous, enigmatic, curious survivor is placed into such a setting. Climate change, one of my personal concerns, has wreaked havoc with the geographical, and therefore the political world, as we know it. It deals with the way elites take what they see as the necessary action to continue their privileged lifestyles.
The author managed to make me empathize with almost all the characters on some level, regardless how selfish, wicked, good, generous, or courageous they may be. I encountered elderly heroes and heroines, resourceful individuals and communities, victims, self-serving demagogues, cruel leaders, uncaring servants, unquestioning followers, and a group of talented and determined resistance fighters bent on turning a terrifying world into a just and equable future.
Linda Nicklin's eco-thriller Storm Girl charts a dystopian near future. Planet earth has largely drowned under rising seas, disease is rife, society has broken down. Everything is now owned by the super-rich and exploited for their own personal gratification, including the people still struggling to live on what land remains... Angel, the Storm Girl of the title, has been harvested by a gang of Reapers and is frantic to escape what she knows to be a death sentence. Her only way out is through the treacherous waters of a drowned city. From depths of despair, she begins to find glimmers…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
I'm a reader who loves books where characters determine the story arc. Plot-driven books generally leave me cold. This novel has a cast of players I found easy to empathize with; even the villains. They are drawn in fascinating detail with all their flaws and all their glories to make them real people who are easy to engage with throughout the story. In spite of some tough scenes, it's a book I thoroughly enjoyed reading.
The author introduces some thought-provoking and timely themes here. The story examines injustice, wealth inequality, gender discrimination, political intrigue, the fallibility of leaders, ethics, and morality, and the ever-present problems of prejudice driven by ignorance. All themes guaranteed to engage me.
In the tiers of Ellegeance, the elite Influencers’ Guild holds the power to manipulate emotions. Love and fear, pain and pleasure, healing and death mark the extremes of their sway, but it’s the subtle blends that hook their victims’ hearts. They hide behind oaths of loyalty and rule the world.
A child born in the grim warrens beneath the city, Catling rues the rose birthmark encircling her eye. Yet, it grants her the ability to disrupt the influencers’ sway. Established methods of civil control disintegrate before her. She’s a weapon desired by those who reign and those who rebel.
I pivoted into brand consulting after working in banking, because I saw a need to align organizational behaviors and actions with purpose and values. So naturally, as a strategist my work has always informally included an element of coaching brands and people to have the courage and confidence to be their best, true selves. To have a broader societal vision and positive social impact. Since the Me-to-We continuum of Brand Citizenship emerged unsolicited in research, I also have been on a larger mission to help business balance how it earns a profit with how it serves individual people, betters society, and regenerates the planet.
Although I was familiar with Harvard Business School professor George Serafeim’s research and work on impact weighted accounting before I read this book, I still found it informative and inspiring.
The first half of this book is a primer on ESG and sustainability highlighting societal shifts and why purpose and impact have moved to the forefront. And the second half details how impact and outcomes can be achieved.
This book is an excellent introduction for people new to purpose – or questioning its real value financially – as well as for those of us who have long been in this space.
Drawing extensively on his research and that of colleagues, Serafeim emphasizes how doing good creates competitive advantage.
Are purpose and profit in conflict, or can both be achieved simultaneously with the right mindset and tools?
What are the forces that are reshaping the relationship between the two? What can we all do to strengthen the relationship between purpose and profit as entrepreneurs, managers, employees, consumers, and investors? Backed by cutting-edge research, Purpose and Profit provides answers to these fundamental questions that are increasingly defining the business landscape all around the world. Distinguished Harvard Business School Professor George Serafeim takes readers on a research-driven journey to understand:
How and why environmental and social issues are becoming increasingly relevant…
I’ve spent most of my life fascinated by what happens when women stop editing themselves. As a former television reporter, health educator, and memoirist, I’ve lived on both sides of the polished story and the private reckoning in my search for truth. Writing my own memoir forced me to confront how often women are encouraged to soften conflict, spiritualize pain, or tidy up the truth to make it more palatable. I’m drawn to books that refuse that impulse—stories where healing isn’t performative, and transformation isn’t neat.
I loved this book because it gave language to instincts I didn’t yet trust.
I read it long ago, and its stories stayed with me—not intellectually, but somatically. This book doesn’t explain women; it remembers us. Through myth and archetype, Clarissa Pinkola Estés reclaims the wild, intuitive self that so many women are trained to domesticate.
It taught me that messiness isn’t a flaw—it can be the sign of something alive trying to return.
First published three years before the print edition of Women Who Run With the Wolves made publishing history, this original audio edition quickly became an underground bestseller. For its insights into the inner life of women, it established Dr. Clarissa Pinkola Estes as one of the most important voices of our time in the fields of Jungian psychology, myth, and women's mysteries.
Drawing from her work as a psychoanalyst and cantadora ("keeper of the old stories"), Dr. Estes uses myths and folktales to illustrate how societies systematically strip away the feminine spirit. Through an exploration into the nature of the…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
A certain idea kept cropping up in my reading, triggered perhaps by Richard Dawkins's conception in The Selfish Gene, of the “meme.” It seemed that the meme had a life of its own. Then I came across Richerson’s and Boyd’s Not by Genes Alone, and they laid it out: culturesevolve. And they evolve independently of the genes—free of genetic constraints in an idea or thought to contribute to its own survival. That is up to the multitude of people who happen to come across it. I now have a new book readying for publication:How Cognition, Language, Myth, and Culture Came Together To Make Us What We Are.
Of seminal importance to an understanding of the world is the conception of a collective unconscious grounded in inheritable archetypes. These evolve: how could it be otherwise—everything in nature evolves. And that means that our consciousness, too, evolves. Its evolution is, in a sense, teleological: from the less conscious to the more consciousness. This is to say that the evolution of the archetypes permits the increasing distillation of consciousness from the vastness of the collective unconscious. I believe that language, which is indivisible from consciousness, did not begin to materialize until about 10,000 BC. I may have been virtually alone in this view, but computerized models of evolutionary linguists today suggest that the key to language capability may have been enfolded in our make-up from our earliest beginnings.
The Origins and History of Consciousness draws on a full range of world mythology to show how individual consciousness undergoes the same archetypal stages of development as human consciousness as a whole. Erich Neumann was one of C. G. Jung's most creative students and a renowned practitioner of analytical psychology in his own right. In this influential book, Neumann shows how the stages begin and end with the symbol of the Uroboros, the tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, Great Mother, Separation of the World Parents, Birth of the Hero, Slaying…
I’m a clinical psychologist who has specialized in women’s issues and disordered eating for over thirty years. Born on the island of Guam, I was raised in a matriarchal and multicultural household where storytelling was a means of transmitting important concepts, traditions, and values, and was a way to experience meaningful and joyful connections with others. Because I was raised by strong women and my indigenous ancestors were Chamorro, a matrilineal culture that honored the motherline, I have always been interested in the archetypal feminine rooted in these stories, although I didn’t discover the term until I began to study psychology.
This young woman is profoundly wise beyond her years. In a style reminiscent of the poetry of the mystics Rumi and Hafiz from the thirteenth and fourteenth centuries, Harkin gives voice to the deep feminine as she is emerging into modern consciousness. This is poetry to touch your heart and quicken your inner feminine. Full disclosure: I was honored to write the forward to this beautifully written book.
Let Us Dance! The Stumble And Whirl With The Beloved is here to inspire you to harness your beautiful, dynamic power and look the world directly in the eye. It emboldens the reader to let go of shames and shoulds with God and entices you to step up to the dance floor of your life and ask The Divine for a whirl. It has within it a potency that cracks open old ways that no longer serve us and brings us to life. Let Us Dance! is more than just poetry. It catalyzes and transfers to its reader living, inspired…
Although I had many intriguing dreams during my childhood, including fantastic flying dreams, the idea of becoming a sleep scientist never crossed my mind. All that changed during my first year in college. It was then that I experienced an exceptionally long and vivid lucid dream that changed my life; it was because of this dream that I decided to become a dream researcher. Today, I’m a professor of psychology at the University of Montreal, director of the department’s Dream Research Laboratory, and have published over 100 scientific articles and book chapters on sleep and dreams. I don’t have as many flying dreams as I once did, but I do have a really cool job while awake.
Jung proposed many fascinating ideas about the inner workings of the mind. His concept of the archetypes and of the collective unconscious are two of his best-known contributions, and both are intimately tied to his conceptualization of dreams. The idea that dreams not only emanate from our personal unconscious, but also from our collective unconscious (a deep stratum of the unconscious common to all humankind) and contain universal patterns, images, and dispositions, has helped countless people develop a deeper understanding of their dreams.
What’s more, this book exposes Jung’s view of dreaming as a wholesome, natural process that can give rise to creative—even transcendent—experiences featuring personal challenges, unmapped potentials, and elements of one’s personality. Not always the easiest of reads, but highly rewarding.
Essays which state the fundamentals of Jung's psychological system: "On the Psychology of the Unconscious" and "The Relations Between the Ego and the Unconscious," with their original versions in an appendix.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I grew up in Los Angeles and attended a progressive experiential learning school. The libraries were my classroom, the parks my playgrounds, and our twice-weekly field trips developed my journalistic skills. The week began with a contract agreement between myself and my teacher. My education made me a self-starter. My home was emotionally volatile. I became curious about healing: aligning my heart, mind, body, and spirit. My path unfolded to me. I became an actress on Broadway as my parents divorced and my school fell apart. My training in my mobile school delivered me into the real world. I was hungry to feel whole. Thus began my journey.
This book is an incredible reference book. I used it as an actor in one of my favorite acting classes. During rehearsal, we used archetypes to help flesh out and explore our characters. This technique felt groundbreaking.
Since archetypes are essential to character development, and we each possess every archetype within us, this book was a staple for me in my creative development. I will go so far as to say that this book was a portal for me to access the teacher in me and expanded me out of my actor self and into my author self.