Here are 100 books that A Parthenon on our Roof fans have personally recommended if you like
A Parthenon on our Roof.
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Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
Much of Classical Greece remains intangible, but some of its artworks have survived (albeit often in fragments) allowing us to gaze upon what ancient Greeks once saw. Among the greatest sculptures are those which adorned the Parthenon, created in Athens’ heyday under Pericles. Few knew more about them than the late and much-missed Ian Jenkins, whose sumptuously illustrated book not only discusses the artworks but reproduces many in such glorious detail that you feel you could almost touch them. You can certainly appreciate their energy. And in the end, for me, it’s this energy – preserved through time in art or literature – that makes the study of Classical Greece so exciting. As Sparta was for Athens, so Classical Greece can be for us a mirror in which to reevaluate ourselves.
The Parthenon sculptures in the British Museum are unrivalled examples of classical Greek art that have inspired sculptors, artists, poets and writers since their creation in the fifth century BC. This book serves as a superb visual introduction to these magnificent sculptures. The book showcases a series of specially taken photographs of the different sculptural elements: the pediments, metopes and Ionic frieze. It captures the vitality of the sculptures in a group, an individual sculpture or an exquisite eye-catching detail, such as the mane of a horse, a human foot, the swish of drapery or a youthful head bowed in…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Konstantinidis was a leading modern architect in Greece. Filled with his own sketches and photographs, he put this book together to illustrate his debt to the traditional architecture of his own country. It implies a line of shared relationship with landscape and materials going back thousands of years, to Callicrates and Ictinus (architects of the Parthenon) and beyond. I like that this book includes pictorial sketches and plans of traditional buildings, as well as constructional details showing the uses of materials readily available from the land.
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This book is a provocative and stimulating read, offering a series of stories on and about interior spaces and the buildings they are situated in. The stories of buildings and their changes are fascinating, providing boundless enthusiasm to communicate the ideas and stories of each space. Hollis states that many conversations are started and that maybe not all of them are ever finished, this book provides an inspired beginning for any person who wants to begin an exploration of the art of adapting and altering existing buildings.
The plans are drawn up, a site is chosen, foundations are dug: a building comes into being with the expectation that it will stay put and stay for ever. But a building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation. In this radical reimagining of architectural history, Edward Hollis tells the stories of thirteen buildings, beginning with the 'once upon a time' when they first appeared, through the years of appropriation, ruin and renovation, and ending with a temporary 'ever after'. In spell-binding prose, Hollis follows his buildings…
An innocent man doesn’t run. He fights. And Adam Cash is a fighter. If the Taliban couldn’t stop him, neither can a bully like Griff Turner, his rival in the race for county sheriff.
But when Turner turns up dead, the blame falls on Cash. If Cash is to be…
I fell in love with all things Greek around the same time I fell in love with my Greek Cypriot husband about 30 years ago. That was when I started reading books about Greece as well as fiction set in Greece. I also learned to cook Greek food, which made both my man and me happy. I traveled to as many Greek islands, and of course, Cyprus, as time would allow. Eventually, I started writing books set in Greece myself. I went to a Greek Orthodox church and took Greek language evening classes. I feel at this point and have been told by Greek islanders, that I am now essentially Greek.
To me, married to a Greek Cypriot, Cyprus is always part of Greece, too, and so I include it twice in this list. I love the literary genius of Lawrence Durrell. Bitter Lemons of Cyprus is set in 1950s Cyprus when the Cypriots were struggling for independence from British colonialism. I have been to Cyprus many times, staying with family in an apartment in town or renting a house in the mountains for months at a time.
Durrell brings the past of this beautiful but troubled island to life for me in a new way. Though I see a completely different Cyprus, I love to have its complicated past laid open for me, and this book delivers.
Lose yourself in this classic prize-winning memoir of life in 1950s Cyprus on the brink of revolution by the legendary king of travel writing and real-life family member of The Durrells in Corfu.
'Stunning.' Andre Aciman
'Masterly ... Casts a spell.' Jan Morris
'Invades the reader's every sense ... Remarkable.' Victoria Hislop
'These days I am admiring and re-admiring Lawrence Durrell.' Elif Shafak
'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes
'Exceptional ... Revelatory ... A master.' Observer
'He writes as an artist, as well as a poet . Profoundly beautiful.' New Statesman
I became enthralled by the ancient world when as a child I first saw those sand and sandals movies back in the sixties, Ben Hur and Spartacus especially. I began learning Latin aged nine and Greek aged twelve. I started a Ph.D., abandoned it, went to drama school, became a schoolteacher, worked as a professional gardener, became a schoolteacher again, eventually finished my Ph.D., and was lucky to get a job at Colgate University. Over time I realised that what really fascinated me about history was trying to insert myself imaginatively into the ancient world, so I began to ask questions about what it was like to be disabled, to be a refugee, to be a child, and so on.
It’s impossible to enter the mindset of the ancient Greeks without understanding that democracy runs deeply in their cultural bloodstream. There are numerous books on the subject – I did a course called Athenian Democracy: An Experiment for the Ages for The Great Courses – but Cartledge’s book, as the title suggests, offers a biography from its beginnings down to the present day. It also provides a nuanced exploration of the connection between Greek politics and society. Democracy: A Life depicts democracy not as a theoretical model but at work, and, in the challenges it faces today, a work in progress. Get A Life!
Democracy is either aspired to as a goal or cherished as a birthright by billions of people throughout the world today - and has been been for over a century. But what does it mean? And how has its meaning changed since it was first coined in ancient Greece?
Democracy: A Life is a biography of the concept, looking at its many different manifestations and showing how it has changed over its long life, from ancient times right through to the present. For instance, how did the 'people power' of the Athenians emerge in the first place? Once it had…
I have studied revolutions for over forty years, trying to understand how people fought for liberty and democracy--but also to understand how things so often went wrong! I have worked at universities in the US, the UK, Japan, Germany, Russia, and Hong Kong, gaining a global view of how societies change. I have learned that everywhere people have to struggle for their rights. Whether in ancient Greece or in modern Cambodia, the resulting revolutionary drama unfolds sometimes with wonderful results, but sometimes with tragedy. No events better display the very best and worst that we can accomplish. I’ve chosen the books on this list to convey the power of revolutions, their grand successes and tragic failures.
All through my school years, I heard that democracy began in Athens, in ancient Greece. But I never understood how that could have happened. To me, constitutions and democracy began with the American and French Revolutions. It turns out that Athenian democracy too began with a revolution! And it was a situation very similar to our own origins: A democratic revolution in a slave-owning society! And at a time when a “national” identity was just being formed out of local and regional ones. This is a book of essays, and you don’t have to read them all. But Josiah Ober is the foremost modern expert on Athenian society and the origins of its democracy, and his essays on that topic in this book are the best accounts we have.
He clearly presents a world that is thousands of years away from us and very strange, but shows how they confronted…
Where did "democracy" come from, and what was its original form and meaning? Here Josiah Ober shows that this "power of the people" crystallized in a revolutionary uprising by the ordinary citizens of Athens in 508-507 B.C. He then examines the consequences of the development of direct democracy for upper-and lower-class citizens, for dissident Athenian intellectuals, and for those who were denied citizenship under the new regime (women, slaves, resident foreigners), as well as for the general development of Greek history. When the citizens suddenly took power into their own hands, they changed the cultural and social landscape of Greece,…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I'm currently an Honorary Fellow in Social Theory at the University of York, U.K. For more than five decades I've been working to promote more reflexive perspectives in philosophy, sociology, social theory, and sociological research. I've written and edited many books in the field of social theory with particular emphasis on questions of culture and on work in the field of visual culture. Recently these have includedInterpreting Visual Culture (with Ian Heywood), The Handbook of Visual Culture, and an edited multi-volume textbook of international scholars to be published by Bloomsbury,The Bloomsbury Encyclopedia of Visual Culture. My own position can be found in my Dictionary of Visual Discourse: A Dialectical Lexicon of Terms.
If Gadamer is an important guide to the hermeneuticsof beginnings and the spirit of theorizing, Thomas Martin’s work is one of the most concise, readable, and comprehensive introductions to the social history of ancient Greece and the spiritual origins of Western culture. While there are many fine histories of the period, this book provides access to the whole sweep of Greek history from the beginnings of Hellenic civilization in Indo-European and Mycenaean cultures, to the Archaic age, the beginnings of democracy with the age of the city-state, the collapse of the Athenian Empire at the end of the Peloponnesian War, and the rise of Hellenistic Greece and the Hellenistic kingdoms that led to the hegemony of Rome and Latin culture. The work is an exemplary form of what I would call 'configurational’ history as his narrative interweaves military, political, religious, and social history with detailed discussion of the realm…
This compact yet comprehensive history brings ancient Greek civilization alive, from its Stone Age roots to the fourth century B.C.
"A highly readable account of ancient Greece."-Kirkus Reviews
Focusing on the development of the Greek city-state and the society, culture, and architecture of Athens in its Golden Age, Thomas R. Martin integrates political, military, social, and cultural history in a book that will appeal to students and general readers alike. Now in its second edition, this classic work now features new maps and illustrations, a new introduction, and updates throughout. "A limpidly written, highly accessible, and comprehensive history of Greece…
Perhaps it was being born in a large seaport – Liverpool – where I would watch from our front window the great liners steaming out on the tide that made me love travel and seeing the world. My book about the great age of British travel, A Corkscrew is Most Useful was the product of this obsession with how people travel, what they see, how they interpret their journeys. I have also written about Bruce Chatwin, one of the most original of modern travellers, and in my 2016 book Crossings I have explored the idea of borders, real and metaphorical, which figure so largely in the life of anyone moving from country to country and define our sense of belonging and identity.
Although its eloquent erudition might now strike some people as a little old-fashioned this is a book about Greece that still works for me and is the product of a lifetime’s immersion in Greece and its history and culture, a place which Leigh-Fermor made his home and whose language he spoke fluently. This is not the Greece of the tourist resorts and the package tours, it is the Greece of the post-classical age brought to life by an independent scholar and consummate stylist.
Patrick Leigh Fermor's Mani compellingly revealed a hidden world of Southern Greece and its past. Its northern counterpart takes the reader among Sarakatsan shepherds, the monasteries of Meteora and the villages of Krakora, among itinerant pedlars and beggars, and even tracks down at Missolonghi a pair of Byron's slippers.
Roumeli is not on modern maps: it is the ancient name for the lands from the Bosphorus to the Adriatic and from Macedonia to the Gulf of Corinth. But it is the perfect, evocative name for the Greece that Fermor captures in writing that carries throughout his trademark vividness of description.…
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.
In the 5th century BC an adventurous Ionian Greek, Herodotus of Halicarnassus, journeyed extensively through the lands of the eastern Mediterranean, from Egypt to Asia Minor, collecting tales of the upheavals that had afflicted the region in the earlier part of the century. The fruits of his wanderings were The Histories, in which he used his narrative gifts not only to chronicle the rise of the Achaemenid Persian Empire and its war with the Greek city-states, but also to recount his experiences with the varied peoples and cultures he had encountered during his journey. Herodotus earned the nickname 'the father…
All Elizabeth Bennet wants for her father to bring back from Lambton is a cutting of Pemberley’s famous roses. Little did she know that her humble request would lead to her father’s imprisonment, putting both her father’s life and her childhood home of Longbourn at risk.
Andrew Scott Cooper, Ph.D., is passionate about researching and writing narrative history books. He holds a doctorate in history, masters degrees in journalism and strategic studies, and his work has been featured in media outlets including the New York Times, NPR and MSNBC. Earlier in his career, Andrew worked as a researcher on landmines at the UN and at Human Rights Watch on behalf of the International Campaign to Ban Landmines, recipient of the 1997 Nobel Peace Prize.
How do monarchies begin and why do they fail? Remarkably few serious studies of Greece’s deposed royal family have appeared in print. Monarchy in Modern Greece, now available in this excellent English translation, offers readers a highly informative and thoughtful account of Greece’s experiment with “crowned democracy.” Written in essay form, scholars and general readers alike will find much to illuminate and entertain as Costas Stamatopoulos judiciously reviews the reigns of the seven monarchs whose reigns were buffeted by domestic and international crises. The lengthy footnote section is a veritable gold mine for anyone wanting to explore further and dig deeper.
Distributed by University of Exeter Press. 107 b&w photographs, English language text. For perhaps the first time, a holistic account of the institution of the monarchy in modern Greece. Looks at the political behaviour of the Greek people and their relationship with authority in every form, to explore why this specific type of constitution was chosen in 1832 at the end of the Greek 'Struggle for Independence'. The development of the monarchy is explored in parallel with the quest for popular legitimization and the constitutional dimension, including the contradictions in the constitutional legislation and the fragility of a democratic constitutional…
