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A Last Serenade for Billy Bonney.
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Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
This book does a fine job of laying out the complex plots and cross-plots of a most complicated New Mexico Territory of the 1870s.
The full spectrum of politics, murders, and factions can be overwhelming to a first-time student. There are clearly too many players in the story for a reader to grasp the overarching drama. Mr. Wallis found a way to guide the reader across this challenging terrain without shortcuts.
Award-winning historian Michael Wallis has spent several years re-creating the rich, anecdotal saga of Billy the Kid (1859-1881), a deeply mythologized young man who became a legend in his own time and yet remains an enigma to this day. With the Gilded Age in full swing and the Industrial Revolution reshaping the American landscape, "the Kid," who was gunned down by Sheriff Pat Garrett in the New Mexico Territory at the age of twenty-one, became a new breed of celebrity outlaw. He arose amid the mystery and myth of the swiftly vanishing frontier and, sensationalized beyond recognition by the tabloids…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
Most people with even a casual familiarity with Billy the Kid know at least three things about the young outlaw:
1) Billy was captured and found guilty of murder.
2) Before he could be hanged, he affected a spectacular escape.
3) He was hunted down and killed by Sheriff Pat Garrett. Because of the high drama of that last point (a shooting in a dark room at midnight near the bedroom of Billy’s paramour) and because of the machinations of the sheriff’s ghostwriter and publicist, Garrett has received all the glory for the Kid being brought to justice.
But there was another lawman who deserves just as much credit—Frank Stewart, lead detective for a Texas cattleman’s association. Stewart played an equal role in Billy’s capture, but his name was suppressed by those who did not want to divvy up fame. This new information is the subject of this book.
New, hardcover copy of the latest book on the life of Billy the Kid, concentrating on the fall and winter 1880 chase-and-capture of Billy and the boys at Stinking Spring. 424 pp., pages 8 1/2 x 11, over 120 illustrations and documents, many never before published. Much new material. Also available: SIGNED copies; and limited edition in slipcase.
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
Utley, a respected historian of (mostly) Indian-related research, offers the cold, hard facts of Billy’s life and remains true to objectivity, leaving the reader with the job of analyzing the right and the wrong of decisions, reactions, and events.
What tantalizes me about his book is that a researcher of such stature would choose to write about a teenaged outlaw and killer, when so many other topics of greater significance await their turn in his pen.
Whatever his name or alias at the moment-Henry McCarty, Henry Antrim, Kid Antrim, Billy Bonney-people always called him the Kid. Not until his final month did anyone call him Billy the Kid. Newspapers pictured him as a king of outlaws; and his highly publicized capture, trial, escape, and end fixed his image in the public mind for all time. He was only twenty-one years old when a bullet from Sheriff Pat Garett's six-shooter killed him on July 14, 1881. Within a year Billy the Kid became the subject of five dime-novel "biographies" as well as Garett's ghost-written account, and that…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
Estleman has taken a well-known story—the chase, capture, and assassination of Billy the Kid—and given it new life by exploring the occult and its effect on Sheriff Pat Garrett as he stumbles toward his destiny as the killer of the Kid.
This novel is a perfect example of how fiction can sometimes offer a richer probe into history by exposing the inner workings of the characters.
In Loren D. Estleman's Journey of the Dead, when Pat Garrett killed his poker buddy, Billy the Kid, he had no idea what a terrible emotional price he would pay. Haunted by memories of Billy, Garrett wanders the New Mexico desert in a fruitless pursuit of peace.
Deep in the same desert, an ancient Spanish alchemist searches for the fabled philosopher's stone. Resolutely alone in his quest he devotes his long life to hunting the secrets of the old gods.
As these two men seek answers to questions that have confounded mankind for centuries, their stories encompass the panorama of…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
As it is often said, “history is written by the winners.”
The Hispanic population had very little voice in the outcome of the Lincoln County War, but it is they who had the deepest insight into who Billy was, for they were his friends and he their champion. Mills has mined that forgotten voice to publish a more thorough understanding of who the Kid was.
The result is a greater appreciation for Billy as a human being. This is a long overdue perspective that better defines Billy Bonney’s admirable traits.
In the annals of American western history, few people have left behind such lasting and far-reaching fame as Billy the Kid. Some have suggested that his legend began with his death at the end of Pat Garrett's revolver on the night of July 14, 1881, in Fort Sumner. Others believe that the legend began with his unforgettable jailbreak in Lincoln, New Mexico, several months prior on April 28, 1881. Others still insist his legend began with the publication in 1926 of Walter Noble Burns's book, The Saga of Billy the Kid.
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
Nolan, an Englishman who researched from his home country, has long been considered the world authority on Billy the Kid.
It can still be said that all research on Billy begins with Nolan, who died in 2022. His book undertakes the massive quest to explain the Lincoln County War in detail and to reveal the endless cast of characters interwoven throughout the struggle.
Nolan’s supple mind has delivered unto us provocative motives for Billy’s actions and thereby expanded our understanding of the Kid’s mind. Without Nolan, historians would be left with mere nuggets of information and not necessarily hold the larger story in perspective.
In The West of Billy the Kid, renowned authority Frederick Nolan has assembled a comprehensive photo gallery of the life and times of Billy the Kid. In text and in more than 250 images-many of them published here for the first time-Nolan recreates the life Billy lived and the places and people he knew. This unique assemblage is complemented by maps and a full biography that incorporates Nolan's original research, adding fresh depth and detail to the Kid's story and to the lives and backgrounds of those who witnessed the events of his life and death.Here are the faces of…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected.
This short, engaging book mixes fact and fiction, prose and poetry, documents and photographs, to tell the story of Billy the Kid, from the time Pat Garrett sets out to hunt him down to his killing. At times it is beautifully hallucinatory as it gets inside Billy’s mind, showing his dreams and visions. But it is also very lucid and attentive to detail, vividly depicting how Billy is always protecting and exercising his left hand—the hand he shoots with—as well as showing Billy’s interactions with his fellow outlaws. This is Ondaatje’s earliest and most experimental novel.
Drawing on contemporary accounts, period photographs, dime novels, and his own prodigious fund of empathy and imagination, Michael Ondaatje's visionary novel traces the legendary outlaw's passage across the blasted landscape of 1880 New Mexico and the collective unconscious of his country. The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.
I am a teacher of primitive survival skills. As a young boy, I was fascinated with the concept of courage. At seven, I read the pseudo-biography of Wyatt Earp, a wonderfully written account of a courageous man. This book began my lifelong interest in Mr. Earp. Eventually, I met many of the giants in Western history research and accompanied them into the field. After 65 years of collecting the facts, I wanted to use my novelistic skills to portray the life and times of Wyatt Earp as best as the record shows.
Boessenecker has achieved a fine reputation for honesty and thoroughness in his research. He has also learned how to structure his books to carry a reader forward like a novel.
His book puts into scope how major an event it was for Wyatt Earp to go up against the organized crime gang (known as the “cow-boys”) that had corrupted Southern Arizona. Many of these outlaws had drifted west from New Mexico after taking part in the bloodbath called the Lincoln County War.
Ride the Devil’s Herd is more than a history book. It’s a great ride in itself.
Winner of the Best Book Award by the Wild West History Association
A ripsnortin' ramble across the bloodstained Arizona desert with Wyatt Earp and company… A pleasure for thoughtful fans of Old West history, revisionist without being iconoclastic. —Kirkus Reviews
Wyatt Earp is regarded as the most famous lawman of the Old West, best known for his role in the Gunfight at the O.K. Corral in Tombstone, Arizona. But the story of his two-year war with a band of outlaws known as the Cowboys has never been told in full.
Drawing on groundbreaking research into territorial and federal government records,…
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
Genet’s prose really kicks a lot of others to the curb, even
in translation, and the curb is where he is most comfortable. To paraphrase Wilde, he was definitely in the gutter but looking at the stars.
His
visionary, unabashed grit, queer defiance, and uncanny lyrical ability really
should make him required reading for everyone. But if you’re a defiant freak,
you get mixed up in the prison system, and you need a North Star, you can’t do
much better than Genet, a beautiful, wild thinker about all things related to
the place of punishment and jails in society.
He truly lived the life he
described, which people love nowadays. The Thief’s Journal is shockingly
countercultural and exhilarating even now.
Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions.
The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel; an account of his impoverished travels across 1930s Europe. The narrator is guilty of vagrancy, petty theft and prostitution, but his writing transforms such…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
This book is the perfect example of a great Western. A stern, courageous lawman, tougher than forged steel. A young sidekick by his side. A beautiful woman in town that everyone wants.
Put those elements onto the page and then throw into it a cruel, evil rancher, who’s already killed the city marshal and one of his deputies. What do you end up with? A kick-ass Western.
When Virgil Cole and Everett Hitch arrive in Appaloosa, they find a town suffering at the hands of a renegade rancher who's already left the city marshal and one of his deputies dead. Cole and Hitch are used to cleaning up after scavengers, but this one raises the stakes by playing not with the rules-but with emotion.