Here are 41 books that A Haunting on the Hill fans have personally recommended if you like
A Haunting on the Hill.
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From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes A Sorceress Comes to Call―a dark reimagining of the Brothers Grimm's "The Goose Girl," rife with secrets, murder, and forbidden magic.
*The hardcover edition features a foil stamp on the casing and custom endpapers illustrated by the author.*
Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms―there are no secrets in this house―and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
This short and piquant retelling of the Faust legend goes down a treat. Our hero is newspaperman Eustace Bogges, who handles the letters-to-the-editor feature of the fictional Washington Oracle. Overweight, prickly, vain, and intellectually astute, Booges is the sort of vivid character John Kennedy Toole might have given us if "A Confederacy of Dunces" had been set in D.C. rather than New Orleans.
Bogges’s complacency begins to unravel when he is haunted—first in reveries, then in reality—by psychiatrist Grippin Fall, who happens to be the Devil. From this latter-day Mephisto our hero learns the true story behind such momentous events as the emergence of humankind (Eve was an ape-woman who achieved self-awareness) and the invention of money (Croesus’s grandfather Sadyattes was responsible). The demonic compact Dr. Fall proposes is simple: “Listen to me, Mr. Bogges, and the world will listen to you.” And what principle does Bogges wish the…
Devil Take It is a sharp, darkly comic satire set against the backdrop of Trump-era Washington, D.C.
In this clever and timely moral fable, Satan arrives on the scene disguised as Dr. Grippin Fall, a psychiatrist with a peculiar diagnosis for Eustace Bogges, the editor of the Washington Oracle’s letters page: mortality. As the Devil guides Bogges through a series of bizarre therapy sessions, he entices him with a doctrine of laughter and mirth inspired by the 16th-century writer François Rabelais. Meanwhile, Bogges, under a pseudonym, pens a letter to his own page suggesting that society would be better off…
If you’re a vintage Hollywood-comedy fan who aspires to be a Groucho-Harpo-Chico completist, Giraffes on Horseback Salad is the book for you. It might be called the best movie the Marx Brothers never made—“movie” in the sense of an elaborately captioned and intricately illustrated storyboard. Even by the standards of that freewheeling medium called the graphic novel, this is an audacious piece of work.
The genesis of Giraffes on Horseback Salad was complicated. Sometime in the mid-1930’s, the celebrated painter Salvador Dalí got it in his head to bring about a Marx Brothers film keyed to the reality-altering agenda of a mysterious Surrealist Woman. Evidently Dalí regarded the Marxes as kindred spirits, and because he was friends with Harpo, he imagined his treatment might get a fair hearing at MGM. Louis B. Mayer, who had no affection for Minnie’s zany sons, gave it the boot.
Surrealist icon Salvador Dali and iconoclast comedians The Marx Brothers planned a never-made film that merged their sensibilities in a sublime mashup of absurdity, surrealism, slapstick, and wit. But the original screenplay was lost until now. It sounds like fan fiction, but it s true: modern art icon Salvador Dali struck up a friendship with chaotic pantomimer Harpo Marx, which led to a proposed film, Giraffes on Horseback Salad. Rejected by MGM studios, the script was thought lost forever. But author Josh Frank found it, and with comedian and writer Tim Heidecker (Tim and Eric; Tim and Eric s Zone…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
Great gothic fantasy with a fresh take on the vampiric folklore. These are real, dangerous vampires with humanity as a resource. A wonderful proactive female protagonist who is genuine and original. A dangerous quest, pursued by the far reach of a dark enemy. A beautifully crafted gothic fantasy enriched with folklore and an epic fantasy adventure like no other.
A captivating dark gothic fantasy set in the same universe as the award-winning author's All The Murmuring Bones, The Path of Thorns and The Briar Book of the Dead. A tale of vampires, assassins, ancient witches and broken promises, perfect for readers of Alix E. Harrow, Hannah Whitten and Alexis Henderson.
Violet Zennor has had a peculiar upbringing. Training as a fighter in underground arenas, honing her skills against the worst scum, murderers and thieves her father could pit her against, she has learned to be ruthless. To kill.
Until the day Hedrek Zennor dies. Violet thinks she's free -…
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
If ever there was a perfect ghost story, this is it. Gothic with atmospheric language and vivid scenes that still haunt me. I suppose this could have been written by Jane Austen because of its nightmarish ghostliness on the English moors. So masterfully done—the wreaths of moving fog and haunted cries.
I love the unknown fear of it all. Susan Hill is highly skilled in making ghosts present on the page: the eerie sound of the rocking chair in the old nursery is a spine-tingler, albeit a cliché. Written in a sublime fashion, it fits the “quiet horror” genre. Quiet horror is so savory to me because it digs into the imagination with shadowy phantoms without slamming the reader viscerally. I love that kind of artful creation.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I love this book so much, I have read it at least three times. It is a classic gothic novel with an eerie setting and interesting characters, including those with psychosis that add to the mystery of he novel.
While the film version is undoubtedly a classic, the novel is by far better.
30
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I vividly remember visiting our local museum as a little girl and being fascinated by the carefully displayed artifacts of the past, especially the ordinary things people had touched and used on a daily basis: a wooden bowl, a stone tool, an old bottle, its logo embossed on a blue glass surface. It made me want to travel through time, to touch the past, to be inside the hearts and minds of the people who came before me. I wanted to learn about their lives, their joys and suffering, and especially to learn from their mistakes. Each of the books I’ve suggested offers an opportunity to step into the shoes of another and time travel with them.
Eng’s novel serves up everything I love about time travel through historical fiction – it’s transportive and compelling and opens a window into a time and culture I knew little about.
Toggling back and forth in time from contemporary Malaysia to its Japanese occupation during World War 2 and into the immediate post-war period, the writing is stunningly lyrical, the central characters are beautifully drawn, and the author evokes a sense of time and place that is shrouded in both tragedy and mystery.
Even better, the book explores some of my favorite themes: memory, love and the secrets we keep in order to survive.
Malaya, 1951. Yun Ling Teoh, the scarred lone survivor of a brutal Japanese wartime camp, seeks solace among the jungle-fringed tea plantations of Cameron Highlands. There she discovers Yugiri, the only Japanese garden in Malaya, and its owner and creator, the enigmatic Aritomo, exiled former gardener of the emperor of Japan. Despite her hatred of the Japanese, Yun Ling seeks to engage Aritomo to create a garden in memory of her sister, who died in the camp. Aritomo refuses but agrees to accept Yun Ling as his apprentice "until the monsoon comes." Then she can design a garden for herself.…
I know I'm unfashionably late to the party on this story, but I haven't seen anyone saying exactly this about it: Mexican Gothic makes an incredible amount of sense in its own context. That's rare and fun in a horror story, especially one in the gothic subgenre. NOTHING happens arbitrarily in Mexican Gothic! That makes the whole plot worse/better in the best of ways.
And now, the part you've doubtless already heard about this novel. The characters are engaging and deeply human (yes, even that guy, unfortunately). I especially love that in their own ways, all the characters are a little greedy about something. Greed instigates many entertaining interactions among the characters, and with their deliciously creepy world.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
