Here are 100 books that A Flame in Byzantium fans have personally recommended if you like
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I’ve loved books about vampires ever since reading Dracula at much too young an age, but I was always looking for stories in which the women were more than virtuous heroines, objects of desire, or hissing brides. Or wearing negligees. I was also drawn to tales that explored the practical and ethical challenges of being a vampire. Fortunately, the vampire fiction boom beginning in 1980 opened the way for new stories, many by women, that depicted the nuances of vampirism through a female gaze. Travel from 6th century Byzantium to Mexico City to futuristic Mars with these novels that put new spins on the old conventions and introduce some fascinating female vampires.
British writer Tanith Lee has been one of the most important influences on my writing and this book is classic Lee. Set on Nova Mars, it is the story of Sabella - difficult, damaged, and deadly - and Jace, who has come to avenge his brother’s death at her hands. Their conflict leads them to an unexpected truth. Lee’s language is brilliant and baroque, her characters are sinister and sexy, and the novel plays with both gothic and science fiction tropes. And Sabella has a wonderful wardrobe, which is always a plus for me.
This repackaged edition of a classic sci-fi tale from a master storyteller explores the life of a vampire on a Mars-like colony as she struggles to hide her true nature.
On the rosy sands of a distant Earth colony, Sabella lives a quiet life in her isolated home—carefully hiding her vampirism from society.
Sabella may not be undead, but she is painfully allergic to sunlight, possesses supernatural strength and speed, and feeds on fresh blood. In her youth, Sabella seduced a number of men, killing them all for fear of discovery. But with age comes control, and Sabella has sworn…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve loved books about vampires ever since reading Dracula at much too young an age, but I was always looking for stories in which the women were more than virtuous heroines, objects of desire, or hissing brides. Or wearing negligees. I was also drawn to tales that explored the practical and ethical challenges of being a vampire. Fortunately, the vampire fiction boom beginning in 1980 opened the way for new stories, many by women, that depicted the nuances of vampirism through a female gaze. Travel from 6th century Byzantium to Mexico City to futuristic Mars with these novels that put new spins on the old conventions and introduce some fascinating female vampires.
Gilda begins her life as a runaway slave in pre-Civil War Louisiana and this beautifully-written novel explores her life over the next two hundred years as she faces danger, love, and loss. It’s memorable not only for the lens of Black and LGBTQ history that it brings to the vampire myth, but for the main character’s commitment to maintaining her connection to community, both vampire and mortal, and her openness to the world that transforms around her.
Before Buffy, before Twilight, before Octavia Butler's Fledgling, there was The Gilda Stories, Jewelle Gomez's sexy vampire novel.
"The Gilda Stories is groundbreaking not just for the wild lives it portrays, but for how it portrays them--communally, unapologetically, roaming fiercely over space and time."--Emma Donoghue, author of Room
"Jewelle Gomez sees right into the heart. This is a book to give to those you want most to find their own strength." Dorothy Allison
This remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as…
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
Just when I thought I was done with vampires, Silvia Moreno-Garcia’sCertain Dark Things came along.
I was burned out on the genre. Most of the characters in vampire stories are rich, privileged, and frankly, not that interesting. Atl, the main character in Certain Dark Things, is the exception.
A descendant of Aztec blood drinkers, she finds herself caught between the rival vampire clans that dominate Mexico City. When she develops an unexpected attachment to a street kid named Domingo, her life gets even more complicated.
Domingo could have been nothing but a Renfield, a plaything for her vampire lead. But Moreno-Garcia explores the tender bond that develops between them, a connection that puts both in jeopardy. An engrossing new spin on the vampire tale.
Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood-drinkers, is smart and beautiful - and very dangerous. Domingo is mesmerised.
Atl needs to escape the city quickly, to get far away from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, she finds herself warming up to the scrappy young man and his undeniable charm. As the trail of…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I’ve loved books about vampires ever since reading Dracula at much too young an age, but I was always looking for stories in which the women were more than virtuous heroines, objects of desire, or hissing brides. Or wearing negligees. I was also drawn to tales that explored the practical and ethical challenges of being a vampire. Fortunately, the vampire fiction boom beginning in 1980 opened the way for new stories, many by women, that depicted the nuances of vampirism through a female gaze. Travel from 6th century Byzantium to Mexico City to futuristic Mars with these novels that put new spins on the old conventions and introduce some fascinating female vampires.
Jane has grown up as the town outcast, caring for a dying mother who has never shown her any affection. She’s counting the days until she can leave when she meets new girl Sabrina, who pushes her to investigate the mysteries of her mother’s past, including the identity of her unknown father. What Jane discovers upends everything she thought she knew about her life and herself. Sensual, moving, and sometimes grim, I love this book for the way it explores tough questions. What would you do for love? What would you do for need? Who would you betray to survive?
Jane lives alone in a strange old house with her invalid mother who has been catatonic for years, afflicted by a strange wasting disease. But the friendship of a new girl in town, Sabrina, will push Jane to unearth the mysteries of her mother's past and the dark history of her missing father, forcing her to face a monstrous lineage and the cost of her dark life.
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
I’ve read many of this author’s works and enjoyed them all, but this one really dug in, grabbed on, and held tight.
I loved the fact that it covered generations instead of a short timeframe; it gave me more insight into the people and relationships. Transplanting a Low Country girl used to a simple life to the summer home of an upper-crust New Englander accustomed to only the finer things promises conflict, which we got in spades, starting with a mother-in-law who could barely hide her hostility.
This highly elevates the uncomfortable dynamics in extended families, and the challenges overcome—and those that aren’t—make the story incredibly satisfying.
Waiting for her granddaughter to take her home from Retreat, the Maine summer colony her family has visited for generations, Maude Chambliss looks back on her life and the experiences of her family members
I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry bookA Terrible Thingreinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.
As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharatafrom the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."
The title of this book comes from the African proverb - "until the lions have their own historians, the history of the hunt will always glorify the hunter". In this poetic reimagining, Nair writes, for the first time, the history of the women in the Mahabharata, the longest poem ever written and one of the two major Sanskrit epics of ancient India.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
My love for strange women began with a love of the tomboy, growing up in the ‘80s and 90’s with characters like Pippi Longstocking and George from The Famous Five. They’re young women who broke the rules of decorum or gender presentation—and they just always seemed to be having a lot more fun. Or at least more interesting experiences. This love of rebels and unruly women has stuck with me, and I think our depiction of women like this has become deeper and more varied. I just love a character who’s a bit of an odd duck, is irrepressible or voracious, or just plain messy. Nice is boring—give me the chaos.
This book kicked off my obsession with stories about young women who are trying to make sense of all the versions of themselves they have inside and weighing up which one to present to the world at any given time. The protagonist, Ruth, is an American living in London who works at a department store, spritzing perfume during the day, watching all the people go past, and trying to understand how the other young women who work there seem so self-assured. This is not a plot-driven book so much as a character study of a character who doesn’t know who she is yet.
Kate Zambreno’s writing is absolutely gorgeous. She creates a distance between Ruth—the ‘green girl’—and the world, like she’s looking through a window and can see people inside talking but not understand what they’re saying. At the same time, I recognized myself in Ruth,…
With the fierce emotional and intellectual power of such classics as Jean Rhys's Good Morning, Midnight, Sylvia Plath's The Bell Jar, and Clarice Lispector's The Hour of the Star, Kate Zambreno's novel Green Girl is a provocative, sharply etched portrait of a young woman navigating the spectrum between anomie and epiphany. First published in 2011 in a small press edition, Green Girl was named one of the best books of the year by critics including Dennis Cooper and Roxane Gay. In Bookforum, James Greer called it "ambitious in a way few works of fiction are." This summer it is being…
As an attorney, former TV broadcaster, and workplace consultant, I’ve devoted my career to empowering women and confronting systemic inequities. My passion stems from personal experience navigating the complexities of workplace harassment, which inspired me to write my book and guide others through similar challenges. I am continually drawn to books that illuminate the hidden power structures and offer practical tools for resilience, empowerment, and self-advocacy. The works on this list have profoundly shaped my perspective, providing inspiration and clarity in both my professional and personal journey. I hope they resonate with you as deeply as they have with me.
This book gave me permission to embrace and harness my anger as a tool for change. Chemaly’s exploration of how society suppresses women’s anger—and why we must reclaim it—is profound and eye-opening.
Her writing is sharp, relatable, and filled with research that helps contextualize why our anger is not only valid but vital. It left me feeling more equipped to channel my emotions into meaningful action.
A conversation-shifting book urging 21st-century women to understand their anger, embrace its power, and use it as a tool for positive change
'How many women cry when angry because we've held it in for so long? How many discover that anger turned inward is depression? Soraya Chemaly's Rage Becomes Her will be good for women. After all, women have a lot to be angry about.' GLORIA STEINEM
Women are angry, and it isn't hard to figure out why. We are underpaid, overworked, thwarted and diminished. The assertive among us are labelled bitches, while the expressive among us are considered shrill.…
I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere.
The title says it all. In this short story collection, simply being a woman is a kind of emergency. These stories are slow burns, full of interiority and character development. The devastation is in the details: tiny moments that reveal deep-seated fears and barely acknowledged longings.
Each story is full of quiet revelations: there’s subtlety in the dangers these women face; in fact, it’s woven into the very fabric of their lives.
A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something's lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter's former friends grapple with rumors that she attempted to pass as a teenager.
In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life-as well as the guilt that stalks…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
Another series of novels that I was introduced to through PBS and the BBC, and another that had me laughing hysterically.
This is the fourth in the series, but it brings together Miss Mapp and Mrs. “Lucia” Lucas as social rivals. I adore both women, although I would not want to have to work with either of them!
I love the English country setting, the competition between the two women for leadership, the eccentric secondary characters, and the clothes and the food and the music.
To be honest, I have worked with women like them at different times in my life. I think that’s why I love the books so much, as I get to laugh at them from the sidelines this time.
"Mapp and Lucia" is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucas to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator. In their polite acts of sabotage and ruthless jockeying for the position of cultural arbiter Mapp and Lucia tear up the conventions of drawing-room bridge evenings as their deadly weapons.…