99 Books Like A Family Haggadah I

I love this Haggadah and have used it for many of my family seders (especially with there are both adults and children. I especially like the offering of stories, readings, as well as commentaries, and activities that have fueled my dynamic seders with storytelling and discussion, dramatics, and singing. The many illustrations drawn from medieval and modern artists serve as visual commentaries that evoke discussion. One example that allows for discussion is an artistic portrayal of the Four Children in a variety of Haggadahs that helps to encourage comparison and debate. This Haggadah is inclusive, pluralistic, and includes transliterations and contemporary translations that make the traditional Hebrew accessible to all. 

This Haggadah is a product of the Rabbinical Assembly of America, the Union of Conservative Rabbis of which I am a proud member. We have used this Haggadah when our participants at our seder included more adults than children. The Haggadah includes a guide to the requisite rituals, detailing how and why each ritual is performed. There is also ample commentary on the text, explaining passages and provoking questions, in order to engage participants, Finally, alternative readings are included to replace or augment the text. 

This Haggadah is a Haggadah that is ideal when there are younger children at the seder. What makes the Haggadah unique are its puppets (included with the book) which need to be prepared and assembled prior to the seder. Many parts of the seder are set up as a script of a play, where parts can be given out to read. There are also original fun songs to sing. When my children were younger, I used this Haggadah with enormous success, and still have the puppets which I hope to use now with my grandchildren!

This Haggadah is perfect for families that want to include all of the traditional sections of the seder without spending a lot of time in discussion and study of text. Nicely illustrated and fully transliterated, the Haggadah also includes interesting facts as well as thought questions throughout. For example, the Haggadah explains that in the Ha Lachma anya section (let all who are hungry eat) early in the seder that the language of Aramaic is used. This is a reminder that when we welcome the stranger, we invite our guest in the language he or she will understand  

‘What good is your voice, and what’s the use in finding it?’ Those are tough questions for anyone to answer, but especially for an artist. At first, I just loved making music and saw that others did too, but couldn’t give a compelling reason why it was worthwhile. For the Life of the World finally equipped me to articulate that reason.

“Beauty is never ‘necessary,’ ‘functional,’ or ‘useful,’” Fr Schmemann writes. “And when, expecting someone whom we love, we put a beautiful tablecloth on the table and decorate it with candles and flowers, we do all this not out of necessity, but out of love.”

Your voice exists to beautify the world—to show those who hear it that someone cares for them. I can scarcely think of anything more worthwhile.

I have a special interest in yantras, and this book is the best and clearest explanation I’ve found. It inspired me to include yantras in a Teach Meditation course that I give to yoga teachers – and also to write my Master’s dissertation on the Sri Yantra.

In case readers are unfamiliar with the term ‘yantra’, it refers to precise geometric constructions that have been used by yoga practitioners for centuries as visual tools for the attainment of inner peace. Johari explains their forms, associated practices, and spiritual applications. Until he wrote this book, this information was mostly unavailable to modern practitioners.

In this inspiring collection, Catholic and Protestant women from nations such as Peru, Korea, South Africa, Australia, and Iceland reveal how women are already leading in a variety of Christian denominations worldwide.

Authors explain their religious communities’ history, ministries, and understandings of gender and religion. Then each shares a religious rite created by the women of their Christian community. The diverse rituals reflect Christianity’s ability to adapt to the needs of believers, meeting them “where they are.”

Examples include the incorporation of indigenous elements in worship; use of the body through dance/artistry; and attention to gendered concerns such as domestic violence, poverty, and reproductive rights. These women’s leadership and rituals are not separate from mainstream Christianity. They are part of it.

A great idea book for people looking to incorporate gender more inclusively into worship.

This compilation, describing the founding of a new religion that is queer, science-fiction, and climate justice is a mindblowing assemblage of collage artworks by Deborah Kelly, liturgies by author S. J. Norman, poetry and essays.

It features interviews with Kelly and collaborators, photography of the workshops and portraits of followers, regalia, exhibitions, dances, and processions. For those despairing about climate change, this collection is a provocation, an exhortation, and a diversion.

It has been a salve to have by my side as I daily absorb the unfolding climate catastrophe and try and understand and respond to the deepening exclusions and marginalisations and discriminations it entrenches. 

The venerable Goldberg Haggadah is a wonderful example of a traditional Haggadah. I led seders using it for many years. The translation is very accessible, easy for all participants to read. The book has a great cover, both front and back, which normally wouldn’t be important in a book recommendation, but there is something almost magical about this cover – it just gives the feeling that you’re going to have a wonderful seder. The interior is nicely designed, with clear delineation of paragraphs, lots of white space, attractive fonts in Hebrew and English, and simple but expressive illustrations, all of which are important for a book that will be recited out loud.

The Steinsaltz Haggadah is a traditional Haggadah with a traditional translation, but what makes it shine are the explanations. The traditional Haggadah is in many respects a difficult book – much of it is hard to understand as is. Rabbi Steinsaltz provides explanations that bring some degree of clarity to these difficult passages. In addition, Rabbi Steinsaltz provides marvelous explanations of the Psalms of Praise recited at the seder and on Jewish holidays. I’ve recited these psalms many times over many years, and Rabbi Steinsaltz explains them in a way that I’ve never seen. When I study Talmud, I use the Steinsaltz translation, because in both the Talmud and the Haggadah, the explanations are spectacularly clear.