100 Books Like A Dictionary of Maqiao

This 1934 work tells the moving story of a young country girl called Cuicui and her ferryman grandfather. As the girl comes of age, she catches the eye of two brothers. It’s a simple plot but beautifully told, with sympathetic depictions of the common folk and rich nostalgic evocations of rural life. The “border” in the title refers to the West Hunan setting near the provincial border with Sichuan. The area is also a cultural border between the Han and various minorities. Shen Congwen grew up there and was himself of mixed heritage. Chosen to receive the 1988 Nobel Prize in Literature, he died before the announcement, and the prize – following the rule against awarding posthumously – went to another writer. 

Carroll’s debut novel has earned considerable praise for its quiet, elegant prose and the affecting realism of its characters: a young introverted American wholly at home in the small backwater college in Hunan Province where he teaches English and builds an aeolian harp, the awkward female student who tries to befriend him, and the choleric old misanthrope of an American with a crippled leg, who joins the school and inadvertently proceeds to disrupt their lives. What makes the novel work is its dramatic irony – the chemical reactions that ensue when three peculiar and hapless personalities combine and threaten to blow up into almost Greek-tragedy proportions, and only the reader understands why. A handful of memorable subplots and minor characters flesh out the tale.

I’ve always turned to historical fiction to deepen my understanding of an era and help spark my imagination for class prep.

This book, set in late nineteenth-century China, helped me better contextualize the challenges confronting Chinese women at that time—and how they overcame, or at least endured them. I recently had the privilege of hearing Lisa See speak on her research and writing—she was quite engaging and shared much about her process.

She’s a passionate, dedicated, and disciplined scholar. This shines through in all her work, especially this bittersweet tale of friendship, love, and heartbreak.

An old army buddy of mine used to say that when he had trouble at work and was worried about being able to support his family and when life was beginning to be a little too much, he would pick up a copy of The Sand Pebbles by Richard McKenna. Soon, he’d be transported to the deck of the USS San Pablo, during the 1920s, steaming up the Yangtze River in the heart of China and suddenly everything was right.

McKenna was a sailor in the US Navy for 22 years (1931 to 1953). He enlisted at the age of 18 and was assigned to the “China fleet,” patrolling largely between Guam, Okinawa, and Japan. He served through World War II and the Korean War. After finally retiring, he went to school on the GI Bill and started to write. His first and only novel was The Sand Pebbles,… show more.

A searing account by a retired Chinese journalist of the impact of social unrest and factional clashes in a rural area of central Hunan province in the late 1960s during the Cultural Revolution. Tan’s haunting account starts with his memories of passing through this area around the time the events he goes on to recount as a young journalist decades before. With research and investigation, he finds that the quiet but unsettling place he remembers witnessing was in fact consumed by murder and bloodshed. Some of these events he documents. A book that describes but does not judge, making its impact even more powerful.

I must have read dozens of books on China but Colin Thubron’s elegiac account comfortably takes the crown. Behind the Wall captures a unique moment in China’s history when foreigners were first allowed to travel around the country but the nation was yet to be influenced by the outside world. Having learnt to speak Mandarin in advance of travelling, the author probes deep into the rural areas and distant desert outposts of a closed communist empire still recovering from the ravages of the Cultural Revolution.

Stories can be sticky. They attach memories to places. I first visited San Francisco’s Chinatown in the early nineties. There were no mobile phones then or digital maps, so I wandered the streets and browsed the stores, admiring the green-tiled roofs and bright red lanterns, imagining I was back in Beijing. Growing hungry, I entered the first restaurant I saw. I sat, ordered, and pulled a paperback out of my coat pocket as I waited for my homestyle tofu to arrive. Diners ate. Waiters cleared plates. People picked up their takeaways. And I read. 

A few minutes later, the waiter returned. “You,” he said, “have a phone call.” He pointed at the desk beside the door. The restaurant’s phone handset was off the cradle and lay on the counter. “That’s impossible,” I thought. No one knew where I was. I didn’t know where I was. But there was the phone,… show more.

Perspectives on one of the most bewildering and turbulent periods in modern Chinese history – the Great Proletariat Cultural Revolution, in the decade from 1966, by one of contemporary China’s foremost historians. Yang, who has worked on the era of the great famines in China prior to this, is well served by two excellent translators. A book that brings the vastness of this revolution down to the stories of specific people and places, including those who were most involved in creating and directing this seminal event.

The godmother – the empress dowager, if you will – of all naughty Chinese authoresses is the inimitable Anchee Min. Her debut memoir, Red Azalea, was published half-a-decade before Shanghai Baby, and takes place half-a-century prior, at the outset of the Cultural Revolution. The first half of her story is set in a countryside labor camp, where teenaged Min and another young woman carry out a secret affair, with regrettable consequences. The second half of Min’s memoir finds her returning to her native Shanghai, now as the star of a movie production about Madam Mao, while carrying out yet another forbidden relationship, with one of Mao’s advisers. Min published seven subsequent books, all to critical acclaim, but Red Azalea is her at her most fearless.

I always like reading anything about day-to-day living in China. In this book, I loved the descriptions of what life is like in rural China, eg making their own reed shoes and building their own roofs. On the surface, this book is about the idyllic life in the countryside. However, it is set during the cultural revolution but so subtly described in the back-drop that it is perfect for the target audience. We often read about the people banished to the countryside, and this book tells me what happens to them when they arrive.

I also enjoyed it as it is a translated text, so there is a sense that this is authentic.