Here are 99 books that A Dance with Fred Astaire fans have personally recommended if you like
A Dance with Fred Astaire.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Even if you know nothing about dance, this (not short) memoir takes you inside one of the most imaginative collaborations of the twentieth-century avant-garde, and gives you the flavor of some of its extraordinary characters—not only Cage and Cunningham, but Robert Rauschenberg, Jasper Johns, Morton Feldman, and others.
Carolyn Brown, one of the most renowned dancers of the last half-century, lived at the center of New York's bold and vibrant artistic community, which included not only dancers and choreographers but composers and painters as well. Brown's memoir recounts her own remarkable twenty-year tenure with the Merce Cunningham Dance Company and provides a first-hand account of a pivotal period in twentieth-century art.
From the 1950s to the 1970s, Brown developed close relationships with musical director John Cage and set-designer Robert Rauschenberg and with Cunningham himself. Brown's memoir reveals the personal dynamics between the reserved and moody Cunningham and the…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve had the fortunate opportunity to write over 30 books and over 1000 articles. Not even my late beloved mother would have wanted to slog through all of them! Now, thanks to Teachers College Press, I have published my overview book. In addition to collecting the “essays” on Mind that I consider most important, I have also added autobiographical material and “legends,” which provide context for the wide spectrum of themes and pieces. The chance to reflect on a life of research has stimulated me to identify the works that had the greatest influence on my thinking and writing about the range and depth of human cognition.
This remarkable book, by one of the major anthropologists of the 20th century, intertwines two enterprises; it is both a fascinating account of his ethnographic work in Brazil in the 1930s and a penetrating reflection on what it’s like for a Parisian educated scholar to understand and convey what he later termed “the Savage Mind.”
Artfully written, this book exemplifies the best of social science and literary artistry—and serves as a model for all who want to write evocatively about their calling.
A milestone in the study of culture from the father of structural anthropology
This watershed work records Claude Lévi-Strauss's search for "a human society reduced to its most basic expression." From the Amazon basin through the dense upland jungles of Brazil, Lévi-Strauss found the societies he was seeking among the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib. More than merely recounting his time in their midst, Tristes Tropiques places the cultural practices of these peoples in a global context and extrapolates a fascinating theory of culture that has given the book an importance far beyond the fields of anthropology and continental philosophy.…
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Despite the cheesy title, this is a revealing window on the world of postwar publishing. Seaver “discovered” Samuel Beckett as a graduate student in Paris after the war, and he eventually became an editor at Beckett’s American publisher, Grove, during its heyday under Barney Rosset.
Richard Seaver came to Paris in 1950 seeking Hemingway's moveable feast. Paris had become a different city, traumatized by World War II, yet the red wine still flowed, the cafes bustled, and the Parisian women found American men exotic and heroic. There was an Irishman in Paris writing plays and novels unlike anything anyone had ever read - but hardly anyone was reading them. There were others, too, doing equivalently groundbreaking work for equivalently small audiences. So when his friends launched a literary magazine, "Merlin", Seaver knew this was his calling: to bring the work of the likes of Samuel…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
OK, Warhol probably did not write a single word of this book, and OK, you should believe nothing in it (or that Warhol ever said). But Pat Hackett channels Warhol’s voice and attitude uncannily, and the stories, however dubious the provenance, are funny and insightful about the art world of the nineteen sixties.
Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s.
A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.
His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and…
These books are all by or about comic geniuses. I have always expressed myself through humor. I never felt I was pretty, so making people laugh was another way of seducing people. I started out by doing improvisational theater on the streets of New York, went on to have a recurring role on Seinfeld, and performed my solo shows on three continents. One of my greatest thrills has been to share the stage with other storytellers while touring with The Moth. When I used my storytelling skills on TikTok, I was amazed at the response. Eleven million Likes is a lot of love. I hope I deserve it.
I love showbiz biographies full of the inside dope on glamorous, brilliant people, because I’ve always wanted to be one of those glamorous, brilliant people.
Mike Nichols knew everyone important in the arts, ate at the most fabulous restaurants, traveled to the most luxurious locations, and owned several grand homes. And I am pleased to report that he was frequently anxious and depressed.
I find it very reassuring to learn that someone who has everything I’ve ever dreamed of is no happier than I am. I know that sounds a little mean, but I never claimed to be perfect.
A National Book Critics Circle finalist • One of People's top 10 books of 2021 •An instant New York Times bestseller • Named a best book of the year by NPR and Time
A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back
Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May…
Shawn Levy is the author of 11 books of biography and pop culture history, including The Castle on Sunset: Life, Death, Love, Art, and Scandal at Hollywood's Chateau Marmont, Paul Newman: A Life, Rat Pack Confidential, and Ready, Steady, Go! The Smashing Rise and Giddy Fall of Swinging London. He was the longtime film critic of The Oregonian newspaper and KGW-TV in his beloved home city of Portland. He has written a history of the women pioneers of standup comedy which will be published by Doubleday in 2022 and at work on a podcast about the dark connections of politics and show business.
Before he became a writer of potboiler novels and true-crime journalism, Dominick Dunne was a film and television producer and a social butterfly who also happened also to be an avid amateur photographer. This memoir of his Hollywood days, which resulted in a crash-and-burn from which he emerged as a writer, is filled with intimate, candid images of such friends (not all faithful) as Jane Fonda, Elizabeth Taylor, Natalie Wood, Paul Newman, and Frank Sinatra, as well, of course, as Dunne and his family. There are dreamy and even eye-popping tales throughout, and if you're at all familiar with Dunne's books or magazine writing, you'll marvel at how so much of it so neatly dovetails with the life he actually lived and, thankfully, captured on film and in these frank and candid pages.
Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you.
When Dominick Dunne lived and worked in Hollywood, he had it all: a beautiful family, a glamorous career, and the friendship of the talented and powerful. He also had a camera and loved to take pictures. These photographs, which Dunne carefully preserved in more than a dozen leatherbound scrapbooks -- along with invitations, telegrams, personal notes, and other memorabilia -- record the parties, the glittering receptions, the society weddings,…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
Years ago, as part of my research, I interviewed Elia Kazan and Abraham Polonsky, two key figures in the blacklist story, and two men who were on different sides in terms of how they responded to the postwar Congressional investigations. These personal encounters – in New York and Los Angeles – fed a fascination with the anti-Communist purge in Hollywood, its dramaturgy, and the way filmmakers of that generation were caught up in it in different ways. There are more specialized works but the books recommended provide a substantive introduction to this still globally resonant topic, calling attention to the problematic and still difficult relationships between citizenship and cultural identity.
Renowned cultural historian Thomas Doherty provides a granular, blow-by-blow retelling of the events that led to the Hollywood blacklist. He places particular emphasis on the hearings as a ‘media-political spectacle,’ seeing it as the first such media event of the postwar era. He reexamines the events through a close and careful reading of press and media responses of the time. Less cinema-centric than other accounts, and less mesmerized by key individuals, Doherty gives us a cool, skeptical perspective on what is often an emotive or partisan discourse. There is much detail on how filmmakers, activists, politicians, newspaper and radio figures acted, and for what reasons, and how and why the post-war hearings played out as they did. The result is a sophisticated cultural history of the blacklist era.
In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door-or had it shut in their faces.
In Show Trial, Thomas Doherty takes us behind the scenes at…
I became fascinated by dream projects after a series of remarkable discoveries throughout my career. In 1970, I found Genet's manuscripts for his unfinished work La Mort, which proved crucial to understanding his entire artistic vision. Later, I came across Claudel's incomplete On répète Tête d'Or, which illuminated his lifelong struggle with the relationship between Judaism and Christianity. When I was given early access to Fellini's unfilmed Mastorna screenplay, I saw the same pattern emerging. These encounters led me to a profound realization: often, an artist's unfinished work—the project they struggle with but never complete—holds the key to understanding their entire creative output. This insight has guided my research ever since.
I found Hollis Alpert's book refreshing because it cuts through all the myths about Fellini and shows us the real person. After watching Fellini's films for years, I was glad to finally read a biography that explains how he developed his unique style.
The book helped me understand his evolution from cartoonist to filmmaker and showed me how his early experiences influenced his later work. While other biographers sometimes get caught up in Fellini's larger-than-life personality, Alpert stays focused on helping us understand the director's creative process. This is a straightforward, honest look at one of cinema's most interesting figures.
This biography, drawing on interviews with the filmmaker and his colleagues, investigates the man and the legend and defines the elusive boundaries between the two
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
Discovering the art of Alejandro Jodorowsky helped me to remove limitations from my own art. It was a joy to discover his work and it was a further joy to discover that his life has been just as uncompromising, surreal, and magical as his art. He has hung out with circus people, shamans, great artists (Marcel Marceau, Leonora Carrington, Jean Giraud… the list goes on). His novels, autobiographies, comic books, movies, and pictures are all fantastic.
Not a traditional autobiography composed of a chronological recounting of memories, Dance of Realityrepaints events from Jodorowsky's life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky's realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual's road to true fulfilment means casting off the phantoms projected by parents on their…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
Tyler Schwanke is a writer and a filmmaker. He holds an MFA from Hamline University, and his short stories have been widely published in online journals and literary magazines, including Chaotic Merge, Havik, and Fiction Southeast. He is also a graduate of the New York Film Academy and Minnesota State University Moorhead, where he was awarded a Minnesota Film and TV Grant. Several of his award-winning short films have played at festivals across the country. Tyler lives in the Minneapolis with his wife and their dog. Breaking In is his debut novel.
A sci-fi space opera that’s told like a documentary film.
This was the first book (but certainly not the last) that ever made me jealous I didn’t write, and inspired countless hours of me trying to duplicate.
Set in an alternate 1986 where silent films still reign and using various forms (reality tv, movie, celebrity rags, audio transcripts) this is a genre-bending collective gorgeously told and seriously underread.
Severin Unck is the headstrong young daughter of a world famous film director. She has inherited her father's love of the big screen but not his exuberant gothic style of filmmaking. Instead, Severin makes documentaries, artful and passionate and even rather brave - for she is a realist in a fantastic alternate universe, in which Hollywood occupies the moon, Mars is rife with lawless saloons, and the solar system contains all manner of creatures, cults and colonies. For Severin's latest project she leads her crew to the watery planet of Venus to investigate the disappearance of a diving colony there.…
