Here are 100 books that A Dance with Fred Astaire fans have personally recommended if you like
A Dance with Fred Astaire.
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I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Even if you know nothing about dance, this (not short) memoir takes you inside one of the most imaginative collaborations of the twentieth-century avant-garde, and gives you the flavor of some of its extraordinary characters—not only Cage and Cunningham, but Robert Rauschenberg, Jasper Johns, Morton Feldman, and others.
Carolyn Brown, one of the most renowned dancers of the last half-century, lived at the center of New York's bold and vibrant artistic community, which included not only dancers and choreographers but composers and painters as well. Brown's memoir recounts her own remarkable twenty-year tenure with the Merce Cunningham Dance Company and provides a first-hand account of a pivotal period in twentieth-century art.
From the 1950s to the 1970s, Brown developed close relationships with musical director John Cage and set-designer Robert Rauschenberg and with Cunningham himself. Brown's memoir reveals the personal dynamics between the reserved and moody Cunningham and the…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve had the fortunate opportunity to write over 30 books and over 1000 articles. Not even my late beloved mother would have wanted to slog through all of them! Now, thanks to Teachers College Press, I have published my overview book. In addition to collecting the “essays” on Mind that I consider most important, I have also added autobiographical material and “legends,” which provide context for the wide spectrum of themes and pieces. The chance to reflect on a life of research has stimulated me to identify the works that had the greatest influence on my thinking and writing about the range and depth of human cognition.
This remarkable book, by one of the major anthropologists of the 20th century, intertwines two enterprises; it is both a fascinating account of his ethnographic work in Brazil in the 1930s and a penetrating reflection on what it’s like for a Parisian educated scholar to understand and convey what he later termed “the Savage Mind.”
Artfully written, this book exemplifies the best of social science and literary artistry—and serves as a model for all who want to write evocatively about their calling.
A milestone in the study of culture from the father of structural anthropology
This watershed work records Claude Lévi-Strauss's search for "a human society reduced to its most basic expression." From the Amazon basin through the dense upland jungles of Brazil, Lévi-Strauss found the societies he was seeking among the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib. More than merely recounting his time in their midst, Tristes Tropiques places the cultural practices of these peoples in a global context and extrapolates a fascinating theory of culture that has given the book an importance far beyond the fields of anthropology and continental philosophy.…
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Despite the cheesy title, this is a revealing window on the world of postwar publishing. Seaver “discovered” Samuel Beckett as a graduate student in Paris after the war, and he eventually became an editor at Beckett’s American publisher, Grove, during its heyday under Barney Rosset.
Richard Seaver came to Paris in 1950 seeking Hemingway's moveable feast. Paris had become a different city, traumatized by World War II, yet the red wine still flowed, the cafes bustled, and the Parisian women found American men exotic and heroic. There was an Irishman in Paris writing plays and novels unlike anything anyone had ever read - but hardly anyone was reading them. There were others, too, doing equivalently groundbreaking work for equivalently small audiences. So when his friends launched a literary magazine, "Merlin", Seaver knew this was his calling: to bring the work of the likes of Samuel…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
OK, Warhol probably did not write a single word of this book, and OK, you should believe nothing in it (or that Warhol ever said). But Pat Hackett channels Warhol’s voice and attitude uncannily, and the stories, however dubious the provenance, are funny and insightful about the art world of the nineteen sixties.
Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s.
A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.
His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and…
I have long been an ardent admirer and student of works that transgress boundaries and extend the frontiers of literature. A blurring and subversion of genres, or fusion of forms and modalities, arouses my imagination and inspires me to see differently, to read differently, to travel to places within myself that otherwise might remain undiscovered and uncharted. To me, writing is an ongoing experiment, a series of progressions and adventures which ask me to stay open, supple, and curious. There is no set formula—each book demands its own form, and both as writer and reader, I most desire to be engaged in what is a solitary ritual of interaction.
While this book is a bio-memoir, I included it on my list as a correspondent homage to the cinematic shaman of twisted mysteries, David Lynch. For the past forty plus years, Lynch has dreamscaped a long day’s journey into night, taking audiences on a hallucinated tour through the underworld of their own splintered psyche. Lynch’s oeuvre, a steam-punk Frankenstein of interchangeable parts, speaks to the savvy and glee of a mad scientist at play, while his blending of the eternal with American pop has given us a surrealistic soap opera with an eye toward the numinous. Written in alternating chapters, between Lynch and McKenna, this book is a must-read for fans of Lynch, but beyond that, if you are a fan and lover of cinema, creative process, and following your bliss, Room to Dreamstrikes those chords with a down-to-earth immediacy. It is, in essence, one man’s multi-layered valentine…
NEW YORK TIMES BESTSELLER • An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family
“Insightful . . . an impressively industrious and comprehensive account of Lynch’s career.”—The New York Times Book Review
In this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he’s faced to bring his unorthodox projects to fruition. Lynch’s lyrical, intimate, and unfiltered personal reflections riff…
These books are all by or about comic geniuses. I have always expressed myself through humor. I never felt I was pretty, so making people laugh was another way of seducing people. I started out by doing improvisational theater on the streets of New York, went on to have a recurring role on Seinfeld, and performed my solo shows on three continents. One of my greatest thrills has been to share the stage with other storytellers while touring with The Moth. When I used my storytelling skills on TikTok, I was amazed at the response. Eleven million Likes is a lot of love. I hope I deserve it.
I love showbiz biographies full of the inside dope on glamorous, brilliant people, because I’ve always wanted to be one of those glamorous, brilliant people.
Mike Nichols knew everyone important in the arts, ate at the most fabulous restaurants, traveled to the most luxurious locations, and owned several grand homes. And I am pleased to report that he was frequently anxious and depressed.
I find it very reassuring to learn that someone who has everything I’ve ever dreamed of is no happier than I am. I know that sounds a little mean, but I never claimed to be perfect.
A National Book Critics Circle finalist • One of People's top 10 books of 2021 •An instant New York Times bestseller • Named a best book of the year by NPR and Time
A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back
Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Shawn Levy is the author of 11 books of biography and pop culture history, including The Castle on Sunset: Life, Death, Love, Art, and Scandal at Hollywood's Chateau Marmont, Paul Newman: A Life, Rat Pack Confidential, and Ready, Steady, Go! The Smashing Rise and Giddy Fall of Swinging London. He was the longtime film critic of The Oregonian newspaper and KGW-TV in his beloved home city of Portland. He has written a history of the women pioneers of standup comedy which will be published by Doubleday in 2022 and at work on a podcast about the dark connections of politics and show business.
Before he became a writer of potboiler novels and true-crime journalism, Dominick Dunne was a film and television producer and a social butterfly who also happened also to be an avid amateur photographer. This memoir of his Hollywood days, which resulted in a crash-and-burn from which he emerged as a writer, is filled with intimate, candid images of such friends (not all faithful) as Jane Fonda, Elizabeth Taylor, Natalie Wood, Paul Newman, and Frank Sinatra, as well, of course, as Dunne and his family. There are dreamy and even eye-popping tales throughout, and if you're at all familiar with Dunne's books or magazine writing, you'll marvel at how so much of it so neatly dovetails with the life he actually lived and, thankfully, captured on film and in these frank and candid pages.
Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you.
When Dominick Dunne lived and worked in Hollywood, he had it all: a beautiful family, a glamorous career, and the friendship of the talented and powerful. He also had a camera and loved to take pictures. These photographs, which Dunne carefully preserved in more than a dozen leatherbound scrapbooks -- along with invitations, telegrams, personal notes, and other memorabilia -- record the parties, the glittering receptions, the society weddings,…
I have turned my childhood fascination with Hollywood into an academic career. For four decades I have explored, not least through extensive archival research, all aspects of the history of American cinema – films, filmmakers, studios, production histories, marketing campaigns, critical reception, audiences. Among other books, I have published three volumes in the British Film Institute’s Film Classics series (on Buster Keaton’sThe Generaland Stanley Kubrick’sDr. Strangeloveand2001: A Space Odyssey). I have focused on some of the most highly acclaimed, most commercially successful, most ardently loved, and most influential movies of all time. The starting point for my work is always my passionate engagement with particular movies.
There have been so many books about George Lucas’s most famous creation, the Star Wars saga, and about the man himself.
As far as biographical accounts are concerned, Dale Pollock’s volume (initially published in 1983, and updated in 1990 and 1999) has to be given a lot of credit for being the first to properly introduce this unique filmmaker, whose life and career have been so full of unexpected twists and turns, to the world – and to me!
Pollock’s well-researched and very readable book set a high standard for all the writers following in his footsteps.
Filled with revelations about the origins and making of American Graffiti, Star Wars, The Empire Strikes Back, Raiders of the Lost Ark, and Return of the Jedi, this only full-length biography of filmmaker and cinematic visionary George Lucas has been updated with a substantial new chapter that discusses the revamped Star Wars Trilogy Special Edition, the Star Wars prequels, the filming of the first installment, and the controversial ways in which Lucas's approach and success continue to alter the landscape of the film industry.
I became fascinated by dream projects after a series of remarkable discoveries throughout my career. In 1970, I found Genet's manuscripts for his unfinished work La Mort, which proved crucial to understanding his entire artistic vision. Later, I came across Claudel's incomplete On répète Tête d'Or, which illuminated his lifelong struggle with the relationship between Judaism and Christianity. When I was given early access to Fellini's unfilmed Mastorna screenplay, I saw the same pattern emerging. These encounters led me to a profound realization: often, an artist's unfinished work—the project they struggle with but never complete—holds the key to understanding their entire creative output. This insight has guided my research ever since.
I found Hollis Alpert's book refreshing because it cuts through all the myths about Fellini and shows us the real person. After watching Fellini's films for years, I was glad to finally read a biography that explains how he developed his unique style.
The book helped me understand his evolution from cartoonist to filmmaker and showed me how his early experiences influenced his later work. While other biographers sometimes get caught up in Fellini's larger-than-life personality, Alpert stays focused on helping us understand the director's creative process. This is a straightforward, honest look at one of cinema's most interesting figures.
This biography, drawing on interviews with the filmmaker and his colleagues, investigates the man and the legend and defines the elusive boundaries between the two
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love scary books for kids, and scary mysteries in particular. I’m a strong advocate for literacy and reaching reluctant readers, and the author of the multi-award-nominated middle-grade mystery Daybreak on Raven Island and Midnight at the Barclay Hotel, among others. The recent resurgence of horror has brought a fresh new bunch of scary stories for kids. And I love reading these books, even though I’m well out of the target age range. These new scary books for kids blend genres, tackle difficult issues, and show kids that even in the darkest, smallest hour of the night, you can solve the problem at hand and come out on the other side—better, stronger, smarter.
Graphic novels are seeing a real boom, and Ira Marcks’ Spirit Week is the perfect scary graphic novel middle-grade for visual readers.
Inspired by The Shining (you know, that Stephen King book made into a horror movie with Jack Nicholson), this graphic novel manages to weave horror and cinematic elements to make for a great nod to the horror genre.
Our main kid character Suzy is an aspiring engineer, and she’s at the Underlook Hotel to tutor a famous filmmaker’s son named Danny. But the kids are quickly sucked into solving the mystery of the hotel, alongside a cast of colorful characters. Part mystery, part cinematic horror, Spirit Week will appeal to all readers. I read it in one sitting, it was that good.
Aspiring engineer Suzy Hess is invited to the famous Underlook Hotel, domain of the reclusive horror writer Jack Axworth, in the mountains above her hometown of Estes Park, Colorado. Suzy thinks she's there to tutor Jack's son, Danny, but instead she finds herself investigating a local curse that threatens the landmark hotel.
With the help of Elijah Jones, an amateur filmmaker who thought he'd been asked to make a film about the so-called King of Horror; Rena Hallorann, the hotel's caretaker; and Danny, who knows more than he's letting on, Suzy sets out to solve the mystery at the heart…
