Here are 98 books that Spirit Week fans have personally recommended if you like
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I love scary books for kids, and scary mysteries in particular. I’m a strong advocate for literacy and reaching reluctant readers, and the author of the multi-award-nominated middle-grade mystery Daybreak on Raven Island and Midnight at the Barclay Hotel, among others. The recent resurgence of horror has brought a fresh new bunch of scary stories for kids. And I love reading these books, even though I’m well out of the target age range. These new scary books for kids blend genres, tackle difficult issues, and show kids that even in the darkest, smallest hour of the night, you can solve the problem at hand and come out on the other side—better, stronger, smarter.
If you really want to be scared, Hide and Seeker by Daka Hermon is the book for you.
This story takes the hide and seek game and gives it a creepy twist. The book opens when Justin goes to see his friend Zee, who mysteriously disappeared a year earlier and is now back. But nothing is the same… Anyone who plays the game disappears, one by one, taken by the mysterious Seeker. This book had me sleeping with the light on.
If you have a kid reader who truly loves to be scared, Hide and Seeker is the perfect book.
One of our most iconic childhood games receives a creepy twist as it becomes the gateway to a nightmare world.
I went up the hill, the hill was muddy, stomped my toe and made it bloody, should I wash it?Justin knows that something is wrong with his best friend.Zee went missing for a year. And when he came back, he was . . . different. Nobody knows what happened to him. At Zee's welcome home party, Justin and the neighborhood crew play Hide and Seek. But it goes wrong. Very wrong.One by one, everyone who plays the game disappears, pulled…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I love scary books for kids, and scary mysteries in particular. I’m a strong advocate for literacy and reaching reluctant readers, and the author of the multi-award-nominated middle-grade mystery Daybreak on Raven Island and Midnight at the Barclay Hotel, among others. The recent resurgence of horror has brought a fresh new bunch of scary stories for kids. And I love reading these books, even though I’m well out of the target age range. These new scary books for kids blend genres, tackle difficult issues, and show kids that even in the darkest, smallest hour of the night, you can solve the problem at hand and come out on the other side—better, stronger, smarter.
Whenever someone asks me to recommend a scary book for kids, I instantly think of Lindsay Currie’s books. This author knows just how to write a scary story for kids without making it gory.
In It Found Us, twelve-year-old Hazel loves a good mystery, so when she hears that her brother Den plans to go to the cemetery for a game of hide and seek, she tags along. Only the game ends with her brother’s friend Everett missing, and now Den and Hazel try to find him before it’s too late… I loved Hazel, the girl detective in the book, whose sleuthing takes her to a Chicago cemetery, and exploring history.
Think Scooby Doo meets Goosebumps—your kid will love this scary mystery and will want to check out all of Lindsay Currie’s books.
From the author of Scritch Scratch and The Girl in White comes a new spooky mystery about a girl detective who must decode a series of ominous clues tied to a century-old tragedy to find a missing teenager before it's too late…
Twelve-year-old Hazel Woods has always had an unusual knack for sleuthing. Some may call it snooping, but all she really wants is to solve mysteries around town. So, when she not-so-accidentally overhears her brother Den planning to sneak into the cemetery at night for an epic game of hide-and-seek, she decides to secretly tag along. This seems like…
I love scary books for kids, and scary mysteries in particular. I’m a strong advocate for literacy and reaching reluctant readers, and the author of the multi-award-nominated middle-grade mystery Daybreak on Raven Island and Midnight at the Barclay Hotel, among others. The recent resurgence of horror has brought a fresh new bunch of scary stories for kids. And I love reading these books, even though I’m well out of the target age range. These new scary books for kids blend genres, tackle difficult issues, and show kids that even in the darkest, smallest hour of the night, you can solve the problem at hand and come out on the other side—better, stronger, smarter.
I love a good short story, especially when it’s written for kids.
In More Tales to Keep You Up at Night, main character Gilbert finds audio tapes after his brother is injured in a mysterious accident, and starts to listen to them. Gilbert soon figures out that the stories are connected to his family, and that he’ll have to listen to all of them to save his brother…
Perfect for readers of Scary Stories to Tell in the Dark. And as you probably can tell from the title, there is a first book by the same author. Dan Poblocki is one of those authors who just know how to tell a scary story for the middle-grade audience.
From the co-author of the #1 New York Times bestselling series The Magic Misfits comes a spectacularly creepy follow-up to Tales to Keep You Up at Night that will keep you up way past bedtime.
Perfect for fans of Scary Stories to Tell in the Dark!
Gilbert is visiting his injured brother, Ant, in the hospital, when he sees a shadowed figure leave behind a satchel filled with old cassette tapes. Despite a strange, garbled voicemail telling him "Don't listen to the tapes," Gilbert can't resist playing them and listening to the chilling stories they reveal: tales of cursed seashells,…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I love scary books for kids, and scary mysteries in particular. I’m a strong advocate for literacy and reaching reluctant readers, and the author of the multi-award-nominated middle-grade mystery Daybreak on Raven Island and Midnight at the Barclay Hotel, among others. The recent resurgence of horror has brought a fresh new bunch of scary stories for kids. And I love reading these books, even though I’m well out of the target age range. These new scary books for kids blend genres, tackle difficult issues, and show kids that even in the darkest, smallest hour of the night, you can solve the problem at hand and come out on the other side—better, stronger, smarter.
This book starts with a prank gone wrong, when Rafa and his friend steal the school slushy machine and get busted. As punishment, Rafa is sent to Ranch Espanto in New Mexico for the summer.
Rafa makes a friend in Jennie, but his work at the ranch keeps being sabotaged… He has to solve the (supernatural) mystery of the ranch, and in the end the book has a cool plot twist to satisfy mystery readers like myself. Aside from the strong plot, this book also covers tougher topics affecting these kids, giving it depth and heart.
I loved the New Mexico feel of the book, and appreciated how there was a mystery as well as supernatural (and magical realism) elements. The Ghosts of Rancho Espanto is the perfect book for kids who like a blend of genres, not simply another ghost story.
Sometimes parents are creative when they punish you. But not Rafael's dad. He doesn't bother with a traditional punishment when he finds out Rafael and his friends tried to steal a slushie machine from the school cafeteria. He skips right over creative, too. He blasts all the way to completely unhinged and bonkers.
That's how Rafael ends up on a ranch in Middle of Nowhere, New Mexico, thousands of miles from home in Miami. He's content to keep his head down and do as he's told, but his work is inexplicably sabotaged by a strangely familiar man, one with the…
I have turned my childhood fascination with Hollywood into an academic career. For four decades I have explored, not least through extensive archival research, all aspects of the history of American cinema – films, filmmakers, studios, production histories, marketing campaigns, critical reception, audiences. Among other books, I have published three volumes in the British Film Institute’s Film Classics series (on Buster Keaton’sThe Generaland Stanley Kubrick’sDr. Strangeloveand2001: A Space Odyssey). I have focused on some of the most highly acclaimed, most commercially successful, most ardently loved, and most influential movies of all time. The starting point for my work is always my passionate engagement with particular movies.
Published in 2016, four years after George Lucas had sold Lucasfilm Ltd., and with it the Star Wars franchise, to Disney, this is a worthy successor to Dale Pollock’s groundbreaking biography (first published in 1983 and last updated in 1999).
Brian Jay Jones brings that book’s story of an extraordinary filmmaker, who showed surprisingly little interest in movies during his early youth and then spent several years focusing on experimental short films before changing Hollywood with a series of huge blockbusters and newly formed businesses, to what appears to be its conclusion: since 2012 Lucas has largely withdrawn from filmmaking.
The book is not only very informative but in places, especially in the last chapter, also quite moving.
George Lucas by Brian Jay Jones is the first comprehensive telling of the story of the iconic filmmaker and the building of his film empire, as well as of his enormous impact on cinema. At once a biography, a business manual, and a film history, George Lucas will, for the first time explore the life and work of a fiercely independent writer/director/producer who became one of the most influential filmmakers and cultural icons - a true game changer.
On May 25, 1977, a problem-plagued, budget-straining, independent science fiction film opened in a mere thirty-two American movie theatres. Its distributor -…
Maureen Callahan is a New York Times bestselling author, award-winning investigative journalist, columnist, and commentator. She has covered everything from pop culture to politics. Her writing has appeared in Vanity Fair, New York, Spin, and the New York Post, where she is Critic-at-Large. She lives in New York. For Shepherd, Callahan has selected her favorite books about American pop culture, which is currently dominated by her favorite subgenre, true crime.
The New York Times called this memoir “The Hollywood Chainsaw Massacre!” and it still stands as one of the best. Phillips, who died New Year’s Day 2002, was a self-described “nice Jewish girl from Great Neck,” Long Island who loved the movies, movie stars — and books. She was sharp, unsparing, and became the first female producer to win an Oscar for Best Picture. The closest comp title, I think, is The Kid Stays In The Picture by the late Robert Evans, but Phillips does him better in eviscerating no one so much as herself. And this is someone who describes Rolling Stone Ronnie Wood as “very sweet, but . . . smells terrible,” before asking, “Why don’t the English like to bathe?” An observation that could get one canceled today.
“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”—The New York Times
Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This…
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
Discovering the art of Alejandro Jodorowsky helped me to remove limitations from my own art. It was a joy to discover his work and it was a further joy to discover that his life has been just as uncompromising, surreal, and magical as his art. He has hung out with circus people, shamans, great artists (Marcel Marceau, Leonora Carrington, Jean Giraud… the list goes on). His novels, autobiographies, comic books, movies, and pictures are all fantastic.
Not a traditional autobiography composed of a chronological recounting of memories, Dance of Realityrepaints events from Jodorowsky's life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky's realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual's road to true fulfilment means casting off the phantoms projected by parents on their…
These books are all by or about comic geniuses. I have always expressed myself through humor. I never felt I was pretty, so making people laugh was another way of seducing people. I started out by doing improvisational theater on the streets of New York, went on to have a recurring role on Seinfeld, and performed my solo shows on three continents. One of my greatest thrills has been to share the stage with other storytellers while touring with The Moth. When I used my storytelling skills on TikTok, I was amazed at the response. Eleven million Likes is a lot of love. I hope I deserve it.
I love showbiz biographies full of the inside dope on glamorous, brilliant people, because I’ve always wanted to be one of those glamorous, brilliant people.
Mike Nichols knew everyone important in the arts, ate at the most fabulous restaurants, traveled to the most luxurious locations, and owned several grand homes. And I am pleased to report that he was frequently anxious and depressed.
I find it very reassuring to learn that someone who has everything I’ve ever dreamed of is no happier than I am. I know that sounds a little mean, but I never claimed to be perfect.
A National Book Critics Circle finalist • One of People's top 10 books of 2021 •An instant New York Times bestseller • Named a best book of the year by NPR and Time
A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back
Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May…
I have turned my childhood fascination with Hollywood into an academic career. For four decades I have explored, not least through extensive archival research, all aspects of the history of American cinema – films, filmmakers, studios, production histories, marketing campaigns, critical reception, audiences. Among other books, I have published three volumes in the British Film Institute’s Film Classics series (on Buster Keaton’sThe Generaland Stanley Kubrick’sDr. Strangeloveand2001: A Space Odyssey). I have focused on some of the most highly acclaimed, most commercially successful, most ardently loved, and most influential movies of all time. The starting point for my work is always my passionate engagement with particular movies.
There have been so many books about George Lucas’s most famous creation, the Star Wars saga, and about the man himself.
As far as biographical accounts are concerned, Dale Pollock’s volume (initially published in 1983, and updated in 1990 and 1999) has to be given a lot of credit for being the first to properly introduce this unique filmmaker, whose life and career have been so full of unexpected twists and turns, to the world – and to me!
Pollock’s well-researched and very readable book set a high standard for all the writers following in his footsteps.
Filled with revelations about the origins and making of American Graffiti, Star Wars, The Empire Strikes Back, Raiders of the Lost Ark, and Return of the Jedi, this only full-length biography of filmmaker and cinematic visionary George Lucas has been updated with a substantial new chapter that discusses the revamped Star Wars Trilogy Special Edition, the Star Wars prequels, the filming of the first installment, and the controversial ways in which Lucas's approach and success continue to alter the landscape of the film industry.
Kubrick has fascinated me since I watchedPaths of Gloryat MoMA, one of Stanley’s old haunts, in the early 1960s. I first saw 2001 in London and then once a year after that back home in New York. I taught courses devoted to Kubrick, and when I taught the course online at the University of Virginia, welcomed his brother-in-law, Jan Harlan, to talk to us long distance. With each move, I drew closer and closer to our subject. I visited the Manor at Childwickbury and had lunch with Kubrick’s wife, Christiane. I studied documents in the Kubrick Archive in London. There became a point of recognizing myself in Kubrick himself and his films. A biography was inevitable.
Until David wrote his book, there hadn’t been a biography of Kubrick in over twenty years. While his book is short, it is very readable, and I found it the most intriguing of the short biographies.
Mikics conducted new interviews and visited Kubrick’s archive in London. His readings of Kubrick’s films are precise and elegant.
An engrossing biography of one of the most influential filmmakers in cinematic history
"A cool, cerebral book about a cool, cerebral talent. . . . A brisk study of [Kubrick's] films, with enough of the life tucked in to add context as well as brightness and bite."-Dwight Garner, New York Times
"An engaging and well-researched primer to the work of a cinematic legend."-Library Journal
Kubrick grew up in the Bronx, a doctor's son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self-taught filmmaker and self-proclaimed outsider, and his films exist…
